Book by Hughes, Langston; Hughes, Samuel.

Not Without Laughter

HUGHES, Langston

Literature & Fiction

MacMillan Publishing Company

Thank you, m'am

Children's Books

SRA/McGraw-Hill

Mule Bone is the only collaboration between Zora Neale Hurston and Langston Hughes, two stars of the Harlem Renaissance, and it holds an unparalleled place in the annals of African-American theater. Set in Eatonville, Florida--Hurston's hometown and the inspiration for much of her fiction--this energetic and often farcical play centers on Jim and Dave, a two-man song-and-dance team, and Daisy, the woman who comes between them. Overcome by jealousy, Jim hits Dave with a mule bone and hilarity follows chaos as the town splits into two factions: the Methodists, who want to pardon Jim; and the Baptists, who wish to banish him for his crime.
Included in this edition is the fascinating account of the Mule Bone copyright dispute between Hurston and Hughes that ended their friendship and prevented the play from being performed until its debut production at the Lincoln Center Theater in New York City in 1991--sixty years after it was written. Also included is "The Bone of Contention," Hurston's short story on which the play was based; personal and often heated correspondence between the authors; and critical essays that illuminate the play and the dazzling period that came to be known as the Harlem Renaissance.

Mule bone: A comedy of Negro life

Dramas & Plays

Harperperennial

Mule Bone is the only collaboration between Zora Neale Hurston and Langston Hughes, two stars of the Harlem Renaissance, and it holds an unparalleled place in the annals of African-American theater. Set in Eatonville, Florida--Hurston's hometown and the inspiration for much of her fiction--this energetic and often farcical play centers on Jim and Dave, a two-man song-and-dance team, and Daisy, the woman who comes between them. Overcome by jealousy, Jim hits Dave with a mule bone and hilarity follows chaos as the town splits into two factions: the Methodists, who want to pardon Jim; and the Baptists, who wish to banish him for his crime.
Included in this edition is the fascinating account of the Mule Bone copyright dispute between Hurston and Hughes that ended their friendship and prevented the play from being performed until its debut production at the Lincoln Center Theater in New York City in 1991--sixty years after it was written. Also included is "The Bone of Contention," Hurston's short story on which the play was based; personal and often heated correspondence between the authors; and critical essays that illuminate the play and the dazzling period that came to be known as the Harlem Renaissance.

Mule Bone (Harper Perennial Modern Classics)

Biographies & Memoirs

HUrston, Zora Neale

on, Zora Neale Hurston

Arts & Literature

HarpPeren

A rare and exceptional recording of Langston Hughes reading his own poetry, as well as his own commentary and reflections, on CD for the first time!
Collection includes: One Way Ticket • The Negro Speaks of Rivers • Puzzled • Trumpet Player • Ballad of the Gypsy • Kid Sleepy • Southern Mammy Songs • Migrant • Mama and Daughter • Sylvester's Dying Bed • Intern at Provident Hospital • Merry-Go-Round • Ku Klux Klan • The South • Mulatto • Out of Work • The Explanation of Our Times • Dinner Guest: Me • Cultural Exchange • Along with commentary and reflections from the author

Essential Langston Hughes CD (Caedmon Essentials)

Caedmon

Our greatest African American poet’s award-winning first novel, about a black boy’s coming-of-age in a largely white Kansas town When first published in 1930, Not Without Laughter established Langston Hughes as not only a brilliant poet and leading light of the Harlem Renaissance but also a gifted novelist. In telling the story of Sandy Rogers, a young African American boy in small-town Kansas, and of his family—his mother, Annjee, a housekeeper for a wealthy white family; his irresponsible father, Jimboy, who plays the guitar and travels the country in search of employment; his strong-willed grandmother Hager, who clings to her faith; his Aunt Tempy, who marries a rich man; and his Aunt Harriet, who struggles to make it as a blues singer—Hughes gives the longings and lineaments of black life in the early twentieth century an important place in the history of racially divided America. For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,800 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.

