The first book to explore the fascinating career and fantasy-driven worlds created by the acclaimed Argentinean artist
Adrián Villar Rojas's works concoct imaginary realms. Usually made from clay, his colossal installations are transitory and so cannot be collected, as they disappear or decay over time. His practice confronts the public with ideas of obsolescence and extinction, but also with the possibilities of humankind and its endless imagination. This is the first book to include all of Villar Rojas' most significant projects, featured in international biennials such as Venice, Documenta, Shanghai, and others.

Adrián Villar Rojas (Phaidon Contemporary Artists Series)

Christov-Bakargiev, Carolyn

OBRIST, Hans-Ulrich

Joo, Eungie

Humor & Entertainment

Phaidon Press

The follow-up to the very successful exhibition "Younger Than Jesus," "The Ungovernables" is the highly anticipated second New Museum Triennial. The Ungovernables captures the perspectives, preoccupations, and experiences of an inventive and informed generation of international artists who came of age after the independence and revolutionary movements of the 1960s and 1970s. This important volume features thirty-four artists and artist collectives working in painting, sculpture, drawing, performance, video, and other activities. Through explorations of form, objecthood, material, and temporality, these artists negotiate time and their experience of our contemporary moment, often demonstrating a profound mistrust of permanence. Many of the works are provisional, site-specific, and performative, reflecting an attitude of possibility and faith in the contingent nature of our time. The book includes a substantive essay on this international group of artists by curator Eungie Joo and essays and other contributions from many of the artists featured in the exhibition, as well as short profiles on each.

The Ungovernables: The 2012 New Museum Triennial

Arts & Photography

History & Criticism

Skira/Rizzoli

Working outside the strict confines of the Thai film studio system, renowned Thai film director Apichatpong Weerasethakul (born 1970) has directed several acclaimed features and dozens of short films, including Uncle Boonmee Who Can Recall His Past Lives, winner of the prestigious 2010 Palme d’Or prize at Cannes; Tropical Malady, winner of a 2004 Cannes jury prize; and Syndromes and a Century, which premiered at the 63rd Venice Film Festival. Themes in Weerasethakul’s films include dreams, nature, sexuality and Western perceptions of Thailand and Asia; the director also shows a preference for unconventional narrative structures, like placing titles/credits at the middle of a film, and for working with those who have no previous experience of acting. For Tomorrow For Tonight features new work exploring the theme of night through video, photographs and installation.

Apichatpong Weerasethakul: For Tomorrow For Tonight (IRISH MUSEUM OF)

Rayns, Tony

Dercon, Chris

Individual Artists

Irish Museum of Modern Art

Kara Walker

Vice Versa Verlag

Yin Xiuzhen

Jansen, Gregor

Blue Kingfisher Limited

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