Art of the Northwest Coast (Native Art of the Pacific Northwest: A Bill Holm Center)

Originally published in 2006, Art of the Northwest Coast offers an expansive history of this great tradition, from the earliest known works to those made at the beginning of the twenty-first century. Although non-Natives often claimed that First Nations cultures were disappearing, Northwest Coast Native people continued to make art during the painful era of colonization, often subtly expressing resistance to their oppressors and demonstrating the resilience of their heritage. Integrating the art's development with historical events following contact with Euro-Americans sheds light on the creativity of artists as they appropriated and transformed foreign elements into uniquely Indigenous statements. A new chapter discusses contemporary artists, including Marianne Nicholson, Nicholas Galanin, Lawrence Paul Yuxweluptun, and Sonny Assu, who address pressing issues ranging from Indigenous sovereignty and destruction of the environment to the power of Native women and efforts to work with non-Natives to heal the wounds of racism and discrimination.

Arts & Photography

JONAITIS, Aldona

History & Criticism

University of Washington Press

Originally published in 2006,&nbsp;Art of the Northwest Coast&nbsp;offers an expansive history of this great tradition, from the earliest known works to those made at the beginning of the twenty-first century. Although non-Natives often claimed that First Nations cultures were disappearing, Northwest Coast Native people continued to make art during the painful era of colonization, often subtly expressing resistance to their oppressors and demonstrating the resilience of their heritage. Integrating the art's development with historical events following contact with Euro-Americans sheds light on the creativity of artists as they appropriated and transformed foreign elements into uniquely Indigenous statements. A new chapter discusses contemporary artists, including Marianne Nicholson, Nicholas Galanin, Lawrence Paul Yuxweluptun, and Sonny Assu, who address pressing issues ranging from Indigenous sovereignty and destruction of the environment to the power of Native women and efforts to work with non-Natives to heal the wounds of racism and discrimination.

a study of the art of the Tlingit Indians of southeastern Alaska; a comparison between secular crest art and sacred art

Art of the Northern Tlingit

Univ of Washington Pr

From The Land Of The Totem Poles: The Northwest Coast Indian Art by Jonaitis, Aldona. 4to.

From the land of the totem poles: The Northwest Coast Indian art collection at the American Museum of Natural History by Aldona Jonaitis (1988) Hardcover

American Museum of Natural History

In 1943 French anthropologist Claude Levi-Strauss arrived in New York City, along with countless refugees from the war in Europe. He became a frequent visitor to the North Pacific Hall at the American Museum of Natural History where he could lose himself in what he affectionately called "a magic place where the dreams of childhood hold a rendezvous, where century-old tree trunks sing and speak, where undefinable objects watch out for the visitor, with the anxious stare of human faces, where animals of superhuman gentleness join their little paws like hands in prayer." Two and a half million people now visit the Museum each year to share in these enchantments.
The American Museum houses the most extensive collection of Northwest Coast Indian art in existence. It includes material from virtually every Indian group that once lived along the west coast of British Columbia and Alaska. In this book, Dr. Aldona Jonaitis traces the history of this magnificent collection, beginning in the late nineteenth century before those coastal peoples had much contact with Europeans, and their customs, languages, and art were still intact. Shortly after the collections was formed, between 1880 and 1910, Indian culture in this region went into a severe decline, to be revived a half century later as another generation of North Americans discovered their heritage.
The story alternately captivates and distresses. Populations were decimated by disease in the last years of the nineteenth century, art objects left their makers' hands bound for museums all over the world, traditional rituals were outlawed, and governments exerted strong pressures on the Indians to become assimilated. On the other side of the story are the individuals--like Franz Boas, under whose direction much of the Museum collection was assembled, Lt. George Thornton Emmons, who immersed himself in the native cultures, George Hunt, prized Kwakiutl informant for Boas and other researchers, and Charles Edenshaw, master Haida carver and painter--whose colorful lives intersect the Age of Museum Collecting.
Artifacts in the American Museum come alive through the details Dr. Jonaitis provides of their cultural context, their traditional uses, and their acquisition by collectors. Viewers see spoons and bowls that held food eaten by Boas at a potlatch; feel the spirit power emanating from a shaman's charm removed from its owner's grave by Lieutenant Emmons; sense the sadness behind the display of family crests on a house model carved by Edenshaw.
Nearly 100 color plates in the book and numerous historical photographs from the Museum's archives recall a bygone era and are a tribute to the stunning artworks of the North Pacific region. Dr. Jonaitis has written the first book devoted solely to the collection of Northwest Coast Indian art in the American Museum of Natural History. As such, the book is both an essential work for scholars and a valuable resource for the general reader.

From the Land of the Totem Poles: The Northwest Coast Indian Art Collection at the American Museum of National History

Robert Davidson: Eagle of the Dawn

Politics & Social Sciences

Jones, Marianne

Thom, Ian M.

Social Sciences

In 1905 George Hunt, at the insistence of anthropologist Franz Boas, acquired a remarkable collection of materials from the Mowachaht band of the Nuu-chah-nulth (Nootka) for the American Museum of Natural History. An assemblage of 92 carved wooden figures and whales, 16 human skulls, and the small building that sheltered them, the shrine had for centuries stood in Yuquot, or Friendly Cove, on the remote west coast of Vancouver Island, visited only by chiefs and their wives. Since its removal to New York, it has been represented in anthropological and historical writings, film, television, and newspapers.In this fascinating study, Aldona Jonaitis investigates and reconstructs the history of the shrine both before and after it was acquired for the museum. Clues to the shrine’s complex history―traced to the mid-17th century―and meaning are provided by historical and anthropological writings, photographs, stories, the Hunt-Boas correspondence, and the artifacts themselves. Jonaitis addresses important contemporary issues, including the Mowachaht band’s desire to have the shrine repatriated for display in Yuquot.

