This catalog features good quality full-page color reproductions of the works of the more well-known artists in the museum. An introduction by Madeleine Grynsztejn, a curator, gives the history of the museum, the collection, and its major donors. The works span modern through contemporary styles; a few have full-page essays, the rest are accompanied with a descriptive label. Annotation (c) Book News, Inc., Portland, OR (booknews.com)

Sfmoma Painting and Sculpture Highlights

Janet Bishop

Julia Bryan-Wilson

Madeleine Grynztejn

Molly Hutton

Clara Kim

Tara McDowell

John S. Weber

Arts & Photography

San Francisco Museum

"Cock, Paper, Scissors" brings together works by an intergenerational group of fifteen queer artists who explore the collaged page or the scrapbook with diverse, erotically inclined tactics. The catalogue draws from both archival collections and contemporary practices, focusing on how these artists reuse the pieces of print culture for worldmaking projects ranging from the era of gay liberation to the present. "Cock, Paper, Scissors" places special focus on the work of four rarely exhibited artists that produced collages for personal pleasure. The catalogue, published in collaboration with the Leslie-Lohman Museum of Gay and Lesbian Art, includes three essays, three interviews, and reprints of historical texts with numerous images.

Cock Paper Scissors

David Evans Frantz

Lucas Hilderbrand

Kayleigh Perkov

Ramzi Fawaz

Glenn Ligon

ONE National Gay & Lesbian Archives at the USC Libraries

Publication of a group exhibition adressing how Canadian-based women artists contribute to contemporary moving image culture, particularly in terms of producing the thinking image. Essays by leading artists and critics provide a rich account of video art and experimental film in the Canadian context and the impact of Canadian-based work within transnational spheres. Mobilizing narrative, documentary, autobiographical, video essay, video poem, animation, and experimental forms, the artists explore urgent concerns: public life and social justice, the global and the local, history and memory, the environment and species diversity, and war and peace. Participating artists: Maureen Bradley, Dana Claxton, Allyson Mitchell and b. h. Yael.

Fierce: Women's Hot-Blooded Film/Video

Humor & Entertainment

Patricia R. Zimmermann

Lisa Steele

Janice Hladki (editor)

Richard Fung

Jeremy Todd

Movies

McMaster Museum of Art

ANA MENDIETA TRACES /ALLEMAND

Hatje Cantz

Depicting themes and settings as varied as bar scenes, motherhood and the plight of the artist, New York–based artist Nicole Eisenman (born 1965) fuses contemporary subject matter with art-historical influences ranging from Renaissance chiaroscuro to twentieth-century social realist painting. Her narrative depictions and renderings of women's bodies proclaim an ardently feminist world and imbue figurative art with an audaciously queer sensibility. This publication accompanies Eisenman's definitive midcareer survey at the Contemporary Art Museum St. Louis, which charts the development of the artist's practice from the early 1990s to the present across painting, printmaking, drawing and sculpture―bringing together more than 120 works of art, from early ink-on-paper drawings to recent explorations in printmaking and sculpture.

Nicole Eisenman: Dear Nemesis: 1993–2013

Terry Castle

Litia Perta

Kelly Shindler

Individual Artists

Contemporary Art Museum St. Louis/Walther König, Köln

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Books by Julia Bryan-Wilson