Ticket to the World is a joyous, nostalgic celebration of 80s culture from one man at the centre of it all. New Year's Eve, 1979. My family and I stand arm in arm around our Formica kitchen table, counting down to the new decade with each televised chime of Big Ben. We have no idea what is about to hit us, no idea of the seismic waves of change approaching. The 80s transformed life as we knew it. Music, style and culture exploded in a haze of dayglo colour. There were hardships, but there were opportunities too. And I lived through - and helped to shape - Britain's last real youth movement. Ticket to the World is my time-warp trip down memory lane, reliving that truly unforgettable decade. Join me as I recall what it was like to lead the New Romantics, stay up all night at the Blitz with Sade and Boy George, travel the world with Spandau Ballet and contribute to the era-defining Live Aid. So, grab that glass of Babycham and let's toast the very best of the 80s: the creativity and the culture, the fashion and the FUN!

Ticket to the World: My 80s Story

Kemp, Martin

Humor & Entertainment

Harpercollins

A personally compelling introduction to Leonardo's genius, a classic monograph of Leonardo's art and his develpoment.

Leonardo da Vinci: Revised Edition

Arts & Photography

CLARK, Kenneth

History & Criticism

Penguin

A true genius whose talents embraced painting, engineering, anatomy, and flight, Leonardo da Vinci was--and remains--an extraordinary human being, indeed one of the most intriguing figures in world history, as the recent success of The Da Vinci Code attests. Now, in this new biography, Martin Kemp explores the essential nature of this forever fascinating artist-engineer, both as an individual and as a historical phenomenon. How can we best understand Leonardo? How did his mind work--was he prolific but scattered in his thinking, or is there a method in what often seems to be his madness? Was he basically an artist who also pursued science and technology, or was "science"--his understanding of the physical world--central to his artistic vision? In Leonardo, Martin Kemp offers a vivid portrait of the Renaissance giant that answers these questions and more. The book takes us on an absorbing journey through the life and work of Leonardo, looking first at the historical man, portraying an impressive and cultivated figure, an artist who in truth completed few paintings, rarely satisfied a commission, and yet lived in style and ended his career with a massive salary. More important, the author examines the ideas underlying Leonardo's investigations of nature, illuminating his vision of the artist-engineer as matching nature itself in his creativity. Kemp argues that Leonardo's apparent diversities reveal a desire to find an inner unity in the functioning of everything in the observable world. For Leonardo, writes Kemp, every act of looking and drawing was an act of analysis, and he used these analyses to re-make and re-interpret his surroundings. In a final chapter, Kemp also comments on the Da Vinci Code and "the continuing public appetite for Leonardo and his doings." Beautifully illustrated with a unique "thumbnail museum" that offers a tour of all Leonardo's paintings, plus 30 additional illustrations and life-size reproductions of pages from his famous notebooks, Leonardo is a powerful portrait of one of the towering geniuses of world history.

Leonardo

Oxford University Press

A true genius whose talents embraced painting, engineering, anatomy and human flight, Leonardo da Vinci was an extraordinary human being, indeed one of the most intriguing figures in world history. In this biography, Martin Kemp offers a vivid portrait of the Renaissance giant that explores the essential nature of this forever fascinating artist-engineer, both as an individual and as a historical phenomenon, feeding the "the continuing public appetite for Leonardo and his doings" found in The Da Vinci Code. Kemp takes us on an absorbing journey through the life and work of Leonardo, looking first at the historical man, portraying an impressive and cultivated figure, an artist who in truth completed few paintings, rarely satisfied a commission, and yet lived in the style and ended his career with a massive salary. More important, the author examines the ideas underlying Leonardo's investigations of nature, illuminating his vision of the artist-engineer as matching nature itself in his creativity. Kemp argues that Leonardo's apparent diversities reveal a desire to find an inner unity in the functioning of everything in the observable world. For Leonardo, writes Kemp, every act of looking and drawing was an act of analysis, and he used these analyses to re-make and re-interpret his surroundings. Beautifully illustrated with a unique "thumbnail museum" that offers a tour of all Leonardo's paintings, plus 30 additional illustrations and life-size reproductions of pages from his famous notebooks, Leonardo is a powerful portrait of one of the towering geniuses of world history.

