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The Work of Music and the Problem of Its Identity

Arts & Photography

Ingarden, Roman

Music

University of California Press

The Literary Work of Art: An Investigation on the Borderlines of Ontology, Logic, and Theory of Literature (Northwestern University Studies in ... Philosophy) (English and German Edition)

Literature & Fiction

History & Criticism

Northwestern Univ Pr

The Cognition of the Literary Work of Art

Politics & Social Sciences

Philosophy

This long-awaited translation of Das literarische Kunstwerk makes available for the first time in English Roman Ingarden's influential study. Though it is inter-disciplinary in scope, situated as it is on the borderlines of ontology and logic, philosophy of literature and theory of language, Ingarden's work has a deliberately narrow focus: the literary work, its structure and mode of existence. The Literary Word of Art establishes the groundwork for a philosophy of literature, i.e., an ontology in terms of which the basic general structure of all lliterary works can be determined. This "essential anatomy" makes basic tools and concepts available for rigorous and subtle aesthetic analysis.

The Literary Work of Art: An Investigation of the Borderlines of Ontology, Logic, and Theory of Language (Studies in Phenomenology and Existential Philosophy)

Northwestern University Press

This long-awaited translation of Das literarische Kunstwerk makes available for the first time in English Roman Ingarden's influential study. Though it is inter-disciplinary in scope, situated as it is on the borderlines of ontology and logic, philosophy of literature and theory of language, Ingarden's work has a deliberately narrow focus: the literary work, its structure and mode of existence. The Literary Work of Art establishes the groundwork for a philosophy of literature, i.e., an ontology in terms of which the basic general structure of all literary works can be determined. This "essential anatomy" makes basic tools and concepts available for rigorous and subtle aesthetic analysis.

Cognition of the Literary Work of Art (Studies in Phenomenology and Existential Philosophy)

In these studies Roman Ingarden investigates the nature and mode of being of four kinds of art works: the musical work, the picture, the architectural work, and the film. He establishes that the work of art is a purely intentional object but considers also its connections to the real world. By analyzing a work of art in its “constitutive heterogeneous strata,” Ingarden demonstrates that a work of art will reveal, when examined in the appropriate way, its own inherent structure. Further, he shows that in consequence of the art work’s structure, we must distinguish between the work itself and the concretizations of it by the listener or viewer. Ingarden elaborates upon the conception of concretization which he present in The Literary Work of Art and applies it to music and visual art. He also employs the concept of aspect to clarify the ontic structure of these art works and the distinction between the concretization of the work and the work itself. The distinction between the work’s concretization — effectuated in the mental experiences of the listener or viewer — and the work itself serves to help Ingarden confirm and account for the work’s intersubjective identity. The problem of aesthetic value, Ingarden maintains, can be fruitfully treated only after the ontic structure of art work has been clarified. His primary concern in Ontology of the Work of Art is to ascertain and describe that structure and the mode of existence of works of art. In addition, he offers several discussions of aesthetic value, showing in the m the connections between questions of aesthetic value and the structure of the work of art.

Ontology Of Work Of Art: Musical Work, Picture, Arch., Film (Volume 12) (Series In Continental Thought)

Ohio University Press

Das literarische Kunstwerk: Mit einem Anhang: Von den Funktionen der Sprache im Theaterschauspiel (German Edition)

de Gruyter

Im zweiten Halbband der Formalontologie wird zunächst das Problem der Identität eines individuellen zeitlich bedingten Gegenstandes erörtert, sodann die Form eines Seinsgebiets und die Form der Welt betrachtet und schließlich, nach der vorbereitenden Analyse seines materialen Wesens, die Form des reinen Bewußtseins untersucht, das als Strom eines reinen Ichs kein Seinsgebiet, sondern ein individueller Gegenstand ist. Erst auf dieser Grundlage werden die möglichen existentialen Beziehungen zwischen dem reinen Bewußtsein und der realen Welt diskutiert. Dabei fällt neues Licht auf die eigentümliche Verkoppelung der Frage nach der Existenz der Welt mit dem Problem des Verhältnisses von Leib, Seele und Bewußtsein.

Roman Ingarden: Der Streit um die Existenz der Welt. Band 2: Formalontologie. Teil 2 (German Edition)

Der thematisch scharf umgrenzte Sammelband ist von grundlegender Bedeutung für die Ästhetik der Gegenwart und vervollständigt Ingardens großen Entwurf einer philosophisch begründeten Theorie des Kunstwerks. Im Mittelpunkt der Erörterungen stehen das ästhetische Erlebnis, das Form-Inhalt-Problem im literarischen Kunstwerk und vor allem der Fragenkomplex des ästhetischen Wertes.

Erlebnis, Kunstwerk und Wert: Vorträge zur Ästhetik 1937-1967

Walter de Gruyter

Roman Ingarden (1893-1970), one of Husserl’s closest students and friends, ranks among the most eminent of the first generation of phenomenologists. His magisterial Controversy over the Existence of the World, written during the years of World War II in occupied Poland, consists of a fundamental defense of realism in phenomenology. Volume I, which receives here its first complete and critical translation into English, initiates the grand project of refuting transcendental idealism, and begins by setting the foundations for an elaborate and precise ontological system. This is Ingarden’s greatest accomplishment, who is rather known as a theoretician of literature than an ontologist outside of Poland. The most important achievement of Ingarden’s ontology is an analysis of the modes of being of various types of objects – things, processes, events, purely intentional objects and ideas. The three-volume Controversy is perhaps the last great systematic work in the history of philosophy, and undoubtedly one of the most important works in 20th century philosophical literature.

Controversy over the Existence of the World: Volume I (Polish Contemporary Philosophy and Philosophical Humanities)

Peter Lang GmbH, Internationaler Verlag der Wissenschaften

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