Adrian Streich made a name for himself with residential buildings and the renovation of a large housing estate in the 70s. The restoration became a showcase project. As a result, the Zurich architect not only succeeded in generating constructional - but also urban planning - and architectural added value.Text in English and German.

Adrian Streich: De aedibus 33

Arts & Photography

Joanelly, Tibor

Architecture

Quart Architektur

<p>Fitting Paul Klee's extraordinary oeuvre into book form is certainly a complex endeavor--Klee's diverse body of work is always opening itself up to new interpretations, and has escaped classification under the aegis of any particular style, group, or movement. This monograph achieves this feat by offering Klee in all his uniqueness, never attempting to subject the artist and his work to one interpretation. Here we see Klee's organically developed and open-ended art, which sought inspiration everywhere and in turn inspired so many in all areas of the arts. Fairytale lyricism and grotesque satire, tender jesting and very real horror, profound mysticism and sober romanticism all coexist in Klee's images. These works radiate a variety and creative energy that is rarely seen in such profusion. Paul Klee: Life and Work presents a comprehensive selection of paintings and other images, documented in nearly 500 color and black-and-white images, alongside essays that explore the artist's life and offer surprising insights into his work.</p>

Paul Klee: His Life and Work

Lanchner, Carolyn

Temkin, Ann

Olgiati, Valerio

Werckmeister, O.K.

Köb, Edelbert

History & Criticism

Hatje Cantz Publishers

<p>Far from Tokyo, in a holiday resort frequented by artists and intellectuals, the Japanese master architect Kazuo Shinohara constructed an enigma in 1974. Most of the holiday house he designed for the poet Shuntarō Tanikawa consists of a room that is hardly usable: A roof spans a patch of sloping terrain like a large tent, enclosing two wooden logs, a ladder, a bench and the sculpture of a rooster. The poet soon gave up using this impractical house. But for the architect it generated a slew of new ideas and terminology, which he transformed into radically new concepts and spaces in his subsequent essays and designs. Tibor Joanelly’s treatise deconstructs the terms that appear in Shinohara’s theoretical texts about the poet’s house – terms like “naked reality”, “machine” and “meaning”. Using the tools of contemporary philosophy, Joanelly develops an ontology of architectural space, of metaphor, and of the hidden mechanisms that lie behind all art. Far from Tokyo, in a holiday resort frequented by artists and intellectuals, the Japanese master architect Kazuo Shinohara constructed an enigma in 1974. Most of the holiday house he designed for the poet Shuntarō Tanikawa consists of a room that is hardly usable: A roof spans a patch of sloping terrain like a large tent, enclosing two wooden logs, a ladder, a bench and the sculpture of a rooster. The poet soon gave up using this impractical house. But for the architect it generated a slew of new ideas and terminology, which he transformed into radically new concepts and spaces in his subsequent essays and designs. Tibor Joanelly’s treatise deconstructs the terms that appear in Shinohara’s theoretical texts about the poet’s house – terms like “naked reality”, “machine” and “meaning”. Using the tools of contemporary philosophy, Joanelly develops an ontology of architectural space, of metaphor, and of the hidden mechanisms that lie behind all art.</p>

Shinoharistics: An Essay About a House

Kommode Verlag

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