This masterly account of Leonardo da Vinci and his vision of the world has long been recognized as the classic treatment of the Renaissance giant, offering unparalleled insight into Leonardo's intellect and vision at every stage of his artistic career. Martin Kemp, one of the world's leading authorities on Leonardo, takes us on a mesmerizing journey through the whole span of the great man's life, painting a fully integrated picture of his artistic, scientific, and technological achievements. Kemp shows how Leonardo's early training in Florence provided a crucial foundation in the "science of art," particularly perspective and anatomy, while his period in the service of the Sforzas of Milan enlarged his outlook to embrace a wide range of natural sciences and mathematics, as he searched for scientific rules governing both man and the universe. It was these rules, Kemp argues, which provided the basis for his imaginative reconstruction of nature in masterworks such as the Last Supper, The Mona Lisa, and St. John, which reveal his increasingly complex vision of man in the context of nature. And towards the end of his life, Leonardo became fascinated with the mathematics underlying the "design of nature," behind which lay the ultimate force of the "prime mover," as manifested with supreme power in his Deluge drawings. Covering every aspect of Leonardo's achievement, generously illustrated, and now including a new introductory chapter setting Leonardo's work in its historical context, this fully updated edition provides unparalleled insight into the mind of this central figure in western art.

Leonardo da Vinci: The Marvellous Works of Nature and Man

Martin Kemp's provocative essays on the interplay between art and science have been entertaining readers of Nature, the world's leading journal for the announcement of scientific discoveries, since 1997. These short, illustrated, highly regarded essays generally focus on one visual image from art or science and provide an evocative and erudite investigation into shared motifs in the two disciplines. Gathered together here with a delightfully rich introduction by the author, the essays take our understanding to an exciting new level as they transgress the traditional boundaries between art and science.The images under consideration cover Western art from the Renaissance to the present day, and the science ranges from abstract mathematics to the illustrative modes of natural history and medicine. Kemp skillfully discusses the Mona Lisa as well as horror films, Galileo's moon drawings and diagrams in modern physics, Renaissance pottery and logos on trucks, the invention of perspective, and contemporary masterpieces.Rather than charting the mutual influence of art and science upon each other, these essays look to the deeper structures that find expression in art and science; they reveal the "structural intuitions" shared by artists and scientists when confronting the world. This volume contains all the pieces published in Nature under the banners of "Art and Science" and "Science and Image," together with some from Kemp's recent "Science and Culture" series. The essays are presented thematically rather than chronologically, arranged to stimulate critical ideas about the nature of the image at the intersection of art and science, now and in the past.

The Nature Book of Art and Science

University of California, 2000

Mona Lisa: The People and the Painting

Pallanti, Giuseppe

The Salvator Mundi is the first Leonardo painting to be discovered for over a century. Following its re-emergence, it played a leading role in the landmark Leonardo exhibition at the National Gallery in London in 2011, after which it was purchased by a Russian oligarch. In 2017 it was auctioned by Christie's in New York, fetching the world record price of $450m, and now forms part of the collection of Louvre Abu Dhabi. The Salvator Mundi may be seen as the devotional counterpart to the Mona Lisa, having an extraordinary, communicative presence. The artist has reformed the very traditional subject matter in a number of ways. The elusiveness of Christ's expression suggests his spiritual origins beyond the world of the senses. The traditional sphere of the earth has been transformed into a rock-crystal orb and signifies a crystalline sphere of the heavens. In addition to its spiritual dimension, the image exploits Leonardo's optical knowledge and his growing sense of the illusiveness of seeing. Only the blessing hand is in reasonably sharp focus, with his features softly veiled. The scintillating curls of his hair are characterised in line with his theory that the physics of the curling of hair is analogous to vortex motion in water. This book looks at evidence of Leonardo's Salvator Mundi in the collections of Charles I and Charles II. It explores the appraisal of works by Leonardo at the Stuart courts, and proposes that how works attributed to Leonardo were first encountered and understood in seventeenth-century Britain would shape the wider evolution of Leonardo as a cultural icon. This volume gives a dramatic first-hand account of the modern-day discovery of the painting, from its purchase in a minor New Orleans auction house, to the cleaning of the picture that would disclose it as Leonardo's startling original, and the research processes that would uncover illustrious and obscure former owners. The book presents the definitive study of the new masterpiece.

