Multi-fitness

HOWARD, John

Macmillan

UK import soft cover book by John Howard.

The Beatles: Unseen

Arts & Photography

Music

Penguin Books, Ltd.

We don't usually associate thriving queer culture with rural America, but John Howard's unparalleled history of queer life in the South persuasively debunks the myth that same-sex desires can't find expression outside the big city. In fact, this book shows that the nominally conservative institutions of small-town life—home, church, school, and workplace—were the very sites where queer sexuality flourished. As Howard recounts the life stories of the ordinary and the famous, often in their own words, he also locates the material traces of queer sexuality in the landscape: from the farmhouse to the church social, from sports facilities to roadside rest areas. Spanning four decades, Men Like That complicates traditional notions of a post-WWII conformist wave in America. Howard argues that the 1950s, for example, were a period of vibrant queer networking in Mississippi, while during the so-called "free love" 1960s homosexuals faced aggressive oppression. When queer sex was linked to racial agitation and when key civil rights leaders were implicated in homosexual acts, authorities cracked down and literally ran the accused out of town. In addition to firsthand accounts, Men Like That finds representations of homosexuality in regional pulp fiction and artwork, as well as in the number one pop song about a suicidal youth who jumps off the Tallahatchie Bridge. And Howard offers frank, unprecedented assessments of outrageous public scandals: a conservative U.S. congressman caught in the act in Washington, and a white candidate for governor accused of patronizing black transgender sex workers. The first book-length history of the queer South, Men Like That completely reorients our presuppositions about gay identity and about the dynamics of country life. "Men Like That goes a long way towards redressing the urban bias in American lesbian and gay-history writing. . . . Howard's rigorous scholarship, which is based both on oral history and traditional historical documents . . . is enhanced by a disarmingly personal touch. . . . His insights into queerness and the mentality of the American South should be of great interest both to the professional gay historian and the general reader."—Madeleine Minson, Times Higher Education Supplement "Howard creates a history remarkable in its complexity yet intimate in its portraiture. At long last an intimate and full vision of queer lives in America that did not unfold in San Francisco's discos."—Kirkus Reviews "In this groundbreaking and engrossing analysis of gay male life in postwar Mississippi, Howard . . . boldly demonstrates that gay culture and sex not only existed but flourished in small towns."—Publishers Weekly, starred review

Men Like That: A Southern Queer History

Literature & Fiction

University of Chicago Press

We don't usually associate thriving queer culture with rural America, but John Howard's unparalleled history of queer life in the South persuasively debunks the myth that same-sex desires can't find expression outside the big city. In fact, this book shows that the nominally conservative institutions of small-town life—home, church, school, and workplace—were the very sites where queer sexuality flourished. As Howard recounts the life stories of the ordinary and the famous, often in their own words, he also locates the material traces of queer sexuality in the landscape: from the farmhouse to the church social, from sports facilities to roadside rest areas. Spanning four decades, Men Like That complicates traditional notions of a post-WWII conformist wave in America. Howard argues that the 1950s, for example, were a period of vibrant queer networking in Mississippi, while during the so-called "free love" 1960s homosexuals faced aggressive oppression. When queer sex was linked to racial agitation and when key civil rights leaders were implicated in homosexual acts, authorities cracked down and literally ran the accused out of town. In addition to firsthand accounts, Men Like That finds representations of homosexuality in regional pulp fiction and artwork, as well as in the number one pop song about a suicidal youth who jumps off the Tallahatchie Bridge. And Howard offers frank, unprecedented assessments of outrageous public scandals: a conservative U.S. congressman caught in the act in Washington, and a white candidate for governor accused of patronizing black transgender sex workers. The first book-length history of the queer South, Men Like That completely reorients our presuppositions about gay identity and about the dynamics of country life. "Men Like That goes a long way towards redressing the urban bias in American lesbian and gay-history writing. . . . Howard's rigorous scholarship, which is based both on oral history and traditional historical documents . . . is enhanced by a disarmingly personal touch. . . . His insights into queerness and the mentality of the American South should be of great interest both to the professional gay historian and the general reader."—Madeleine Minson, Times Higher Education Supplement "Howard creates a history remarkable in its complexity yet intimate in its portraiture. At long last an intimate and full vision of queer lives in America that did not unfold in San Francisco's discos."—Kirkus Reviews "In this groundbreaking and engrossing analysis of gay male life in postwar Mississippi, Howard . . . boldly demonstrates that gay culture and sex not only existed but flourished in small towns."—Publishers Weekly, starred review

