First edition, advance proof copy laid in proof dust jacket. Author's first book. Fine. 48 pages. decorated stiff paper wrappers.. 12mo..

SAYING HELLO AT STATN

Literature & Fiction

HILL, Selima

History & Criticism

Chatto & Windus/Hogarth Press

Brings together two contrasting poem sequences by ""this brilliant lyricist of human darkness"" (Fiona Sampson), `Advice on Wearing Animal Prints,' winner of the Michael Marks Poetry Award, and `Sunday Afternoons at the Gravel-pits.' Like all of Selima Hill's work, both sequences chart ""extreme experience with a dazzling excess"" (Deryn Rees-Jones), with startling humor and surprising combinations of homely and outlandish.

Jutland

Poetry

Bloodaxe Books

I May Be Stupid But I'm Not That Stupid brings together six contrasting but complementary poem sequences by 'this brilliant lyricist of human darkness' (Fiona Sampson) relating to family, fear, foreboding and felicity. Elective Mute is about autism and happiness; My Mother and Me on the Eve of the Chess Championships, about a mother who prefers lettuces to life; Fishtank (Poetry Book Society Pamphlet Choice), about a brother who is somebody else; Lambchop, about a creepy old man; The Boxer Klitschko, on finding refuge with swimming, dogs and a jovial uncle; and Helpless with Laughter, on what the parts of the body have to say about themselves. Like all of Selima Hill's work, all six sequences in the book chart 'extreme experience with a dazzling excess' (Deryn Rees-Jones), with startling humour and surprising combinations of homely and outlandish..

I May Be Stupid But I'm Not That Stupid

The poetic account of a young woman's stay in the psychiatric ward of a large hospital. The only time she feels safe is when swimming; the only place, the sea, preferably underwater. Selima Hill's 17th book of poetry - her 14th from Bloodaxe - takes her back to the territory of her third book, The Accumulation of Small Acts of Kindness (1983), but this revisiting is quite different in style and mood. Over thirty years later, Hill is more able to chart and illuminate with startling humor and surprising combinations of homely and outlandish.

The Magnitude of My Sublime Existence

A collection from award-winning British poet, Selima Hill. With three contrasting but complementary, familial poem sequences: `Buttercup the Sloth', about mothers; `Lobo-Lobo', about sisters; and `Behold My Father on His Bicycle', about exactly that.

Splash Like Jesus

Review\n'Selima Hill is an inimitable talent. The mind is fragile and unreliable in her poetry, but is also tenacious and surprising, capable of the most extraordinary responses, always fighting back with language as its survival kit. Life in general might be said to be her subject, the complications, contradictions and consequences of simply existing. Nevertheless, Hill’s writing is eminently readable and approachable, even fun at times, the voice of a person and a poet who will not be quieted and will not conform to expectations, especially poetic ones.' - Simon Armitage, UK Poet Laureate, on behalf of The King's Gold Medal for Poetry Committee\n"Arguably the most distinctive truth teller to emerge in British poetry…Despite her thematic preoccupations, there’s nothing conscientious or worthy about Hill’s work. She is a flamboyant, exuberant writer who seems effortlessly to juggle her outrageous symbolic lexicon…using techniques of juxtaposition, interruption and symbolism to articulate narratives of the unconscious. Those narratives are the matter of universal, and universally recognisable, psychodrama…hers is a poetry of piercing emotional apprehension, lightly worn… So original that it has sometimes scared off critical scrutineers, her work must now, surely, be acknowledged as being of central importance in British poetry – not only for the courage of its subject matter but also for the lucid compression of its poetics." - Fiona Sampson, The Guardian\n"In Hill’s early collections, such as Saying Hello at the Station (1984) and The Accumulation of Small Acts of Kindness (1989), the poems are considerably longer, with more of a narrative drive. It’s not that the recent work has no narrative – the poems always come in sequences – but they have the feel of comic strips rather than novels, and the unit of currency is the image…. the sequences accrue their characters and moods; the poems are part of something larger, like ornaments crowded together on a mantelpiece." - Emily Berry, London Review of Books\nMen Who Feed Pigeons brings together seven contrasting but complementary poem sequences by ‘this brilliant lyricist of human darkness’ (Fiona Sampson) relating to men and different kinds of women’s relationships with men.\nThe Anaesthetist is about men at work; The Beautiful Man with the Unpronounceable Name is about someone else’s husband; Billy relates to friendship between a man and a woman; Biro is about living next door to a mysterious uncle; The Man in the Quilted Dressing-gown portrays a very particular old man; Ornamental Lakes as Seen from Trains is about a woman and a man she’s afraid of; while Shoebill is another sequence about a woman and a man, but quite different from the others. Like all of Selima Hill’s work, all seven sequences in this book chart ‘extreme experience with a dazzling excess’ (Deryn Rees-Jones), with startling humour and surprising combinations of homely and outlandish.

Men Who Feed Pigeons

Hot on the heels of her previous collection Men Who Feed Pigeons, Selima Hill's Women in Comfortable Shoes is the 21st book of poetry from "the UK's Emily Dickinson".&nbsp; This collection presents eleven contrasting but well-fitting sequences of short poems relating to women, including:&nbsp;Fishface, in&nbsp;which a&nbsp;disobedient young girl is sent to a Catholic convent school to give her mother a break;&nbsp;Fridge,&nbsp;in which trucks, geese and fridges speak of death, grief and absence; and&nbsp;Girls without Hamsters,&nbsp;which deals with an older woman's obsession with a spider-legged young man. Writing with her trademark wit and originality, Selima Hill looks closely at the complications and contradictions that define our lives and relationships.&nbsp;

Women in Comfortable Shoes

The poems in A Little Book of Meat are written in the voice of a woman growing up on a remote cattle farm with her mother, a devout Catholic, and her much-loved assortment of animals. She is already nearly 30, knows little of the outside world, and walks with a slight limp. One day a stranger calls, a travelling slaughterman... Where Selima Hill's last book, The Accumulation of Small Acts of Kindness, was the record of a nervous breakdown, A Little Book of Meat tells the story of a love affair, combining the tenderness and subversive humour of her most startling poetry with the imaginative depth and unpredictability of an untamed novel.

Little Book of Meat

Bloodaxe Books Ltd.

Very good. Shipped from the U.K. All orders received before 3pm sent that weekday.

Violet

Musically as well as psychologically fugal.""--Booklist. ""Reminiscent of Sylvia Plath... Hill re-creates a nightmarish story.""--Library Journal

Bunny

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