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John Singleton Copley in America by Rebora, Carrie, Staiti, Paul, Hirshler, Erica E., Stebbins, (2013) Paperback

Arts & Photography

Troyen, Carol

Hirshler, Erica E.

Staiti, Paul

Rebora, Carrie

Stebbins, Theodore E., Jr.

Individual Artists

Metropolitan Museum of Art

A landmark retrospective that examines William Merritt Chase and his lasting contribution to the history of modern art The history of modern art owes a great debt to William Merritt Chase (1849–1916), one of America’s influential artists and educators. Chase was a leading member of the international artistic avant-garde and was best known for his mastery of a wide range of subjects in oil and pastel, including figures, landscapes, urban park scenes, interiors, and portraits. As a teacher and founder of the Shinnecock Summer School of Art and the New York School of Art, Chase mentored a new generation of modernists, including Edward Hopper, Georgia O’Keeffe, and Joseph Stella. A century after his death, the breadth and richness of Chase’s career are celebrated in this beautifully illustrated publication. Five essays by prominent scholars of American art offer new insights into Chase’s multi-faceted artistic practice and his position in the international cultural climate at the turn of the 20th century.

William Merritt Chase: A Modern Master

Davis, John

Bourguignon, Katherine M.

Smithgall, Elsa

Ginex, Giovanna

History & Criticism

Yale University Press

Mary Cassatt, Modern Woman

Mary Cassatt (1844-1926) holds a unique place in the history of art. One of the few women artists to succeed professionally in her era, she was the only American invited to exhibit with the French Impressionists. This handsome volume, richly illustrated with paintings, prints, and pastels spanning Cassatt's entire career, accompanies a major traveling exhibition that opens at The Art Institute of Chicago in October 1998. Essays trace Cassatt's development from her early influences through her critical role in bringing Old Master and Impressionist art to the United States. The superb colorplates clearly demonstrate why Cassatt is considered one of North America's most important artists. Supplementary works by Cassatt's contemporaries are reproduced along with numerous photographs and the first complete list of exhibitions in which Cassatt participated in her lifetime. The exhibition travels to the Museum of Fine Arts, Boston, and the National Gallery of Art, Washington, D.C. Ju

Cassatt, Mary

BARTER, Judith A.

Art Institute Of Chicago

Harry N.Abrams, Inc.

Presents Sheeler's drawings and paintings, from coolly geometric industrial/paintings to his elegant interiors and delicate still lifes

Charles Sheeler: Paintings and Drawings

Collections, Catalogs & Exhibitions

NEW YORK GRAPHIC SOCIETY

226 pp., 87 illustrations 67 in full color.

Charles Sheeler, paintings and drawings

Whitney Museum of American Art

Museum of Fine A

Little, Brown, and Co.

Dennis Miller Bunker: American impressionist

Dennis Miller Bunker (1861-1890) was one of the most talented painters of late nineteenth-century America. He was among the first Americans to use the bright colors and broken brushstrokes of the new Impressionist style; his beautiful landscapes and portraits are sought after by the most distinguished collectors of American art. Dennis Miller Bunker: American Impressionist is the first comprehensive study of this important American artist. Trained in the academies of his native New York, Bunker continued his education in Paris, where he flourished in the sophisticated atmosphere of the world's art capital. In 1885, he accepted a teaching position in Boston. He joined the city's vibrant artistic community and developed close friendships with the writer William Dean Howells, the composer Charles Martin Loeffler, and the legendary collector Isabella Stewart Gardner, who became his champion. In Boston, Bunker also met John Singer Sargent, America's most renowned painter. The summer they spent working together in England proved to be a turning point in Bunker's career. Bunker moved to New York in 1889. His heart remained in Boston, however, for he had fallen in love with Eleanor Hardy, the daughter of a prominent businessman. The couple married in October 1890. Barely three months later, Bunker died at age twenty-nine of a sudden illness. His beautifully crafted paintings were his only legacy.

Dennis Miller Bunker: American Impressionist

Antique Collectors’ Club Ltd

[Bunker, Dennis Miller] Hirshler, Erica E. Dennis Miller Bunker American Impressionist. With an essay by David Park Curry. Introduction by Theodore E. Stebbins, Jr. and contributions by Efrat Adler Porat and Deanna M. Griffin. First Edition. Boston, Museum of Fine Arts, 1994. 28.5cm x 26cm. 190 pages with 46 full colour plates and 68 black and white illustrations. Original Hardcover with original dustjacket in protective collector's mylar. Rare Hardcover-Edition. Excellent, close to new condition with only minor signs of wear. Includes for example: From the School of Mud to the School of Open Air/ The Metamorphosis of Dennis Miller Bunker/ Reconstructing Bunker/ Dennis Miller Bunker (November 6, 1861 - December 28, 1890) was an American painter and innovator of American Impressionism. His mature works include both brightly colored landscape paintings and dark, finely drawn portraits and figures. One of the major American painters of the late 19th century, and a friend of many prominent artists of the era, Bunker died from meningitis at the age of 29. Bunker was born in New York City to Matthew Bunker, the secretary-treasurer of the Union Ferry Company, and his wife, Mary Anne Eytinge Bunker. In 1876 he enrolled at the Art Students League of New York and the National Academy of Design. By 1880 he was participating in the annual exhibitions of the National Academy, the American Watercolor Society, and the Brooklyn Art Association. In 1881 Bunker exhibited a watercolor at the Boston Art Club. He subsequently exhibited both oil paintings and watercolors at the Club in 1882 and 1883. In 1886, the American printmaker Louis Prang exhibited two of Bunker's works from his own collection at the Club. In 1882 Bunker left New York to study at the École nationale supérieure des Beaux-Arts in Paris, most notably with Jean-Léon Gérôme. In the spring of 1883, accompanied by fellow students Charles A. Platt and Kenn..

Museum of Fine Arts

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John Singer Sargent Watercolors: Exhibition Catalog

Sargent, John Singer

Mfa Pubns

A new look at a neglected aspect of Sargent's oeuvre.

Sargent: The Late Landscapes

Lears, T.J. Jackson

Goldfarb, Hilliard T.

Isabella Stewart Gardner Museum

Isabella Stewart Gardner

As the center of the art world in the late nineteenth century, Paris was a magnet for American art students and artists. They flocked to the studios of French artists like Jean-Léon Gérôme, William Bouguereau, and others, dreamed of showing their work at the annual Paris Salon, and watched intently as new styles such as Impressionism began to take hold. Hardly an American painter was unaffected by developments in Paris, and even those who chose not to study there wanted their work to be affirmed by French audiences and taste makers. This beautifully illustrated book traces the role of American artists in Paris from the Salon des Refusés, in 1863, to the emergence of a uniquely American style of painting at the turn of the century. It includes iconic images by John Singer Sargent, James Abbott McNeill Whistler, Mary Cassatt, and Winslow Homer, and by many other artists whose names and work were more widely known then than now. Engaging essays written by notable scholars explore why artists were drawn to Paris, how they responded to what they found there, and what they retained of their experience. In addition, the significance of the Expositions Universelles, the French view of American artists in Paris, and the role these artists played in shaping the great American collections of modern French painting are discussed. Featuring more than 100 paintings, the essays are followed by artists’ biographies, an illustrated, annotated list of works, and a complete bibliography.

Americans in Paris 1860-1900

Adler, Kathleen

Weinberg, H. Barbara

National Gallery London

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