A series of etchings by the 18th century Venetian artist, Giovanni Domenico Tiepolo, portrays the story of the journey into Egypt of Mary, Joseph, and the child, Jesus Christ

Picturesque Ideas on the Flight into Egypt (English and Italian Edition)

Ives, Colta Feller

George Braziller

4to, cloth. 112 pp, 114 illustrations (24 in color), bibliography.

The Great Wave The Influence of Japanese Woodcuts on French Prints

Arts & Photography

Graphic Design

Metropolitan Museum of Art

114 illustrations, 24 in color. Examines Impressionism and Ukiyo-e. Artists include Manet, Degas, Cassatt, Bonnard, Vuillard, Toulouse-Lautrec, and Gauguin. Bibliography. Chronology of related events.

Great Wave: Influence of Japanese Woodcuts on French Prints

Bulfinch Press

1989 soft cover book titled PIERRE BONNARD: The Graphic Art. (LL-13A-top) rareviewbooks

Pierre Bonnard: The Graphic Art

Newman, Sasha M.

Giambruni. Helen

Daumier Drawings

Honoré Daumier (1808-1879) is best known as the nimble caricaturist of French politics and the habits of the bourgeoisie. The nearly 4,000 lithographs he created for the Parisian press have long been appreciated as magic windows on the perils and follies of everyday life and continue to be widely admired. However, it is in his rarer and less famous drawings and watercolors, the private work he made for himself and a very limited audience, that Daumier most clearly emerges as an artist of exceptional genius. Indeed, it was on the strength of his skill as a draftsman that Baudelaire declared Daumier the equal of Ingres and Delacroix. This volume accompanies an exhibition at the Städel Museum, Frankfurt, and The Metropolitan Museum of Art, New York, which offered the most extensive display of Daumier's drawings since the Paris retrospectives of 1901 and 1934. Featuring about 150 works from twenty of the world's foremost museums and from private collections, it included casual sketches produced by the artist to vent his restless imagination as well as many of the highly finished watercolors he designed as formal presentations of his art. By combining Daumier's drawings with selected examples of his paintings, prints, and bronzes, this book traces the evolution of the artist's succinct and emphatically expressive style from its roots in the European tradition exemplified by Rembrandt, Rubens, and Fragonard to its modern manifestations in the works of Degas, Cézanne, Toulouse-Lautrec, and Beckmann. In the course of his long and productive career Daumier returned again and again to favorite themes, often after considerable lapses of time. Thus the works here are grouped by their subject matter into six sections: studies of individual figures and faces; narrative scenes inspired by history or literature; views of contemporary urban and domestic life; dramatic portrayals of lawyers in court; depictions of street performers; and episodes in the wanderings of Don Quixote and Sancho Panza. Five essays, in which the exhibition's curators are joined by two other scholars of nineteenth-century art history, investigate particular aspects of Daumier's work as a draftsman: the character of his fluid, energetic style; the complex iconography and structure of his drawings; the essentially sculptural nature of his art; his effective mastery of pose and gesture; and his personal view of the artist's role in society.  [This book was originally published in 1992 and has gone out of print. This edition is a print-on-demand version of the original book.]

Sonnabend, Martin

Stuffmann, Margret

Goya in the Metropolitan Museum of Art

Book by Ives, Colta Feller, Stein, Susan Alyson, Metropolitan Museum of Art (New York, N. Y.)

Stein, Susan Alyson

Metropolitan Museum Of Art (new York, N.y.)

Book by Ives, Colta Feller, Toulouse-Lautrec, Henri De, Metropolitan Museum of Art (New York, N. Y.)

Toulouse-Lautrec in the Metropolitan Museum of Art

Toulouse-Lautrec, Henri De

Vincent van Gogh (1853-1890) believed that drawing was the root of everything.â A self-taught artist, he succeeded, between 1881 and 1890, in developing an inimitable graphic style. This book traces the artistâs successive triumphs as a draftsman, first in the Netherlands and later in France, highlighting the diversity of his technical invention and the striking continuity of his vision. Given the pivotal role drawings played in Van Goghâs artistic conception and the rich dialectic they enjoyed with his oil paintings, a small selection of related canvases by the artist is also featured.This beautiful book presents approximately 120 works in charcoal, ink, graphite, watercolor, and diluted oils. The authors explore enduring questions that surround Van Goghâs drawings, including their manufacture, artistic precedents, and contribution to Modernism. In addition, the text discusses the significance of the artistâs drawing practice to his development as a painter. The essays and entries feature the most current research on Van Goghâs drawings and provide fresh interpretations of the motivating influences that shaped the artistâs contributions to the history of drawing.

Vincent Van Gogh: The Drawings

Gogh, Vincent Van

Individual Artists

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Books by Ives, Colta Feller