Stravinsky: Octet for Wind Instruments - Revised 1952 (Full Score)

Arts & Photography

IGOR STRAVINSKY

Music

Boosey + Hawkes

Stravinsky: An Autobiography (Classic Reprint)

Biographies & Memoirs

Forgotten Books

Excerpt from Stravinsky: An Autobiography The aim of this volume is to set down a few recol lections connected with various periods of my life. It is equally intended for those interested in my music and in myself. Rather, therefore, than a biography it will be a simple account of important events side by side with facts of minor consequence: both, how ever, have a certain significance for me, *and I wish to relate them according to the dictates of my mem ory. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

W. W. Norton and Company Inc. (1962). Paperback.

Igor Stravinsky: An Autobiography

Arts & Literature

W.W. Norton & Co., Inc.

An original concept: in one volume, a study-size score of a major musical work, and a comprehensive body of tools for the study of that work. Music examples and charts illustrate the analyses, and each essay is fully annotated by the editor. In some cases, the results of the original research by the editor or by others working in the field are published here for the first time. Much of the material has never before appeared in English. A score embodying the best available musical text. Historical background―what is known of the circumstances surrounding the origin of the work, including (where relevant) original source material. A detailed analysis of the music, by the editor of the volume or another well-known scholar. Other significant analytic essays and critical comments, exposing the student to a variety of opinions about the music.

Petrushka: An Authoritative Score of the Original Version: Backgrounds, Analysis, Essays, Views, and Comments (Norton Critical Scores)

W.W.Norton&Company

Gathers the modern Russian composer's letters, from different periods in his career, to friends, poets, and fellow composers

Stravinsky: Selected Correspondence (2 Volumes)

Robert Craft

KNOPF

STRAVINSKY: Selected Correspondence, Volume II

Alfred A. Knopf. New York.

Pianists at intermediate and advanced levels will applaud this fine compilation of works by a trio of the century's most significant composers. Contents include Stravinsky's 3 Movements from Petrushka, Rag Time, Piano-Rag-Music, and The 5 Fingers: 8 Very Easy Melodies on 5 Notes; Schoenberg's Symphony, Op. 9, 3 Piano Pieces, Op. 11, and 6 Little Piano Pieces, Op. 19; and Hindemith's 1922: Suite for Piano, Op. 26. Reprinted from authoritative editions.

Twentieth-Century Piano Classics: Eight Works by Stravinsky, Schoenberg and Hindemith (Dover Music for Piano)

PAUL HINDEMITH

ARNOLD SCHOENBERG

Dover Publications

The conversations between Igor Stravinsky and Robert Craft are unique in musical history.' Sunday Times Expositions and Developments is the third in the legendary series of Stravinsky's conversations with Robert Craft. In this volume Stravinsky delves deep into his memory and brings to light, in the most absorbing detail, reminiscences of his childhood, youth and early manhood in Russia. A most remarkable evocation of St Petersburg, the city that the composer still loves best, forms part of the earlier, 'expository' section of the book. In his 'developments', Stravinsky moves outside Russia and unfolds a wealth of information and racy anecdote, most of which has a direct bearing on his music. The extensive chronological sweep of these conversations embraces not only a vivid account of how the Rite of Spring was composed and first performed but also his first thoughts about The Flood, one of his most recent works. This unique series of memories offers not only indispensable documentation but also exceptional literary distinction, and is essential reading for all students and lovers of Stravinsky.

Expositions and Developments

University of California Press

Stravinsky Selected Correspondence: Three-Volume Set

Alfred.A. Knopf

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