Calder: The Conquest of Space: The Later Years: 1940-1976 (A Life of Calder Book 2)

Jed Perl

KNOPF

"I do not photograph nature, I photograph my fantasy," Man Ray proclaimed, and he found in the camera's eye and in light's magical chemistry the mechanisms for dreaming. Schooled as a painter and designer in New York, Man Ray turned to photography after discovering the 291 Gallery and its charismatic founder, Alfred Stieglitz. As a young expatriate in Paris during the twenties and thirties, Man Ray embraced surrealism and Dadaism, creeds that emphasized chance effects, disjunction, and surprise. Tireless experimentation with technique led him to employ solarization, grain enlargement, mixed media, and cameraless prints (photograms)--which he called "Rayographs". These successful manipulations for which he was dubbed "the poet of the darkroom" by fellow surrealist Jean Cocteau, were a major contribution to twentieth-century photography. Man Ray presents forty-three of the greatest images from the artist's career. The essay by Jed Perl describes the influences on Man Ray's career and his enduring contribution to photography.

Man Ray (Aperture masters of photography)

Arts & Photography

Photography & Video

Aperture

<p>The artist's dazzling landscapes, still lifes, and self-portraits are a defining achievement of postwar American art, uniting bold colour, spare geometric composition, and naturalistic observation. Matthiasdottir returned regularly to her native Iceland, the subject of much of her work.</p>

Louisa Matthiasdottir: Small Paintings

Deborah Rosenthal

Nicholas Fox Weber

Hudson Hills

<p>Strange &amp; Wonderful: An Informal Visual History of Manuscript Books and Albums brings together an amazingly diverse group of volumes produced over time without the aid of a printing press. Jed Perl, art critic at The New Republic, and author of a number of books, contributes a masterful introductory essay. 101 books are represented in full-color spreads, offering a survey of unique creations over a wide breadth of time, place and subject. From pre-Gutenberg manuscripts to contemporary one-of-a-kind artists' books, the whole suggests the birth of a new classification of outsider art. Designed by Fabio Cutró. Edited and compiled by Dan Wechsler. Photographed by Matt Weber. Printed at Meridian Printing in East Greenwich, R.I., USA. "A stimulating visual, often contemplative experience." (The New York Times)</p>

Strange & Wonderful

Sanctuary Publishing, Ltd.

New Art City

Companhia das Letras

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Books by Jed Perl