Piano Album. Emb

Joseph Haydn

Quartetto op. 64/2 h-moll, Hob. III:68

Arts & Photography

Music

DOBLINGER

Konzert G-Dur Hob. VIIa: 4 - G major - violin and piano score - Urtextausgabe - violin and orchestra

Haydn: Violin Concerto in G Major, Hob. VIIa:4 (Ed. Held)

CF Peters

Concerto in C for Oboe and Piano (Oxford Music, Piano Score with oboe part)

Haydn: String Quartets - Volume 10 (Op. 76 - Erdödy Quartets) (Set of Parts)

G. Henle Verlag

Haydn: The Seasons, Hob. XXI:3 - Oratorio (Full Score – Clothbound – Part 1)

Bärenreiter

Paperback, blue and yellow gold cover - "Studien-Edition"

Samtliche Klaviersonaten, Band 2 (The Complete Piano Sonatas, Vol. 2)

Variations on a Theme of Haydn: For Orchestra, Op.

JOHANNES BRAHMS

W.W.Norton

Considered by most to be the father of the symphony, Franz Joseph Haydn (1732–1809) played a central part in the development of Classical music. His extended period of creativity spanned pronounced changes in musical style, from the late Baroque through the mid-century Viennese style to the mature Classical and even a foreshadowing of nineteenth-century Romanticism. All his works, especially his symphonies, are characterized by lucidity, perfect finish, studied moderations, avoidance of meaningless phrases, firmness of design, and richness of development. This excellent republication of the definitive Haydn Society edition contains the full scores of: Symphony No. 88 in G Major (composed ca. 1787); Symphony No. 89 in F Major (composed 1787); Symphony No. 90 in C Major (composed 1788); Symphony No, 91 in E-flat Major (composed 1788); and Symphony No. 92 in G Major — "Oxford" (composed 1789). These scores are complemented by an extensive and exceptionally thorough Editor's Commentary by noted musicologist H. C. Robbins Landon. These five symphonies (Nos. 88–92) form the bridge between the "Paris" symphonies (Nos. 82–87) and the "London" symphonies (Nos. 93–104). They clearly demonstrate the originality of Haydn's themes and melodies, the spontaneity of his ideas, and the clearness of his composition. Copious in musical ideas, highly animated yet delicate in construction, symphonies 88 through 92 exhibit many of the Haydnesque innovations that became so crucial to symphonic progress. Large, readable noteheads, ample margins, opaque paper, and permanent binding make this a fundamental addition to every musician's library; a book for all who pay tribute to Haydn and who agree with Grove's Dictionary: "It is impossible to overrate his creative powers."

Symphonies 88-92 in Full Score [The Haydn Society Edition]

Dover Publications

"Of the symphony he may be said with truth to have enlarged the sphere . . . enriched and developed the capacities with the versatility of true genius . . . the quartet he also brought to perfection." — Grove's Dictionary of Music and Musicians Mozart's best friend and Beethoven's teacher, Joseph Haydn (1732–1809) was not only the first of the three great masters of the Viennese classical school — but its principal founder. From the close of the baroque period to the advent of romanticism, his creative activity bridged a half-century of profound revolution in music, and there is scarcely an area in which his influence is not to be felt. But it is in the string quartet that Haydn's originality, inventiveness, and craftsmanship found their most natural mode of expression. During 50 prolific years, he composed over 80 string quartets (the exact number is still in question), practically inventing the four-movement structure and elevating the form to a new pinnacle. "It was from Haydn," said Mozart, "that I first learned the true way to compose quartets." In this fourth volume of Haydn's string quartets, Dover completes republication of the composer's major achievements in the form. Full scores of the 12 masterful quartets (six each) of Opp. 20 and 33 exemplify the range and variety of structural invention he brought to the genre. Composed in 1781 and dedicated to the Russian Grand Duke Paul, Op. 33 contains such favorites as the "Joke" and the "Bird" quartets, while the quartets of Op. 20 (1771) are among the most performed and recorded pieces in the repertoire. Music students, musicians, and Haydn fans will find this inexpensive volume an important addition to their libraries. Large, readable noteheads and ample space for notations and analysis make this a splendid study edition — a treasury of 12 works that clearly demonstrate Haydn's supreme mastery of the form.

String Quartets, Opp. 20 and 33, Complete (Dover Chamber Music Scores)

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