Genius? Madman? Both? Klaus Kinski, enfant terrible, is as renowned for his extraordinary performances as he is reviled for his off-screen antics. From his early days as a proverbial “starving artist” to his peak period as a star attraction who commanded top dollar from producers around the globe, Kinski attracted a great deal of press—much of it negative. In the 25 years since his death, a lot has been written about him, pro and con, but in the process a lot of his work as an artist has been overlooked. Troy Howarth, the author of such acclaimed books as Splntered Visions: Lucio Fulci and His Films and the Rondo Award-nominated So Deadly, So Perverse: 50 Years of Italian Giallo Films, seeks to rectify that injustice by examining Kinski’s massive filmography in detail. Everything from his early German “krimi” thrillers and international breakthroughs like Doctor Zhivago to grade-Z horror films like Schizoid and artistic triumphs like Agguire, the Wrath of God are catalogued and assessed. Along the way, some myths are debunked and plenty of color is provided by way of testimony from those who worked with Kinski. And for the more visually-oriented, never fear: there are a ton of stills, posters, behind-the-scenes and candid shots to drink in, as well.

Real Depravities: The Films of Klaus Kinski

Humor & Entertainment

Paxton, Tim

Howarth, Troy

Movies

CreateSpace Independent Publishing Platform

Paterson, New Jersey—March 1961. A joyous day of celebration turns into a waking nightmare when a young girl is brutally murdered. With the police making slow progress, the child’s grief-stricken parents decide to launch their own investigation and uncover some ugly secrets about their family, friends, and neighbors. Among the many possible suspects, the most likely culprit proves to be the girl’s own sister… but could an angelic-looking child be capable of such a ghastly crime?\nOriginally titled Communion but also known by such monikers as Alice, Sweet Alice and Holy Terror, Alfred Sole’s Catholic-themed horror-thriller has gone on to attract a well-deserved cult following. Though mostly ignored on its original, checkered theatrical release, the film is now revered among devotees of the offbeat.\nArchitect-turned-filmmaker Alfred Sole brought a distinctive, artistic eye to bear on what could have been yet another routine potboiler. Working well outside the confines of Hollywood, he used his connections to secure atmospheric locations, while scouring the New York theater scene for the right actors to bring his quirky characters to life. The road to realizing his vision was not without complications, however. Here you will learn about his ill-fated foray into the then-profitable “porno chic” market by making his own “blue movie” in his home town; the fallout was immense and he found himself facing the possibility of jail time as well as absolute professional disgrace. Once the dust settled, he decided to try for something equally commercial but far more palatable for mainstream consumption. At a time when the likes of Tobe Hooper, George A. Romero, John Carpenter, Wes Craven, and David Cronenberg were emerging as the great new auteurs of North American horror, Alfred Sole seemed poised to join their ranks; sadly, some bad breaks ensured that lightning would not strike twice. No matter what disappointments came in its wake, Sole’s “respectable” mainstream debut scaled artistic heights that leave no doubts as to his singular talents.\nTroy Howarth, the award-nominated author of such books as The Haunted World of Mario Bava and Assault on the System: The Nonconformist Cinema of John Carpenter, explores the genesis, production, and reception of one of the key horror films of the 1970s. In addition to a brand new, in-depth career-encompassing interview with co-writer/director Alfred Sole, Unholy Communion: Alice, Sweet Alice from Script to Screen also reproduces the complete original shooting screenplay. There’s also ample analysis of the state of the genre during the counter-culture boom of the late 1960s and ‘70s and of the film itself, giving readers insight into what makes this such a special, stand-out piece of independent filmmaking.