The Yuquot Whalers' Shrine

Art of the Northwest Coast is a comprehensive survey of the Native arts of the Pacific Northwest Coast, from Puget Sound to Alaska and from prehistoric times to the present. Incorporating the region's social history with the observations of anthropologists, historians of art, and Native peoples, this groundbreaking volume examines how the upheavals of European contact affected the development of a powerful traditional art. By exploring the distinct origins of each of the area's linguistic groups and their histories, mythologies, and art forms, art historian Aldona Jonaitis reveals how a complex web of factors informed these groups' varied responses to the changes and challenges brought about by contact with Europeans. The post-contact period has often been considered a time of decline for Native artistic traditions and techniques, but Jonaitis convincingly argues against this assumption. The traditions were not lost, she asserts, but rather were expressed in different ways. Forms such as tourist art – made expressly for sale rather than for community use – were for some the only outlets available in the trying, repressive years when Natives were deprived of their land, rights, and essential cultural expressions. While art made for community use was often judged "inferior" in quality to nineteenth-century creations, it still expressed the strong aesthetics of a surviving Native culture. Since the 1960s, Native artistic activity has flourished and is increasingly recognized as fine art rather than anthropological artifact. Repatriation of Native works of art from museums, a strong market for collectors and dealers, and a reaffirmation of traditional culture and heritage among Native communities all contribute to a vibrant field in which Native artists reflect their enduring cultures in works that explore many contemporary directions. Compellingly written and beautifully illustrated, Art of the Northwest Coast is a cornerstone addition to any library and essential reading for anyone interested in the art of Native cultures.

The Northwest Coast totem pole captivates the imagination. From the first descriptions of these tall carved monuments, totem poles have become central icons of the Northwest Coast region and symbols of its Native inhabitants. Although many of those who gaze at these carvings assume that they are ancient artifacts, the so-called totem pole is a relatively recent artistic development, one that has become immensely important to Northwest Coast people and has simultaneously gained a common place in popular culture from fashion to the funny pages. The Totem Pole reconstructs the intercultural history of the art form in its myriad manifestations from the eighteenth century to the present. Aldona Jonaitis and Aaron Glass analyze the totem pole's continual transformation since Europeans first arrived on the scene, investigate its various functions in different contexts, and address the significant influence of colonialism on the proliferation and distribution of carved poles. The authors also describe their theories on the development of the art form: its spread from the Northwest Coast to world's fairs and global theme parks; its integration with the history of tourism and its transformation into a signifier of place; the role of governments, museums, and anthropologists in collecting and restoring poles; and the part that these carvings have continuously played in Native struggles for control of their cultures and their lands. Short essays by scholars and artists, including Robert Davidson, Bill Holm, Richard Hunt, Nathan Jackson, Vickie Jensen, Andrea Laforet, Susan Point, Charlotte Townsend-Gault, Lyle Wilson, and Robin Wright, provide specific case studies of many of the topics discussed, directly illustrating the various relationships that people have with the totem pole. Errata: http://www.washington.edu/uwpress/books/Jonaitis_errata_24.pdf

The Totem Pole: An Intercultural History

Glass, Aaron

Rising from a forest mist or soaring overhead in parks and museums, magnificent cedar totem poles have captured the attention and imagination of visitors to Washington State, British Columbia, and Alaska. Discovering Totem Poles is the first guidebook to focus on the complex and fascinating histories of the specific poles visitors encounter in Seattle, Victoria, Vancouver, Alert Bay, Prince Rupert, Haida Gwaii (Queen Charlotte Islands), Ketchikan, Sitka, and Juneau. It debunks common misconceptions about totem poles and explores the stories behind the making and displaying of 90 different poles. Travelers with this guide in their pockets will return home with a deeper knowledge of the monumental carvings, their place in history, and the people who made them.

Discovering Totem Poles: A Traveler's Guide (Ruth E. Kirk Books xx)

See the best price to sell, buy, or rent books by JONAITIS, Aldona. BookScouter helps to compare book prices from 25+ online bookstores and 30+ buyback vendors with a single search.

Books by JONAITIS, Aldona

See the best price to sell, buy, or rent books by JONAITIS, Aldona. BookScouter helps to compare book prices from 25+ online bookstores and 30+ buyback vendors with a single search.

Art of the Northwest Coast (Native Art of the Pacific Northwest: A Bill Holm Center)

Art of the Northwest Coast (Native Art of the Pacific Northwest: A Bill Holm Center)

Art of the Northern Tlingit

From the land of the totem poles: The Northwest Coast Indian art collection at the American Museum of Natural History by Aldona Jonaitis (1988) Hardcover

From the Land of the Totem Poles: The Northwest Coast Indian Art Collection at the American Museum of National History

Robert Davidson: Eagle of the Dawn

The Yuquot Whalers' Shrine

Art of the Northwest Coast (Native Art of the Pacific Northwest: A Bill Holm Center)

The Totem Pole: An Intercultural History

Discovering Totem Poles: A Traveler's Guide (Ruth E. Kirk Books xx)