The Dome Drivers Manual

Robert Price

James Crump

Scott Harris

A celebration of the fine art photographs by the photographer better known for his fashion photography features reproductions of eighty of his most striking images, including portraits, nudes, and shots from the world of fashion and dance.

George Platt Lynes: Photographs from the Kinsey Institute

Arts & Photography

Individual Artists

Bulfinch Press

When photographer Nan Goldin appeared on the art scene in the late 1970s, her tough, autobiographical frankness quickly established her in the all-male field of diaristic photographers. The beaten down and beaten up personages that populate Goldin’s work are icons now deeply inscribed in our collective memory. Variety: Photographs by Nan Goldin compiles the still photographs Goldin created for director Bette Gordon’s now-infamous 1983 independent film, Variety, and offers a rare glimpse into this artist’s symbiotic working process. Hallmarks of Goldin’s early work and the influence of filmmaking on Goldin’s prolific career are on display in this project. Hovering unsettlingly between fiction and reality, "documentary style" and art photography, Variety: Photographs by Nan Goldin reveals a curious and previously unexamined aspect of Goldin’s iconic career, and provides a window into the collision of music, club life, and art production that colored the Lower East Side of Manhattan. This is an important addition to Nan Goldin’s oeuvre.

Variety: Photographs by Nan Goldin

Skira/Rizzoli

The short-lived career of nineteenth-century photographer F. Holland Day is the basis for this important historical monograph. Though he is perhaps best known for his controversial "sacred subjects" in which he posed himself as Jesus Christ, Day quickly moved to the forefront of American photography with his portraiture and his later mythological series. Day was probably the first great photographer of the male nude. A friend of Oscar Wilde and an early proponent of gay rights, women's rights, and racial equality, scandal surrounded him and caused his marginalization.

Suffering the Ideal - F. Holland Day

Twin Palms Publishers

Hugely influential among contemporary art photographers, James Welling has created beautiful and uncompromising photographs for more than 35 years. Operating in the hybrid ground between painting, sculpture and traditional photography, Welling is first and foremost a photographic practitioner enthralled with the possibilities of the medium. "James Welling: Monograph" provides the most thorough presentation of the artist's work to date. Since the mid-1970s, Welling's work has explored realism and transparency, abstraction and representation, optics and description, personal and cultural memory, and the material and chemical nature of photography. To date, the artist has been the subject of numerous catalogues addressing his more than 25 bodies of work. Yet no previous book has attempted to link these works and examine the primary threads that run through them all. Sumptuously produced, this volume presents a large selection of recent series, from 2000 through to the present, interspersed with important early and iconic works made in the preceding decades. James Crump, Chief Curator of the Cincinnati Art Museum contributes an extensive introductory essay. Also included are text contributions by Mark Godfrey and Thomas Seelig, plus an interview with Eva Respini, Associate Curator in the Department of Photography at MoMA. James Welling has exhibited extensively both nationally and internationally. An earlier survey exhibition, "James Welling: Photographs, 1974-1999," originated at the Wexner Center for the Arts in Columbus, Ohio, and traveled to the Museum of Contemporary Art in Los Angeles and the Baltimore Museum of Art. In 1999 he received the DG Bank-Forder Prize in Photography from the Sprengel Museum in Hannover, Germany. Solo exhibition venues include Regen Projects, Los Angeles; David Zwirner, New York; Maureen Paley, London; Galerie Nelson-Freeman, Paris; Wako Works of Art, Tokyo; Donald Young Gallery, Chicago, and Galerie Nächst St. Stephan, Vienna. Welling is professor in the UCLA Department of Art, where he has taught for more than 15 years, and a visiting professor at Princeton University.

James Welling: Monograph

Photography & Video

Aperture

This volume presents a retrospective of the work of Czech photographer Saudek, who combines eroticism and aesthetics in a distinct style using elaborately painted backdrops and interior walls, magical costumes, and props. The essay by John Wood (poet and photographic historian) and James Wood (curator of photography, Kinsey Institute) discusses the artist's ideas and work. The book contains 128 color reproductions that include some of Saudek's earliest photographs as well as his iconic pictures. Oversize: 9.75x12.25

Realities

John, Wood

Arena Editions

The high-heeled shoe conjures self-assured allure and erotic intoxication like no other item of women's wear. Just recently the high heel has undergone a massive resurgence in popularity, in part reinventing itself through an overt invoking of fetish, with which the heel has of course always had some relationship. Built around a selection of images of heels from contemporary photography, High Heels: Fashion, Femininity and Seduction explores the confluence of art, fashion and fetish in the cult of high heels swooping down the fashion show runways and city streets everywhere. Illustrated with works from photographers such as Guy Bourdin, Juergen Teller, Bettina Rheims, Marilyn Minter, Tim Walker, Steven Klein, David Lachapelle and Vanessa Beecroft, among many others, High Heels also includes several important texts: an essay by Valerie Steele on the industry forces behind high-heel design; Tim Blanks of Style.com interviews Manolo Blahnik and Nicholas Kirkwood; Philip Delamore describes the technological developments behind the extreme contours of recent shoe design; Stella Bruzzi on high heels, gender, and representation in film; and an introduction by Ivan Vartanian, in conversation with James Crump, discusses the high heel as a vehicle for discussing a fetish for photography in general. High Heels is a visual odyssey through the powerful ideas of beauty, danger and seduction that the high heel evokes.

High Heels: Fashion, Femininity & Seduction

valerie-steele

Tim Blanks

Philip Delamore

Graphic Design

Goliga

Walker Evans (1903-1975) is, without doubt, one of the most influential American photographers ever, and many of his images have become fixed in the collective memory. But while Evans' uncompromising depiction of poverty during the Great Depression of the 1930s, the subject of a series commissioned by the Farm Security Administration, has become a key chapter in the history of photography, his equally innovative images from later decades have generally commanded less attention. This exciting new monograph attempts to redress the balance by examining Evans' complete body of work, and features many rarely seen photographs, including his final works, a sequence of Polaroids shot in the early 1970s (a sequence made possible by an unlimited supply of film from its manufacturer). Evans' re-ascendancy in the 1970s, and his close relationship with legendary Museum of Modern Art curator John Szarkowski, are also closely examined, in this essential and definitive volume on a great photographer who certainly achieved his aim to produce pictures that were "literate, authoritative, transcendent."Born in St. Louis, Missouri, Walker Evans (1903-1975) took up photography in 1928. His book collaboration with James Agee, Let Us Now Praise Famous Men (1941), which portrayed the lives of three white tenant families in southern Alabama during the Depression, has become one of that era's most defining documents. Evans joined the staff of Time magazine in 1945, and shortly after moved to Fortune magazine, where he stayed until 1965. That year, he became a professor of photography at the Yale University School of Art. Evans died at his home in Old Lyme, Connecticut, in 1975.

Walker Evans: Decade by Decade

Hatje Cantz

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Books by James Crump