For courses in Human-Computer Interaction The Sixth Edition of Designing the User Interface provides a comprehensive, authoritative, and up-to-date introduction to the dynamic field of human-computer interaction (HCI) and user experience (UX) design. This classic book has defined and charted the astonishing evolution of user interfaces for three decades. Students and professionals learn practical principles and guidelines needed to develop high quality interface designs that users can understand, predict, and control. The book covers theoretical foundations and design processes such as expert reviews and usability testing. By presenting current research and innovations in human-computer interaction, the authors strive to inspire students, guide designers, and provoke researchers to seek solutions that improve the experiences of novice and expert users, while achieving universal usability. The authors also provide balanced presentations on controversial topics such as augmented and virtual reality, voice and natural language interfaces, and information visualization. Updates include current HCI design methods, new design examples, and totally revamped coverage of social media, search and voice interaction. Major revisions were made to EVERY chapter, changing almost every figure (170 new color figures) and substantially updating the references.

Designing the User Interface: Strategies for Effective Human-Computer Interaction

Computers & Technology

Shneiderman, Ben

JACOBS, STEVEN

Plaisant, Catherine

Cohen, Maxine

Elmqvist, Niklas

Diakopoulos, Nicholas

Web Development & Design

Pearson

A richly crafted tribute to the avant-garde artist and designer Sonia Delaunay, whose boundary-breaking approach is echoed in the volume's interdisciplinarity and its inspired design Described as "the most significant contribution to Sonia Delaunay studies in a decade," this catalogue sets a new standard for the study of this pioneering avant-garde artist, designer, and entrepreneur (1885-1979). Eschewing traditional chronological structures to better showcase groundbreaking research unifying the artist's timeless oeuvre across mediums, this publication demonstrates Delaunay's innate versatility and willingness to create without material limitation using her unique language of light and color. Textiles, fashion, interiors, book art, and more are highlighted across 26 chapters by leading international scholars to give new insight into Delaunay's strategies of self-promotion, entrepreneurial endeavors, legacy-building efforts, and vast network of collaborators. These in-depth analyses, including previously underinvestigated material such as film, mosaics, tapestries, and interior design, offer a comprehensive perspective on Delaunay's lifelong effort to unite art with life by harnessing the energy of technological advancement and the beauty of artisanal craftsmanship. Finally, an appendix provides a unique personal note--an epilogue by Patrick Raynaud, the last living member of Delaunay's atelier--is a touching firsthand account of the artist's working practices toward the end of her life. The design, by award-winning book creator Irma Boom, embraces Sonia Delaunay's own approach to layout and typography, rendering a book that unites past and present to become a work of art in its own right. Distributed for the Bard Graduate Center Exhibition Schedule: Bard Graduate Center, New York (February 23-July 7, 2024)

Sonia Delaunay: Living Art

Arts & Photography

Levin, Gail

Moore, Celeste Day

Adriaenssens, Werner

Hammen, Emilie

Raynaud, Patrick

Silveri, Rachel

Godefroy, Cécile

Zimmermann, Margarete

D’haeyere, Hilde

Kharatishvili, Tamar

Van Oost, Dirk

Hommelen, Ruth

Bass-Krueger, Maude

Sterckx, Marjan

Stempniak, Kasia

Dubay, Noah

Cotta, Laurent

Schulz, Christoph Benjamin

Ripert, Geoffrey

Obbels, Kaat

History & Criticism

Bard Graduate Center

The much-anticipated fifth edition of Designing the User Interface provides a comprehensive, authoritative introduction to the dynamic field of human-computer interaction (HCI). Students and professionals learn practical principles and guidelines needed to develop high quality interface designs—ones that users can understand, predict, and control. It covers theoretical foundations, and design processes such as expert reviews and usability testing. Numerous examples of direct manipulation, menu selection, and form fill-in give readers an understanding of excellence in design The new edition provides updates on current HCI topics with balanced emphasis on mobile devices, Web, and desktop platforms. It addresses the profound changes brought by user-generated content of text, photo, music, and video and the raised expectations for compelling user experiences. <ul>
<li> Provides a broad survey of designing, implementing, managing, maintaining, training, and refining the user interface of interactive systems. </li> <li> Describes practical techniques and research-supported design guidelines for effective interface designs </li> <li> Covers both professional applications (e.g. CAD/CAM, air traffic control) and consumer examples (e.g. web services, e-government, mobile devices, cell phones, digital cameras, games, MP3 players) </li> <li> Delivers informative introductions to development methodologies, evaluation techniques, and user-interface building tools. </li> <li> Supported by an extensive array of current examples and figures illustrating good design principles and practices. </li> <li> Includes dynamic, full-color presentation throughout. Guides students who might be starting their first HCI design project </li> <li> Accompanied by a Companion Website with additional practice opportunities and informational resources for both students and professors. </li> </ul>