Unholy Communion: Alice, Sweet Alice, from script to screen

BearManor Media

The giallo--a specifically Italian brand of lurid thriller--emerged in the 1960s and became a commercial force to be reckoned with throughout the 1970s. While not all of these films achieved the success and notoriety as the most popular efforts by the likes of Mario Bava, Dario Argento or Lucio Fulci, they nevertheless proved to be immensely popular--with latter-day entries emerging well into the 21st century. They also proved to be influential on films from across the globe; for instance, they helped to set the stage for the slasher movie boom of the late 70s and early 80s, and they would go on to inspire contemporary filmmakers looking to pay homage to their baroque excesses. So Deadly, So Perverse: Volume 3 shines a light on some of these films, some of which are well-known for capturing the off-kilter vibe of these beloved cult classics, and some of which display an influence in more surprising ways. Covering titles produced everywhere from America and Great Britain to Turkey and Japan, this final volume in the So Deadly, So Perverse trilogy offers a final summation of the genre and its lasting cult popularity and appeal. In addition to in-depth coverage of an eclectic range of titles, there are also a number of deliciously sensational and exploitative images, many in full color.The giallo--a specifically Italian brand of lurid thriller--emerged in the 1960s and became a commercial force to be reckoned with throughout the 1970s. While not all of these films achieved the success and notoriety as the most popular efforts by the likes of Mario Bava, Dario Argento or Lucio Fulci, they nevertheless proved to be immensely popular--with latter-day entries emerging well into the 21st century. They also proved to be influential on films from across the globe; for instance, they helped to set the stage for the slasher movie boom of the late 70s and early 80s, and they would go on to inspire contemporary filmmakers looking to pay homage to their baroque excesses. So Deadly, So Perverse: Volume 3 shines a light on some of these films, some of which are well-known for capturing the off-kilter vibe of these beloved cult classics, and some of which display an influence in more surprising ways. Covering titles produced everywhere from America and Great Britain to Turkey and Japan, this final volume in the So Deadly, So Perverse trilogy offers a final summation of the genre and its lasting cult popularity and appeal. In addition to in-depth coverage of an eclectic range of titles, there are also a number of deliciously sensational and exploitative images, many in full color.

So Deadly, So Perverse: Giallo-Style Films From Around the World, Vol. 3

Midnight Marquee Press, Inc.

Murder by Design: The Unsane Cinema of Dario Argento

This book looks at the film career of Dario Argento, Italy's acknowledged master of horror and suspense, has made a career out of exploring the macabre poetry of images of violent death. He did not, however, set out to be a filmmaker. He established himself early on as a progressive voice in film criticism-lavishing praise on directors like Sergio Leone, who had yet to receive their due from the Italian critical establishment. His efforts attracted the attention of Leone himself, who invited the young critic to help develop the story for his next feature. The end result, Once Upon a Time in the West, is often cited as a masterpiece-and from there, Argento went on to enjoy success as a screenwriter before making the all-important switch to directing. His directorial debut, The Bird with the Crystal Plumage, became a major hit and helped to popularize the floundering genre of Italian thrillers, also known as gialli. In the years since, Argento has established a high profile as one of Italian cinema's most commercially successful artists, earning a level of celebrity which is almost unheard of among film directors. His filmography includes such beloved gems as Deep Red, Suspiria, Inferno, and Phenomena, as well as more hotly-debated titles like The Stendhal Syndrome, The Phantom of the Opera, Sleepless, and Mother of Tears. Murder by Design: The Unsane Cinema of Dario Argento explores the full scope of his work as a writer, a producer, and a director. Lavishly illustrated and with newly conducted interviews with Dario Argento, as well as such colleagues as actress (and daughter) Fiore Argento, actress Sally Kirkland, actress Irene Miracle, composer Claudio Simonetti, and cinematographer Luciano Tovoli, the book provides a comprehensive overview of Argento's life, career, and rich cinematic legacy.