Leonardo's Salvator Mundi and the Collecting of Leonardo in the Stuart Courts

Simon, Robert B.

Dalivalle, Margaret

This masterly account of Leonardo da Vinci and his vision of the world has long been recognized as the classic treatment of the Renaissance giant, offering unparalleled insight into Leonardo's intellect and vision at every stage of his artistic career. Martin Kemp, one of the world's leading authorities on Leonardo, takes us on a mesmerizing journey through the whole span of the great man's life, painting a fully integrated picture of his artistic, scientific, and technological achievements. Kemp shows how Leonardo's early training in Florence provided a crucial foundation in the "science of art," particularly perspective and anatomy, while his period in the service of the Sforzas of Milan enlarged his outlook to embrace a wide range of natural sciences and mathematics, as he searched for scientific rules governing both man and the universe. It was these rules, Kemp argues, which provided the basis for his imaginative reconstruction of nature in masterworks such as the Last Supper, The Mona Lisa, and St. John, which reveal his increasingly complex vision of man in the context of nature. And towards the end of his life, Leonardo became fascinated with the mathematics underlying the "design of nature," behind which lay the ultimate force of the "prime mover," as manifested with supreme power in his Deluge drawings. Covering every aspect of Leonardo's achievement, generously illustrated, and now including a new introductory chapter setting Leonardo's work in its historical context, this fully updated edition provides unparalleled insight into the mind of this central figure in western art. "Sensitive and original descriptions of the master's paintings... combining the achievements of Kenneth Clark's classic on the artist with V. P. Zubov's unsurpassed account of the scientist in the context of his age." --E. H. Gombritch, The Times Literary Supplement (on the first edition)

Seen | Unseen is a deep, richly illustrated, and erudite analysis of the interconnections between science and the visual arts. Martin Kemp explores the responses of artists, scientists, and their instruments, to the world--ranging from early representations of perspective, to pinhole cameras, particle accelerators and the Hubble telescope. From Leonardo, Durer, and the inventors of photography to contemporary sculptors, and from Galileo and Darwin to Stephen J. Gould, Kemp considers the way in which scientists and artists have perceived the world and responded to its patterns, and sees common "structural intuitions" reflected in their work.

Seen | Unseen: Art, Science, and Intuition from Leonardo to the Hubble Telescope

See the best price to sell, buy, or rent books by Kemp, Martin. BookScouter helps to compare book prices from 25+ online bookstores and 30+ buyback vendors with a single search.

Books by Kemp, Martin

See the best price to sell, buy, or rent books by Kemp, Martin. BookScouter helps to compare book prices from 25+ online bookstores and 30+ buyback vendors with a single search.

Ticket to the World: My 80s Story

Leonardo da Vinci: Revised Edition

Leonardo

Leonardo

Leonardo da Vinci: The Marvellous Works of Nature and Man

The Nature Book of Art and Science

Mona Lisa: The People and the Painting

Leonardo's Salvator Mundi and the Collecting of Leonardo in the Stuart Courts

Leonardo da Vinci: The Marvellous Works of Nature and Man

Seen | Unseen: Art, Science, and Intuition from Leonardo to the Hubble Telescope