Designing the User Interface: Strategies for Effective Human-Computer Interaction (5th Edition)

Computer Science

Supervisory Skills for the Technical Manager: A Guide to Success focuses exclusively on the dynamics of being a technical manager such as a scientist, programmer, or engineer. An R&amp;D environment demands modified management techniques and this book explores how to do so. Drawing of years of experience to provide technical managers with various tools and ways to apply them in supervisory situation, this essential title includes exercises, templates and checklists to accelerate their uses and applications on the job. In addition, case studies are included throughout to thoroughly explain and explore the concepts discussed. Key topics include handing the transition to supervising others in research and development, the characteristics needed to motivate personnel in a R&amp;D environment as compared to other areas of business are detailed. The pitfalls and challenges of managing technical personnel, how delegating can build an effective team that can produce superior results, and how to monitor the work of previously independent personnel are also discussed.

A Guide to Success for Technical Managers: Supervising in Research, Development, and Engineering

Business & Money

Treher, Elizabeth

Piltz, David

Business Culture

wiley

Framing Pictures: Film and the Visual Arts (Edinburgh Studies in Film and Intermediality)

Through the feature films and documentaries of directors including Emmer, Erice, Godard, Hitchcock, Pasolini, Resnais, Rossellini and Storck, Jacobs examines the way films 'animate' artworks by means of cinematic techniques, such as camera movements and editing, or by integrating them into a narrative.He explores how this 'mobilization' of the artwork is brought into play in art documentaries and artist biopics, as well as in feature films containing key scenes situated in museums. The tension between stasis and movement is also discussed in relation to modernist cinema, which often includes tableaux vivants combining pictorial, sculptural and theatrical elements. This tension also marks the aesthetics of the film still, which have inspired prominent art photographers such as Cindy Sherman and Jeff Wall.Illustrated throughout, Jacobs' study of the presence of art in film, alongside the omnipresence of the filmic image in today's art museums, is an engaging work for students and scholars of film and art alike.

Humor & Entertainment

Movies

Edinburgh University Press

Through the feature films and documentaries of directors including Emmer, Erice, Godard, Hitchcock, Pasolini, Resnais, Rossellini and Storck, Jacobs examines the way films 'animate' artworks by means of cinematic techniques, such as camera movements and editing, or by integrating them into a narrative.He explores how this 'mobilization' of the artwork is brought into play in art documentaries and artist biopics, as well as in feature films containing key scenes situated in museums. The tension between stasis and movement is also discussed in relation to modernist cinema, which often includes tableaux vivants combining pictorial, sculptural and theatrical elements. This tension also marks the aesthetics of the film still, which have inspired prominent art photographers such as Cindy Sherman and Jeff Wall.Illustrated throughout, Jacobs' study of the presence of art in film, alongside the omnipresence of the filmic image in today's art museums, is an engaging work for students and scholars of film and art alike.

THE BUTTERFLY EFFECT OF MONEY: WHY DECISIONS YOU MAKE ABOUT YOUR MONEY MATTER

Personal Finance

www.leaderofleaders.com

Screening Statues: Sculpture and Cinema (Edinburgh Studies in Film and Intermediality)

Whereas sculpture is an artistic practice that involves not only static but also material, three-dimensional, and durable objects, the cinema produces kinetic, immaterial, two-dimensional, and fleeting images. However, the history of cinema amply illustrates the attraction of these opposites: statues coming to life in early cinema and disturbing the peace in Surrealist and trance films; the optical and haptic exploration of sculptural volumes in art documentaries and artists' films; the lure of the wax museums in horror films; the statuary metaphors of post-war modernist cinema; the mythological living statues of the peplum genre; and contemporary art practices in which film is used as sculptural medium. Dealing with a wide range of magical, mystical, cultural, historical, formal, and phenomenological interactions between film and sculpture, this book examines key sculptural motifs in film and cinematic sculpture in eight chapters and an extensive reference gallery.