This book covers the films of Dario Argento, Italy's acknowledged master of horror and suspense, has made a career out of exploring the macabre poetry of images of violent death. He did not, however, set out to be a filmmaker. He established himself early on as a progressive voice in film criticism-lavishing praise on directors like Sergio Leone, who had yet to receive their due from the Italian critical establishment. His efforts attracted the attention of Leone himself, who invited the young critic to help develop the story for his next feature. The end result, Once Upon a Time in the West, is often cited as a masterpiece-and from there, Argento went on to enjoy success as a screenwriter before making the all-important switch to directing. His directorial debut, The Bird with the Crystal Plumage, became a major hit and helped to popularize the floundering genre of Italian thrillers, also known as gialli. In the years since, Argento has established a high profile as one of Italian cinema's most commercially successful artists, earning a level of celebrity which is almost unheard of among film directors. His filmography includes such beloved gems as Deep Red, Suspiria, Inferno, and Phenomena, as well as more hotly-debated titles like The Stendhal Syndrome, The Phantom of the Opera, Sleepless, and Mother of Tears. Murder by Design: The Unsane Cinema of Dario Argento explores the full scope of his work as a writer, a producer, and a director. Lavishly illustrated and with newly conducted interviews with Dario Argento, as well as such colleagues as actress (and daughter) Fiore Argento, actress Sally Kirkland, actress Irene Miracle, composer Claudio Simonetti, and cinematographer Luciano Tovoli, the book provides a comprehensive overview of Argento's life, career, and rich cinematic legacy.

Product Description 
An in-depth look at the films of Dario Argento, Italy's acknowledged master of horror and suspense, has made a career out of exploring the macabre poetry of images of violent death. He did not, however, set out to be a filmmaker. He established himself early on as a progressive voice in film criticism-lavishing praise on directors like Sergio Leone, who had yet to receive their due from the Italian critical establishment. His efforts attracted the attention of Leone himself, who invited the young critic to help develop the story for his next feature. The end result, Once Upon a Time in the West, is often cited as a masterpiece-and from there, Argento went on to enjoy success as a screenwriter before making the all-important switch to directing. His directorial debut, The Bird with the Crystal Plumage, became a major hit and helped to popularize the floundering genre of Italian thrillers, also known as gialli. 
In the years since, Argento has established a high profile as one of Italian cinema's most commercially successful artists, earning a level of celebrity which is almost unheard of among film directors. His filmography includes such beloved gems as Deep Red, Suspiria, Inferno, and Phenomena, as well as more hotly-debated titles like The Stendhal Syndrome, The Phantom of the Opera, Sleepless, and Mother of Tears. 
Murder by Design: The Unsane Cinema of Dario Argento explores the full scope of his work as a writer, a producer, and a director. Lavishly illustrated and with newly conducted interviews with Dario Argento, as well as such colleagues as actress (and daughter) Fiore Argento, actress Sally Kirkland, actress Irene Miracle, composer Claudio Simonetti, and cinematographer Luciano Tovoli, the book provides a comprehensive overview of Argento's life, career, and rich cinematic legacy.\nAbout the Author 
Troy Howarth is a Rondo Award-nominated writer who specializes in European Cult cinema. His books include: The Haunted World of Mario Bava: Revised and Expanded Edition, Splintered Visions: Lucio Fulci and His Films, the three volume series So Deadly, So Perverse: 50 Years of Italian Giallo Films, Real Depravities: The Films of Klaus Kinski, Human Beasts: The Films of Paul Naschy, and Assault on the System: The Nonconformist Cinema of John Carpenter. He has also contributed audio commentaries, audio essays, and liner notes to over one hundred DVD and Blu-ray releases from the U.S., the U.K., and Germany. His books Human Beasts: The Films of Paul Naschy and the first volume of So Deadly, So Perverse, as well as his commentaries on the Arrow Video edition of Don't Torture a Duckling, the Blue Underground edition of Zombie, the Synapse edition of Suspiria, and the Scorpion Releasing edition of Assignment Terror were all nominated for Rondo Awards. He resides in Pennsylvania.