Not Without Laughter (Penguin Classics)

United States

Penguin Classics

A collectible hardcover edition of our greatest African American poet's award-winning first novel about a black boy's coming-of-age in a largely white Kansas town, featuring an introduction by National Book Award finalist Angela Flournoy\nA Penguin Vitae Edition\nWhen first published in 1930, Not Without Laughter established Langston Hughes as not only a brilliant poet and leading light of the Harlem Renaissance but also a gifted novelist. In telling the story of Sandy Rogers, a young African American boy in small-town Kansas, and of his family--his mother, Annjee, a housekeeper for a wealthy white family; his irresponsible father, Jimboy, who plays the guitar and travels the country in search of employment; his strong-willed grandmother Hager, who clings to her faith; his Aunt Tempy, who marries a rich man; and his Aunt Harriet, who struggles to make it as a blues singer--Hughes gives the longings and lineaments of black life in the early twentieth century an important place in the history of racially divided America.\nPenguin Vitae--loosely translated as “Penguin of one’s life”--is a deluxe hardcover series from Penguin Classics celebrating a dynamic and diverse landscape of classic fiction and nonfiction from seventy-five years of classics publishing. Penguin Vitae provides readers with beautifully designed classics that have shaped the course of their lives, and welcomes new readers to discover these literary gifts of personal inspiration, intellectual engagement, and creative originality.

Not Without Laughter (Penguin Vitae)

A collection of interviews, speeches, and essays by Langston Hughes.\nLet America Be America Again: Conversations with Langston Hughes is a record of a remarkable man talking. In texts ranging from early interviews in the 1920s, when he was a busboy and scribbling out poems on hotel napkins, to major speeches, such as his keynote address at the First World Festival of Negro Arts in Dakar, Senegal, in 1966, Hughes's words further amplify the international reputation he established over the course of five decades through more widely-published and well-known poems, stories, novels, and plays.\nIn these interviews, speeches, and conversational essays, the writer referred to by admirers as the "Poet Laureate of the Negro Race" and the "Dean of Black Letters" articulated some of his most powerful critiques of fascism, economic and racial oppression, and compromised democracy. It was also through these genres that Hughes spoke of the responsibilities of the Black artist, documented the essential contributions of Black people to literature, music, and theatre, and chronicled the substantial challenges that Black artists face in gaining recognition, fair pay, and professional advancement. And it was through these pieces, too, that Hughes built on his celebrated work in other literary genres to craft an original, tragic-comic persona--a Blues poet in exile, forever yearning for and coming back to a home, a nation, that nevertheless continues to disappoint and harm him. A global traveler, Hughes's words, "Let America be America Again" were, throughout his career, always followed by 
a caveat: "America never was America to me."

Let America Be America Again: Conversations with Langston Hughes

De Santis, Christopher C.

History & Criticism

Oxford University Press

Popo and Fifina (The ^AIona and Peter Opie Library of Children's Literature)

This collaboration between Harlem Renaissance writers Arna Bontemps and Langston Hughes is an early African-Aamerican classic and a milestone in the history of literature for children. In this novel for young people, Popo and Fifina leave their home in the hills of Haiti to move with their parents to a town by the sea. The next few months are full of adventures--adjusting to a new home, a trip back to the hills for a visit, Popo's work as a carpenter's apprentice, the children's fun with a wondrous kits made by their father, and even a trip to the lighthouse at the end of the island and an amazing tropical storm. When Popo and Fifina was first published in 1932, it was greeted with universal approval. The New York Times praised its "simple home-like atmosphere" and suggested that all children's books "should be written by poets." It has been a favorite among children, parents, and teachers for more than two decades, and now this new edition introduces its magic to a new generation.

Bontemps, Arna

Black Misery was first published in 1969, but the gentle, funny, and sometimes melancholy words of Langston Hughes still cause a blink of recognition. After 25 years, it remains relevant in our own time. As you turn the pages you may say, "I remember feeling like that!" You may say, "I feel like that now." As you look at Arouni's black and white illustrations and read the short but powerful one sentence captions, you feel the predicament of a black child adjusting to the new world of integration of the 1960s. You feel the mix of hope and dismay that characterized the decade. Langston Hughes was a writer who often made his readers ask hard questions about life. In Black Misery he wrote about prejudice and indifference, but he wrote with humor and compassion. Today--just as we did 25 years ago-we smile and even laugh, and we also understand that some things are more than hard, are more than sad. They are pure misery. Black Misery was the last book that Langston Hughes wrote. He died in May 1967, while working on the manuscript.

Black Misery (The ^AIona and Peter Opie Library of Children's Literature)

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Books by HUGHES, Langston