For artists, images are indeed dear in both senses of the word: they arecherished, and also valuable. This indispensable compendium from the superbBritish publisher collects essays by international experts on many vital issuesrelated to the ownership of art - who does it belong to, who can use it, what valuedoes it have. The articles cross borders, considering international copyrightconventions, fair use, the internet, concepts of originality, public access to art inmuseums and digitization, by international experts. A fascinating collection lookingat issues from moral rights to the artist as a -brand.

Dear Images: Art, Copyright and Culture

Arts & Photography

Karsten Schubert

Daniel McClean

History & Criticism

Ram Distribution

<p>'The Curator's Egg' traces the growth of the museum concept from the opening of the Louvre to the current popularity of buildings by 'starchitects'. Encompassing curatorial, scholarly, political and cultural spheres, author Karsten Schubert addresses the concept of the museum from a variety of influences.</p>

The Curator's Egg: the Evolution of the Museum Concept from the French Revolution to the Present

Reference

One-Off Press

<p>Though Mondrian is best known for his later, geometric works typifying the De Stijl movement, there is continued scholarly and public interest in the earlier figurative works depicted here The book covers the final decade of Mondrian's engagement with figurative painting, although his interest in nature, colour and space can still be seen in the abstract work for which he is now widely known\nThis publication spotlights the celebrated modern artist Piet Mondrian’s early career, a prolific period that saw the artist focus on figurative landscape painting.\nPrimarily made during the artist’s time in Amsterdam at the turn of the twentieth century, Mondrian's dense, small-scale paintings depict the surrounding Dutch landscape – notably irrigation ditches, canals and farm buildings. The compositions are characterised by complex interactions of light and dark planes, which the artist forms through thick, pigmented strokes of green and brown paint.\nMarking the last decade of the artist’s engagement with figurative painting, Mondrian's exploration of the interrelationships between colour and space during this period forms the basis for his subsequent abstract works, whilst reflecting the artist’s lifelong interest in nature.</p>

Early Mondrian: Painting 1900-1905

Acc Art Books

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Books by Karsten Schubert