[PREMIUM COLOR EDITION] Paul Naschy, a.k.a. Jacinto Molina, is renowned as Spain’s number one icon of the horror genre. His love of the macabre began in childhood and it would remain engraved in his DNA until his dying day. His is a strange story: a champion weightlifter and body builder, he started acting almost as a lark, when all he really wanted to do was write. Despite the apathy and incredulity of most of his colleagues, he forged ahead and helped to create the Spanish horror film. A period of success was followed by soul-crushing disappointment, depression and ill health—but his champion spirit ensured that he would make his comeback. Before passing on in 2009, he found himself feted and lionized by fans and followers all over the world, thus validating his decision to take the road less traveled. Troy Howarth, the author of such acclaimed books as Real Depravities: The Films of Klaus Kinski and the Rondo Award-nominated So Deadly, So Perverse: 50 Years of Italian Giallo Films, charts the course of Naschy’s career from uncredited bit player to beloved icon of the horror genre. All of Naschy’s films are covered, with particular emphasis on the films he wrote (and sometimes directed) in addition to appearing in as an actor. Those who chiefly know of Naschy for his long-running series of films devoted to his character Waldemar Daninsky, the nobleman-turned-werewolf, may be in for a surprise as the full sweep of his career encompassed everything from social drama to out-and-out farce, as well. All of the highs and the lows of his prolific and unique career as a writer, a director, a producer and an actor are present and accounted for, providing a comprehensive overview of a man for whom the cinema was part of his very being. Human Beasts: The Films of Paul Naschy pays homage to Naschy the artist while also providing some personal glimpses into the man behind the makeup. On top of that, there are plenty of stills, posters, behind-the-scenes and candid shots, many donated by Naschy’s family. Naschy’s sons, Bruno and Sergio Molina, have also contributed memories about their father and his career, and there are further testimonials from people who’ve already fallen under the spell of Paul Naschy. You can also read the great man’s thoughts about his legacy in the cinema, thanks to an interview which has never before been published—until now.

Human Beasts: The Films of Paul Naschy: Color Edition

Strauss, Tony

[STANDARD B&amp;W EDITION] Paul Naschy, a.k.a. Jacinto Molina, is renowned as Spain’s number one icon of the horror genre. His love of the macabre began in childhood and it would remain engraved in his DNA until his dying day. His is a strange story: a champion weightlifter and body builder, he started acting almost as a lark, when all he really wanted to do was write. Despite the apathy and incredulity of most of his colleagues, he forged ahead and helped to create the Spanish horror film. A period of success was followed by soul-crushing disappointment, depression and ill health—but his champion spirit ensured that he would make his comeback. Before passing on in 2009, he found himself feted and lionized by fans and followers all over the world, thus validating his decision to take the road less traveled. Troy Howarth, the author of such acclaimed books as Real Depravities: The Films of Klaus Kinski and the Rondo Award-nominated So Deadly, So Perverse: 50 Years of Italian Giallo Films, charts the course of Naschy’s career from uncredited bit player to beloved icon of the horror genre. All of Naschy’s films are covered, with particular emphasis on the films he wrote (and sometimes directed) in addition to appearing in as an actor. Those who chiefly know of Naschy for his long-running series of films devoted to his character Waldemar Daninsky, the nobleman-turned-werewolf, may be in for a surprise as the full sweep of his career encompassed everything from social drama to out-and-out farce, as well. All of the highs and the lows of his prolific and unique career as a writer, a director, a producer and an actor are present and accounted for, providing a comprehensive overview of a man for whom the cinema was part of his very being. Human Beasts: The Films of Paul Naschy pays homage to Naschy the artist while also providing some personal glimpses into the man behind the makeup. On top of that, there are plenty of stills, posters, behind-the-scenes and candid shots, many donated by Naschy’s family. Naschy’s sons, Bruno and Sergio Molina, have also contributed memories about their father and his career, and there are further testimonials from people who’ve already fallen under the spell of Paul Naschy. You can also read the great man’s thoughts about his legacy in the cinema, thanks to an interview which has never before been published—until now.

