Radetzky March

Literature & Fiction

Joseph-Roth

Literary

PENGUIN POPULAR CLASSICS

'Every man had not only a weak spot but also a criminal one'\nAt his wife's insistence, upstanding citizen and artillery officer Anselm Eibenschütz leaves his beloved Austro-Hungarian army and takes up a civilian post, as Inspector of Weights and Measures in a remote backwater near the Russian border. At first he does everything by the book, but gradually he finds himself adrift in a world of petty corruption, bribery and drunkenness - and undone by his passion for the beautiful gypsy Euphemia. A haunting evocation of Eastern Europe's borderlands in the early twentieth century, Weights and Measures is also the story of the disintegration of a good man.\nTranslated by David Le Vay

Weights & Measures

Penguin Classics

Follows the eminent European newspaper correspondent's near-prophetic perceptions of a European order that would enable a transcendental world of beauty and promise. 12,000 first printing.

Report from a Parisian Paradise: Essays from France, 1925-1939

History

Michael Hofmann

Europe

W.W. Norton & Co., Inc.

"[Joseph Roth] is now recognized as one of the twentieth century's great writers." ―Anthony Heilbut, Los Angeles Times Book Review The Joseph Roth revival has finally gone mainstream with the thunderous reception for What I Saw, a book that has become a classic with five hardcover printings. Glowingly reviewed, What I Saw introduces a new generation to the genius of this tortured author with its "nonstop brilliance, irresistible charm and continuing relevance" (Jeffrey Eugenides, The New York Times Book Review). As if anticipating Christopher Isherwood, the book re-creates the tragicomic world of 1920s Berlin as seen by its greatest journalistic eyewitness. In 1920, Joseph Roth, the most renowned German correspondent of his age, arrived in Berlin, the capital of the Weimar Republic. He produced a series of impressionistic and political essays that influenced an entire generation of writers, including Thomas Mann and the young Christopher Isherwood. Translated and collected here for the first time, these pieces record the violent social and political paroxysms that constantly threatened to undo the fragile democracy that was the Weimar Republic. Roth, like no other German writer of his time, ventured beyond Berlin's official veneer to the heart of the city, chronicling the lives of its forgotten inhabitants: the war cripples, the Jewish immigrants from the Pale, the criminals, the bathhouse denizens, and the nameless dead who filled the morgues. Warning early on of the dangers posed by the Nazis, Roth evoked a landscape of moral bankruptcy and debauched beauty; a memorable portrait of a city and a time of commingled hope and chaos. What I Saw, like no other existing work, records the violent social and political paroxysms that compromised and ultimately destroyed the precarious democracy that was the Weimar Republic.

What I Saw: Reports from Berlin, 1920-1933

Michael Bienert

W.W.Norton&Company

The monumentality of this biographical work further establishes Joseph Roth―with Kafka, Mann, and Musil―in the twentieth-century literary canon.
Who would have thought that seventy-three years after Joseph Roth’s lonely death in Paris, new editions of his translations would be appearing regularly? Roth, a transcendent novelist who also produced some of the most breathtakingly lyrical journalism ever written, is now being discovered by a new generation. Nine years in the making, this life through letters provides us with our most extensive portrait of Roth’s calamitous life―his father’s madness, his wife’s schizophrenia, his parade of mistresses (each more exotic than the next), and his classic westward journey from a virtual Hapsburg shtetl to Vienna, Berlin, Frankfurt, and finally Paris.
Containing 457 newly translated letters, along with eloquent introductions that richly frame Roth’s life, this book brilliantly evokes the crumbling specters of the Weimar Republic and 1930s France. Displaying Roth’s ceaselessly inventive powers, it finally charts his descent into despair at a time when “the word had died, [and] men bark like dogs.”

Joseph Roth: A Life in Letters

"[Joseph Roth] is now recognized as one of the twentieth century's great writers."―Anthony Heilbut, Los Angeles Times Book Review The Joseph Roth revival has finally gone mainstream with the thunderous reception for What I Saw, a book that has become a classic with five hardcover printings. Glowingly reviewed, What I Saw introduces a new generation to the genius of this tortured author with its "nonstop brilliance, irresistible charm and continuing relevance" (Jeffrey Eugenides, New York Times Book Review). As if anticipating Christopher Isherwood, the book re-creates the tragicomic world of 1920s Berlin as seen by its greatest journalistic eyewitness. In 1920, Joseph Roth, the most renowned German correspondent of his age, arrived in Berlin, the capital of the Weimar Republic. He produced a series of impressionistic and political essays that influenced an entire generation of writers, including Thomas Mann and the young Christopher Isherwood. Translated and collected here for the first time, these pieces record the violent social and political paroxysms that constantly threatened to undo the fragile democracy that was the Weimar Republic. Roth, like no other German writer of his time, ventured beyond Berlin's official veneer to the heart of the city, chronicling the lives of its forgotten inhabitants: the war cripples, the Jewish immigrants from the Pale, the criminals, the bathhouse denizens, and the nameless dead who filled the morgues. Warning early on of the dangers posed by the Nazis, Roth evoked a landscape of moral bankruptcy and debauched beauty―a memorable portrait of a city and a time of commingled hope and chaos. What I Saw, like no other existing work, records the violent social and political paroxysms that compromised and ultimately destroyed the precarious democracy that was the Weimar Republic.

What I Saw: Reports from Berlin 1920-1933

Set in Roth's native Galicia, is one of his finest and most artistically satisfying novels. The exploration of evil, justice and suffering which forms the underlying theme, is a recurrent one in Roth's writing, and with his central character, Anselm Eibenschutz, the just Inspector at odds with himself and a hostile world that will ultimately destroy him, Roth has created one of his most convincing and deeply felt figures. 'Joseph Roth was one of the really great writers of our day; his German prose has always been a model of perfect style. He wrote every page of his books with the fervor of a true poet; like a goldsmith he polished and repolished every sentence till the rhythm was perfect and the colour brilliant. His artistic conscience was as inexorable as his heart was passionate and tender.' So wrote Stefan Zweig shortly after Roth's premature death in 1939. Since that time his reputation has grown steadily, and he now stands among the great prose writers in the German language. First published in 1937 translated by David Le Vay. Introduction by Beatrice Musgrave.

Weights and Measures (Everyman's Classics)

Everyman

By one of the most distinguished Austrian writers of our century, a portrait of three generations set against the panoramic background of the declining Austro-Hungarian Empire. Translated by a three-time winner of the PEN Translation Prize.

The Radetzky March (Everyman's Library)

Everyman"s Library

The Emperor's Tomb

An intensely beautiful book about one of history’s bleakest periodsThe Emperor’s Tomb – the last novel Joseph Roth wrote – is a haunting elegy to the vanished world of the Austro-Hungarian Empire, and a magically evocative paean to the passing of time and the loss of hope. The Emperor’s Tomb runs from 1913 to 1938, from the eve of one world war to the eve of the next, from disaster to disaster. Striped with beauty and written in short propulsive chapters – full of upheavals, reversals and abrupt twists of plot – the novel powerfully sketches a time of change and loss. Prophetic and regretful, intuitive and exact, Roth tells of one man’s foppish, sleepwalking, spoiled youth and then his struggle to come to terms with the uncongenial society of post-First World War Vienna, financial ruin, and the first intimations of Nazi barbarities.

The emperor's tomb

Chatto & Windus/The Hogarth Press

The Legend of the Holy Drinker

Text: English (translation) 
Original Language: German

The legend of the holy drinker

Chatto&Windus

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