A comprehensive look at one of the most celebrated photographers of the American frontier The image of the untamed American West persists as one of our country’s most enduring cultural myths, and few photographers have captured more compelling images of the frontier than Timothy H. O’Sullivan. Trained under Mathew Brady, O’Sullivan accompanied several government expeditions to the West—most notably with geologist Clarence King in 1867 and cartographer George M. Wheeler in 1871. Along these journeys, O’Sullivan produced many beautiful photographs that exhibit a forthright and rigorous style formed in response to the landscapes he encountered. Faced with challenging terrain and lacking previous photographic examples on which to rely, O’Sullivan created a body of work that was without precedent in its visual and emotional complexities.
The first major publication on O’Sullivan in more than thirty years, Framing the West offers a new aesthetic and formal interpretation of O’Sullivan’s photographs and assesses his influence on the larger photographic canon. The book features previously unpublished and rarely seen images and serves as a field guide for O’Sullivan’s original prints, presenting them for the first time in sequence with the chronology of their production.

Framing the West: The Survey Photographs of Timothy H. O'Sullivan

Arts & Photography

Jurovics, Toby

Johnson, Carol

Stapp, William F.

Willumson, Glenn

Individual Artists

Yale University Press

Photographer and curator Terry Toedtemeier (1947?2008) began his career in the 1970s with extensive photographic experiments to capture his close circle of friends and colleagues. Largely self-taught, he began to attract wider critical attention with his landscape images, initially snapshots from his moving car and later exquisite compositions influenced by his deep understanding of both historical and contemporary photography traditions of the American West. His haunting photographs often focused on the Oregon desert and coastline, and magnificent basalt formations of the Pacific Northwest. Sun, Shadows, Stone is the first scholarly monograph of the photography of Terry Toedtemeier. His photographs were featured in the nationally traveling exhibition Framing the West: The Survey Photographs of Timothy H. O?Sullivan and are in the collections of many museums including the Museum of Fine Arts in Houston, the Philadelphia Art Museum, and the San Francisco Museum of Modern Art.

Sun, Shadows, Stone: The Photography of Terry Toedtemeier (Northwest Perspective)

Phillips, Sandra S.

Dolan, Julia

Hushka, Rock

Roberts, Prudence

Kabat, Jennifer

Meigs, Andrew

Photography & Video

Tacoma Art Museum

Considered a groundbreaking book when first published in 1985, John Gossage's "The Pond" remains one of the most important photobooks of the medium. As Gerry Badger, coauthor of "The Photobook: A History," Volumes I and II, asserts, "Adams, Shore, Baltz--all the New Topographics photographers made great books, but none are better than "The Pond."" Consisting of photographs taken around and away from a pond situated in an unkempt wooded area at the edge of a city, the volume presents a considered foil to Henry Thoreau's stay at Walden. The photographs in "The Pond" do not aspire to the "beauty" of classical landscapes in the tradition of Ansel Adams. Instead, they reveal a subtle vision of reality on the border between man and nature. Gossage depicts nature in full splendor, yet at odds with both itself and man, but his tone is ambiguous and evocative rather than didactic. Robert Adams described the work as "believable because it includes evidence of man's darkness of spirit, memorable because of the intense fondness [Gossage] shows for the remains of the natural world." Aperture now reissues this exquisitely produced and highly collectible classic monograph. With the addition of three images and two essays, this second edition offers new audiences the opportunity to celebrate this notable work by a master photographer and bookmaker. John Gossage (born 1946) is well known for his artist's books and photographic publications, and has produced 17 books and boxes on specific bodies of work. In the 1960s, he studied briefly with Lisette Model and Alexey Brodovitch. Since then, his work has been exhibited worldwide. His photographs are held in numerous private and public collections, including those of the Corcoran Gallery of Art, Washington, D.C., and The Museum of Modern Art, New York. Gossage lives in Washington, D.C.

John Gossage: The Pond

Badger, Gerry

Aperture

"In the early nineteenth century, Prince Maximilian Of Wied traveled the length of the Missouri River on an excursion to uncover what he called "the natural face of North America"-its landscapes, flora and fauna, and particularly its Native inhabitants. Among his small party was the young Swiss artist Karl Bodmer (1809-1893), who would prove to be one of the most accomplished and prolific artists to visit the American frontier. Departing St. Louis in April 1833, Bodmer and Maximilian would travel over 2,500 miles through the heart of North America before reaching Fort McKenzie in present-day Montana, spending time among the Omaha, Otoe, and Pawnee; the Yankton and Santee Sioux; and the Assiniboines, Plains Cree, Blackfeet, Piegans, Bloods, and Gros Ventre. At their winter quarters at Fort Clark, they made intimate acquaintances among the Mandan and Hidatsa. Bodmers watercolors, executed in the field and upon his return to Europe, remain one of the most perceptive and compelling visual accounts of the American West, and are an invaluable record of the Missouri River and its Indigenous communities at a pivotal historic moment. Drawn from Joslyn Art Museums renowned Maximilian-Bodmer Collection, this is the first publication to focus on Bodmer as a portraitist. The catalog includes essays examining Bodmers artistic practice within the context of nineteenth-century ethnography; the international dissemination of his images; and the ongoing significance of his work to Indigenous communities. Over 50 watercolor portraits are reproduced, accompanied by a selection of the artists landscapes, camp, and ceremonial sites"--

Faces from the Interior: The North American Portraits of Karl Bodmer

Strong, Lisa

Manning Stevens, Scott

Ronan, Kristine

Ronan, Kristine K.

Johnson, Annika K.

Johnson, Annika

History & Criticism

Joslyn Art Museum

Finalist 2018 New Mexico-Arizona Book Awards – Arts Books Steve Fitch is among America’s most well-known chroniclers of the American West since the days of Easy Rider. He has been photographing examples of the West’s changing vernacular landscape and vanishing roadside landmarks for more than 40 years. In his new book, he presents both the ancient and the modern by way of petroglyphs, neon motel signs and hand-painted business signs, drive-in movie theater screens, and radio and cell towers. All of them are now endangered because of the advent of the Interstate Highway System and corporate franchises. In this fascinating and comprehensive account, we are able to join in Fitch’s expansive journey, truly an odyssey, as represented in the book’s 120 unforgettable photographs, all sequenced to mimic the open road—both during day and night. Fitch explains the project in his informative introduction, in which, interestingly, he suggests that the petroglyphs of the ancient Pueblo people have endured far better and longer than anything made during the last sixty years. Curator Toby Jurovics, in his insightful concluding essay, positions Fitch’s work in relation to that of the practitioners of the photographic style known as the “New Topographics” and Fitch’s own view of photography as a visual form of cultural anthropology. Vanishing Vernacular: Western Landmarks is sure to become a modern-day classic, a book that will be all the more revered as America and Americans move farther away from the highways of the past. That economy and roadside culture are vanishing like endangered species, but Fitch was along for the ride. In sharing that past, he has been witness to his own form of historic preservation.

Vanishing Vernacular: Western Landmarks

Fitch, Steve

George F. Thompson Publishing

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