Human Beasts: The Films of Paul Naschy: Standard Edition

In the late 1950s, Mario Bava helped to create and define the Italian horror film. His classic directorial works of the 1960s and 1970s, including Black Sunday, Kill, Baby … Kill! and Lisa and the Devil, remain among the most colorful and imaginative in the history of the genre. Bava’s films are rife with unforgettable images—Barbara Steele’s uncanny beauty being brutally violated in Black Sunday, Christopher Lee returning from the grave marked by his bloody demise in The Whip and the Body, the angelic-looking ghost child of Kill, Baby … Kill!, the brutal murder scenes of Blood and Black Lace and Twitch of the Death Nerve—but they are also thematically rich and inter-connected. For many critics, Bava was a gifted stylist but few have bothered to look beneath the surface to uncover the deeper significance of his work. The Haunted World of Mario Bava was first published in 2002. It has now been updated, revised and expanded by author Troy Howarth to give a better overview of Bava’s remarkable legacy as a director and “cinema magician.” This new edition contains new contributions from Bava’s son, director Lamberto Bava, and genre icon Barbara Steele. The book examines all of Bava’s directorial works in detail while also providing a portrait of the man himself—a man for whom publicity and self-promotion was always shied away from, even as he continued to work himself to the point of exhaustion as he improvised and pushed himself to deliver films which would go on to influence such major filmmakers as William Friedkin, Martin Scorsese, Quentin Tarantino, Tim Burton and Joe Dante. Author Troy Howarth “discovered” Bava’s work as a child on late night TV and has worked hard to help bring more serious attention to his films. In addition to holding down a full-time job in the field of social work, he is also a contributor to We Belong Dead magazine and writes reviews for such websites as AV Maniacs and Eccentric Cinema.

The Haunted World of Mario Bava

With Universal’s release of Dracula on Valentine’s Day 1931, the horror film as we know it was born. The following decade saw first a horror boom and then a horror ban. And while fans of classic horror films are well-versed on the productions of major Hollywood studios, they may not be familiar with the numerous horror films produced elsewhere in the world, from North America to Asia. Ghostly cats avenging their mistresses’ murders, clay monstrosities brought to life to defend the oppressed, old dark houses stalked by unseen killers: These are just a few of the terrors that will greet you as you enter TOME OF TERROR: HORROR FILMS OF THE 1930s. TOME OF TERROR is a series of books detailing the history of the horror genre, from the mid-1890s to the modern day. Never before has such a series been attempted … or been so comprehensive. The first entry, HORROR FILMS OF THE 1930s, covers more than 350 films, beginning with Alraune in 1930 and concluding with Die unheimlichen Wünsche in 1939. In addition to well-known horror classics from the United States and Great Britain, authors Christopher Workman and Troy Howarth also review films from Germany, France, Japan, and Mexico, among other nations. The series is lavishly illustrated with original stills, lobby cards and poster art.

Tome of Terror: Horror Films of the 1930s

Workman, Christopher

See the best price to sell, buy, or rent books by Howarth, Troy. BookScouter helps to compare book prices from 25+ online bookstores and 30+ buyback vendors with a single search.

Books by Howarth, Troy

See the best price to sell, buy, or rent books by Howarth, Troy. BookScouter helps to compare book prices from 25+ online bookstores and 30+ buyback vendors with a single search.

Real Depravities: The Films of Klaus Kinski

Unholy Communion: Alice, Sweet Alice, from script to screen

So Deadly, So Perverse: Giallo-Style Films From Around the World, Vol. 3

Murder by Design: The Unsane Cinema of Dario Argento

Murder by Design: The Unsane Cinema of Dario Argento

Murder by Design: The Unsane Cinema of Dario Argento

Human Beasts: The Films of Paul Naschy: Color Edition

Human Beasts: The Films of Paul Naschy: Standard Edition

The Haunted World of Mario Bava

Tome of Terror: Horror Films of the 1930s