United States

Without trial and without due process, the United States government locked up nearly all of those citizens and longtime residents who were of Japanese descent during World War II. Ten concentration camps were set up across the country to confine over 120,000 inmates. Almost 20,000 of them were shipped to the only two camps in the segregated South—Jerome and Rohwer in Arkansas—locations that put them right in the heart of a much older, long-festering system of racist oppression. The first history of these Arkansas camps, Concentration Camps on the Home Front is an eye-opening account of the inmates’ experiences and a searing examination of American imperialism and racist hysteria. While the basic facts of Japanese-American incarceration are well known, John Howard’s extensive research gives voice to those whose stories have been forgotten or ignored. He highlights the roles of women, first-generation immigrants, and those who forcefully resisted their incarceration by speaking out against dangerous working conditions and white racism. In addition to this overlooked history of dissent, Howard also exposes the government’s aggressive campaign to Americanize the inmates and even convert them to Christianity. After the war ended, this movement culminated in the dispersal of the prisoners across the nation in a calculated effort to break up ethnic enclaves. Howard’s re-creation of life in the camps is powerful, provocative, and disturbing. Concentration Camps on the Home Front rewrites a notorious chapter in American history—a shameful story that nonetheless speaks to the strength of human resilience in the face of even the most grievous injustices.

Concentration Camps on the Home Front: Japanese Americans in the House of Jim Crow

History

Americas

This is the most complete guide to the works about stage scenery, machinery, lighting, and sound, with nearly 6,000 entries arranged alphabetically by author. It includes works whch discuss technology from ancient times to the present and it is the first bibliography ever to list tecnology articles from such journals as Theatre Crafts, Theatre Design, and Tabs. Author and subject indexes and full bibliographic information is included. Corners bumped. xii, 345, 2 pages. cloth. 8vo..

A Bibliography of Theatre Technology: Acoustics and Sound, Lighting, Properties, and Scenery

Politics & Social Sciences

Social Sciences

Greenwood

Against the Grain

This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface.We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Huysmans, J-K 1848-1907

Franklin Classics

Text and pictures introduce the people of Spain, its culture, and its history.

Spain: The Land and Its People (Silver Burdett Countries)

Children's Books

Irizarry, Carmen

Silver Burdett Pr

Spain, the Land and Its People (Silver Burdett Countries)

Discusses the geography, people, history, culture, and other aspects of Mexico.

Mexico (Silver Burdett Countries)

See the best price to sell, buy, or rent books by HOWARD, John. BookScouter helps to compare book prices from 25+ online bookstores and 30+ buyback vendors with a single search.

Books by HOWARD, John

See the best price to sell, buy, or rent books by HOWARD, John. BookScouter helps to compare book prices from 25+ online bookstores and 30+ buyback vendors with a single search.

Multi-fitness

The Beatles: Unseen

Men Like That: A Southern Queer History

Men Like That: A Southern Queer History

Concentration Camps on the Home Front: Japanese Americans in the House of Jim Crow

A Bibliography of Theatre Technology: Acoustics and Sound, Lighting, Properties, and Scenery

Against the Grain

Spain: The Land and Its People (Silver Burdett Countries)

Spain, the Land and Its People (Silver Burdett Countries)

Mexico (Silver Burdett Countries)