Felleman, Susan

Colpaert, Lisa

Adriaensens, Vito

Review\n'[Screening Statues] guarantees the reader access to a real textbook on sculpture and film, appealing to art lovers and film fans alike. This is a book that has long been due in that it fills a major gap in the field of statuary in film.' -- Fátima Chinita, Aniki\nScreening Statues marks an important contribution to the study of sculpture in film, not only as a record of sculpture’s presence in film but also as a critical approach to the tensions and complexities that arise in film between human actors and their sculptural counterparts. -- Jessica Schouela, Sculpture Journal\n'Comprising a wealth of citations, investigative essays, conceptual and corporeal discussions, as well as the prolific supplemental reference gallery in part II, Screening Statues is a venerable text in which to further explore the confluence of two intermedial forms, indebted to and entrenched within one another.' -- Matthew Johnson, Film Matters\nScreening Statues: Sculpture and Cinema is the first book to focus on the relationship between sculpture and the silver screen. It covers a broad range of magical, mystical and phenomenological interactions between the two media, from early film’s eroticized tableaux vivants to enigmatic sculptures in modernist cinema. Sculptures are literally brought to life on the silver screen, while living people are turned into, or trapped inside, statuary. The book examines key sculptural motifs and cinematic sculpture in film history through a series of case studies and through an extensive reference gallery of 150 different films. Considering the work of directors like Georges Méliès, Jean Cocteau and Alain Resnais, as well as films like House of Wax, Jason and the Argonauts and Clash of the Titans, this is an innovative exploration of two different media, their artistic traditions and their respective theoretical paradigms.\nFrom the Back Cover\nEdinburgh Studies in Film and Intermediality Series editors: Martine Beugnet and Kriss Ravetto Founding editor: John Orr Screening Statues: Sculpture and Cinema Steven Jacobs, Susan Felleman, Vito Adriaensens and Lisa Colpaert Whereas sculpture is an artistic practice that involves not only static but also material, three-dimensional, and durable objects, the cinema produces kinetic, immaterial, two-dimensional, and fleeting images. However, the history of cinema amply illustrates the attraction of these opposites: statues coming to life in early cinema and disturbing the peace in Surrealist and trance films; the optical and haptic exploration of sculptural volumes in art documentaries and artists’ films; the lure of the wax museums in horror films; the statuary metaphors of post-war modernist cinema; the mythological living statues of the peplum genre; and contemporary art practices in which film is used as sculptural medium. Dealing with a wide range of magical, mystical, cultural, historical, formal, and phenomenological interactions between film and sculpture, this book examines key sculptural motifs in film and cinematic sculpture in eight chapters and an extensive reference gallery. Steven Jacobs teaches at Ghent University and the University of Antwerp. Susan Felleman is Professor of Art History and Film and Media Studies at the University of South Carolina Vito Adriaensens is a visiting scholar and Adjunct Assistant Professor at Columbia University’s Film Department with a Fellowship from the Flemish Research Council and the European Union’s Horizon 2020 Project at the University of Antwerp Lisa Colpaert is a fashion designer and a film historian. She works as a curator for Cinea at the Royal Belgian Film Archive and is undertaking a practice-based PhD at the London College of Fashion (University of the Arts London)

The Scriptures of Ancient Judaism: A Secular Introduction provides students with a scholarly exploration of the literature and themes of the Old Testament/Hebrew Bible and cognate Near Eastern materials. The text features diverse interdisciplinary and methodological points of view from secular biblical scholars, offering readers a comprehensive, thoughtful, and accessible point of entry to the study of the ancient world and the religious heritage of Judaism. The text approaches the scriptures of ancient Judaism without religious bias or dogmatic intent. Rather, the book is designed to ignite interest in the history and literature of the ancient world and to present the latest scholarship related to the Old Testament/Hebrew Bible. Students are introduced to Israelite religious traditions, their unique worldviews, and offered a primer on how to read ancient texts. Later chapters examine the histories and cultures of the ancient Near East and Jewish historiography. Legal texts, prophetic texts, biblical poetry and wisdom literature, and apocalyptic writings found within the Hebrew Bible and other related texts are analyzed. Providing students a rich and complete introduction, The Scriptures of Ancient Judaism is an ideal text for courses in biblical studies.

The Scriptures of Ancient Judaism: A Secular Introduction

Literature & Fiction

Jigoulov, Vadim

Gericke, Jaco

Cognella Academic Publishing

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