Soul evolved from gospel and blues to speak to an entire generationâblack and whiteâabout the importance of pride, freedom, determination, and R-E-S-P-E-C-T. Nowhere to Run examines the lives behind the legends of soul with energy, warmth, and emotionâthe same qualities that characterized songs such as âBaby, I Need Your Loving,â âPapaâs Got a Brand New Bag,â and âI Heard It Through the Grapevine.â Author Gerri Hirshey takes us on a bus tour with the Temptations and on the backroads of rural Georgia with James Brown. Diana Ross reminisces about her lean teen years in Detroit; at home in California, ex-Supreme Mary Wilson fills out the story. âThe Wickedâ Wilson Pickett tells his best stories long after the midnight hour in a New York City dressing room. And Michael Jackson, driving his Camaro and singing along to the radio, talks about opening shows for the great soul acts when he was a child.But soul faded, giving way to disco, rap, and black pop. And the artists who once captured the heart of the world soon had, as Martha and the Vandellasâ 1965 hit put it, âNowhere to run to baby, nowhere to hide.â In this enthralling narrative, Gerri Hirshey captures the triumphs and failures of soul like no one else before or since, telling the soul story through the eyes of those who lived the dreamâand the often harsh reality.

Nowhere to Run: The Story of Soul Music

Hirshey, Gerri

Literature & Fiction

Penguin??Books

Soul evolved from gospel and blues to speak to an entire generationblack and whiteabout the importance of pride, freedom, determination, and R-E-S-P-E-C-T. Nowhere to Run examines the lives behind the legends of soul with energy, warmth, and emotionthe same qualities that characterized songs such as ”Baby, I Need Your Loving,” ”Papa's Got a Brand New Bag,” and ”I Heard It Through the Grapevine.” Author Gerri Hirshey takes us on a bus tour with the Temptations and on the backroads of rural Georgia with James Brown. Diana Ross reminisces about her lean teen years in Detroit; at home in California, ex-Supreme Mary Wilson fills out the story. ”The Wicked” Wilson Pickett tells his best stories long after the midnight hour in a New York City dressing room. And Michael Jackson, driving his Camaro and singing along to the radio, talks about opening shows for the great soul acts when he was a child.But soul faded, giving way to disco, rap, and black pop. And the artists who once captured the heart of the world soon had, as Martha and the Vandellas' 1965 hit put it, Nowhere to run to baby, nowhere to hide.” In this enthralling narrative, Gerri Hirshey captures the triumphs and failures of soul like no one else before or since, telling the soul story through the eyes of those who lived the dreamand the often harsh reality.

Nowhere To Run: The Story Of Soul Music

Arts & Photography

Music

Da Capo Press

When Helen Gurley Brown's Sex and the Single Girl first appeared in 1962, it whistled into buttoned-down America like a bombshell: Brown declared that it was okay_ even imperative_for unmarried women to have and enjoy a sex life, and that equal rights for women should extend to the bedroom and the workplace. "How dare you?" thundered newspapers, radio hosts, and (mostly male) citizens. But more than two million women bought the book and hailed her as a heroine. Brown was also pilloried as a scarlet woman and a traitor to the women's movement when she took over the failing Hearst magazine Cosmopolitan and turned it into a fizzy pink guidebook for "do-me" feminism. As the first magazine geared to the rising wave of single working women, it sold wildly. Today, more than 68 million young women worldwide are still reading some form of Helen Gurley Brown's audacious yet comforting brand of self-help. "HGB" wasn't the ideal poster girl for secondwave feminism, but she certainly started the conversation. Brown campaigned for women's reproductive freedom and advocated skill and "brazenry" both on the job and in the boudoir_along with serial plastic surgery. When she died in 2012, her front-page obituary in The New York Times noted that though she succumbed at ninety, "parts of her were considerably younger." Her life story is astonishing, from her roots in the Ozark Mountains of Arkansas, to her single-girl decade as a Mad Men-era copywriter in Los Angeles, which informed her first bestseller, to her years at the helm of Cosmopolitan. Helen Gurley Brown told her own story many times, but coyly, with plenty of camouflage. Here, for the first time, is the unvarnished and decoded truth about "how she did it"_from her comet-like career to "bagging" her husband of half a century, the movie producer David Brown.

