The landmark plays from the French theatre included in this edition embody the transition from the old to the modern in dramatic experimentation: precursors of surrealism, they are innovative, outrageous and highly enjoyable. Consisting of Maeterlinck's The Blind, Jarry's Ubu the King, and Apollinaire's The Mammaries of Tiresias, this edition provides new translations sensitive to crucial linguistic features such as rhyme and pun and contains the only editions of Maeterlinck and Apollinaire's plays in print. These three plays written between 1890 and 1917 surprised and shocked their first audiences and still continue to do so today.

Three Pre-Surrealist Plays (The ^AWorld's Classics)

Literature & Fiction

MAETERLINCK, MAURICE

JARRY, Alfred

APOLLINAIRE, GUILLAUME

Slater, Maya

Dramas & Plays

Oxford University Press

The Ubu Plays

Grove Press, Inc.

A re-issue of three plays that ushered in the great age of absurdist theatre 
 There was a riot at the first performance of Ubu Roi on 10 December 1896, when Firmin Gemier, playing Ubu, strode to the footlights and roared: "Merde!" at the audience, and theatre would never be the same again. Ubu became a force to be reckoned with in literature, art and politics. Jarry wrote more exploits for him and took to acting the role of Ubu himself in his own brief, strange life. This volume contains lively modern translations by Cyril Connolly and Simon Watson Taylor of Ubu Roi, Ubu Cocu and Ubu Enchaîné as well as Jarry's writings on theatre. "The Ubu explosion sent shrapnel flying into the next century. Dada, Surrealism, Pataphysics, Theatre of Cruelty, the Absurd - all owe a debt to Jarry." (Charles Marowitz, Encore)

Ubu Plays (World Classics)

Methuen Drama

Tout Ubu

French & European Pubns

Alfred Jarry is regarded as one of the founders of modern avant-garde theatre Dada, Surrealism, Pataphysics, Theatre of Cruelty, the Absurdall owe a debt to Jarry.” (Encore) This volume contains his three classic Ubu texts: Ubu Roi, Ubu Cocu and Ubu Enchaîné. Through the lucid translations of Connolly and Taylor, the reader comes to realize that the violent and loathsome Ubu is Jarry’s dark metaphor for man in the modern age. As Ubu himself said, We shall not have succeeded in demolishing everything unless we demolish the ruins as well.”

The Ubu Plays: Includes: Ubu Rex; Ubu Cuckolded; Ubu Enchained

GROVE PRESS

Selected Works of Alfred Jarry: Ubu Cuckolded, Exploits and Opinions of Doctor Faustroll, ......

A stunning, controversial work that immediately outraged audiences with its scatological references during the 1896 premiere, Ubu Roi satirizes the tendency of the successful bourgeois to abuse his authority and become irresponsibly complacent.
One of the most extraordinary events of the late nineteenth century in Paris was the opening on December 11, 1896, at the Théâtre de l’Oeuvre, of Alfred Jarry’s play Ubu Roi. The audience was scandalized by this revolutionary satire, developed from a schoolboy farce, which began with a four-letter word, defied all the traditions of the stage, and ridiculed the established values of bourgeois society.
Barbara Wright’s witty translation of this riotous work is accompanied with drawings by Franciszka Themerson. Two previously untranslated essays in which Jarry explains his theories of the drama have also been included. More than 200 black-and-white line drawings

Ubu Roi (New Directions Paperbook)

New Directions

A novel about the 1920s, first published in 1902, combines fin-de-siecle fun of posing with Rabelaisian excess in a comic, deliberately pretentious, erotic vision of man's sexual potential

The Supermale (English and French Edition)

Literary

W.W. Norton & Co., Inc.

The Supermale

Ubu's Almanac: Alfred Jarry and the Graphic Arts is a book from the Spencer Museum of Art, Univeristy of Kansas. The publication includes images of prints and books by or edited by the French playwright, Alfred Jarry. Today Jarry is remembered almost exclusively as an author, especially of his notorious play, Ubu Roi. However, as this exhibition seeks to demonstrate, Jarry was also very involved in the world of printed images. He made woodcuts and drawings to ornament his own books, and he was involved with two periodicals (L'magier and Perhinderion) that sought to assemble a broad spectrum of printed art, much of it of anonymous or popular production and generally of a devotional nature. These periodicals also included, however, images by the important German Renaissance artist, Albrecht Dürer, and many of Jarry's contemporaries, such as Henri Rousseau and Pierre Bonnard.

Ubu's almanac: Alfred Jarry and the graphic arts

Spencer Museum Of Art/University of Kansas

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