Not Pretty Enough: The Unlikely Triumph of Helen Gurley Brown

Biographies & Memoirs

Community & Culture

Sarah Chrichton Books / FSG

When Helen Gurley Brown’s Sex and the Single Girl first appeared in 1962, it whistled into buttoned-down America like a bombshell: Brown declared that it was okay― even imperative―for unmarried women to have and enjoy a sex life, and that equal rights for women should extend to the bedroom and the workplace. “How dare you?” thundered newspapers, radio hosts, and (mostly male) citizens. But more than two million women bought the book and hailed her as a heroine. Brown was also pilloried as a scarlet woman and a traitor to the women’s movement when she took over the failing Hearst magazine Cosmopolitan and turned it into a fizzy pink guidebook for “do-me” feminism. As the first magazine geared to the rising wave of single working women, it sold wildly. Today, more than 68 million young women worldwide are still reading some form of Helen Gurley Brown’s audacious yet comforting brand of self-help.
“HGB” wasn’t the ideal poster girl for secondwave feminism, but she certainly started the conversation. Brown campaigned for women’s reproductive freedom and advocated skill and “brazenry” both on the job and in the boudoir―along with serial plastic surgery. When she died in 2012, her front-page obituary in The New York Times noted that though she succumbed at ninety, “parts of her were considerably younger.”
Her life story is astonishing, from her roots in the Ozark Mountains of Arkansas, to her single-girl decade as a Mad Men–era copywriter in Los Angeles, which informed her first bestseller, to her years at the helm of Cosmopolitan. Helen Gurley Brown told her own story many times, but coyly, with plenty of camouflage. Here, for the first time, is the unvarnished and decoded truth about “how she did it”―from her comet-like career to “bagging” her husband of half a century, the movie producer David Brown.
Full of firsthand accounts of HGB from many of her closest friends and rediscovered, little-known interviews with the woman herself, Gerri Hirshey’s Not Pretty Enough is a vital biography that shines new light on the life of one of the most vibrant, vexing, and indelible women of the twentieth century.

Sarah Crichton Books

Rock and roll has traditionally been a boys' game. It has forced female artists to work twice as hard, usually for half the recognition -- but without their contributions, American music would be radically impoverished. Called "a kind of female Cameron Crowe" by the Chicago Tribune, Gerri Hirshey has been writing about music for two decades. Now, in a narrative based on frank original interviews and a vise grasp of American cultural history, she serves up a tasty platter of girl groups and soul queens, acoustic goddesses and priestesses of the avant-garde, punk grrrls, glamazons, and innovators of hip-hop and neo-soul. We Gotta Get Out of This Place is the passionate history of a century of women in rock that is deft, authoritative, and a sheer delight to read. "A literary soul queen, an Aretha of the page ..." -- Karen Schoemer, Elle "We Gotta Get Out of This Place ... helps set the record straight." -- Dan Gilgoff, U.S. News &amp; World Report "Hirshey doesn't write about rock and roll. She writes rock and roll." -- L. D. Meagher, CNN.com "Vivid, impassioned, [and] lively." -- Francine Prose, O Magazine

We Gotta Get Out of This Place: The True, Tough Story of Women in Rock

GROVE PRESS

Drawing from dozens of interviews with the celebrities that created soul music, from the beginning of Motown to Memphis, the author portrays a musical phenomenon that shaped America in the sixties

Nowhere to Run

Crown

The author chronicles the history of women in rock music, taking readers backstage to meet Bessie Smith, Mahalia Jackson, Debbie Harry, Patti Smith, Coutney Love, Cher, Lauryn Hill, and many others. 35,000 first printing.

Atlantic Monthly Pr

Nowhere to Run: The Story of Soul Music is a unique oral history. Here are the recollections of many of the giants of soul—Smokey Robinson, Diana Ross, Aretha Franklin, Ray Charles, James Brown, Mary Wilson, Marvin Gaye, Screaming Jay Hawkins, and Wilson Pickett. These and other interviews, many of them exclusive, add up to a brilliant anecdotal portrait of the music and the life. Gerri Hirshey is the author of We Gotta Get Out of this Place: The True, Tough Story of Women in Rock; she has also written for Rolling Stone and the New York Times.

Southbank Publishing

Nowhere To Run: Etoiles de la soul music et du rhythm & blues

Rivages *

See the best price to sell, buy, or rent books by Hirshey, Gerri. BookScouter helps to compare book prices from 25+ online bookstores and 30+ buyback vendors with a single search.

Books by Hirshey, Gerri

See the best price to sell, buy, or rent books by Hirshey, Gerri. BookScouter helps to compare book prices from 25+ online bookstores and 30+ buyback vendors with a single search.

Nowhere to Run: The Story of Soul Music

Nowhere To Run: The Story Of Soul Music

Not Pretty Enough: The Unlikely Triumph of Helen Gurley Brown

Not Pretty Enough: The Unlikely Triumph of Helen Gurley Brown

We Gotta Get Out of This Place: The True, Tough Story of Women in Rock

Nowhere to Run

We Gotta Get Out of This Place: The True, Tough Story of Women in Rock

Nowhere to Run: The Story of Soul Music

Nowhere To Run: Etoiles de la soul music et du rhythm & blues