All four Taft Street one picture books in a box set.

Taft street (Nazraeli Press one picture book)

Hido, Todd

Nazraeli Press

From the publisher: "This stunning new book by Todd Hido is a perfect companion volume to his first title, House Hunting, which was named "Best First Monograph of 2001" by Photo-Eye and is now a Limited Quantity title. Hido's large-format color photographs of suburbia convey an aura of loneliness, mystery and isolation while managing, at the same time, to exude comfort and even warmth. His portraits of tract homes are imbued with an eerie softness, their exteriors glowing invitingly - or is it ominously? - in the cool night air. An essay by the eminent writer Luc Sante, entitled "Stranger," brilliantly echoes Hido's work and is a fine introduction to the book. Todd Hido was the recipient of the 2001 Eureka Fellowship. His photographs are in the permanent collections of the San Francisco Museum of Modern Art, Museum of Fine Arts, Houston, and the New Orleans Museum of Art, as well as in other public and private collections." From Mary Hull Webster, Artweek: "Photography is arguably the most accomplished art form of the moment, and one of its most intelligent practitioners is Todd Hido."

Outskirts

Reference

Catalogs & Directories

Todd Hido's striking new monograph, Between the Two, weaves photographs of abandoned houses together with portraits of anonymous models in motel rooms that have obviously seen better days. Hido's uncanny ability to let seediness shine with an internal beauty was first displayed in book form with his 2001 monograph, House Hunting. That first monograph, as well as his follow-up book Outskirts, are now out-of-print, and highly sought-after in the rare book market. Between the Two comprises 35 photographs beautifully printed on matt art paper, and bound in an oversized format. This first printing is limited to 2,000 casebound copies. Todd Hido's work has been widely exhibited throughout the United States and Europe, and is included in the permanent collections of such museums as the Cleveland Museum of Art; the Los Angeles County Museum of Art; the Museum of Fine Arts, Houston; and the San Francisco Museum of Modern Art. Hardcover, 15 x 12, 76 pages, 35 four-color plates.

Between the Two

Arts & Photography

Photography & Video

Nazraeli Press is pleased to announce Todd Hido's new book of landscape photographs, A Road Divided, in which the artist again focuses his attention on the American landscape. Driving lonely roads on the outskirts of cities, Hido creates poignant images filled with inexplicable gravity, cinematic scenes of places that somehow exist in our collective memory. In these new pictures, Hido demonstrates his fluidity within the daytime realm, putting aside the harder edge that characterizes his night work by photographing through veils of rain or ice. Delicately, potently, embracing the beauty of the pictorial, Hido's new pictures present an image plane that is often fully disintegrated, recalling impressionist painting. With an unquestionably modern effect, he often frames the compositions from inside his car, photographing straight through the windshield, using it as an additional lens and bringing a sense of timing and moment to these stationary scenes. Todd Hido's photographs have been exhibited internationally, and are included in numerous museum collections, including the Whitney Museum of Art, New York; Guggenheim Museum, New York; San Francisco Museum of Modern Art; and the Los Angeles County Museum of Art.

A Road Divided

Nazraeli Pr

Intimate Distance

TEXTUEL

First edition, first printing. Soft cover. Photographically illustrated stiff wrappers; no dust jacket as issued. Photographs by Todd Hido. Designed by Kuroda Design. Unpaginated (32 pp.), with 21 four-color plates and one black-and-white plate. 10 x 7-1/8 inches. This edition was limited to 500 copies. From the publisher: "This new book by Todd Hido (b. 1968) is a departure that brings him back to some of his narrative sequencing experiments he played with in graduate school while studying with Larry Sultan. This series started with two photos, the first image of a found studio portrait of a mother made in the 1950's, and another found archival newspaper photograph taken by a reporter of the aftermath of an auto accident. Hido put the portrait at the front of the book and the car crash at the back and worked to narratively connect the two using his own archive of portraits, landscapes, and photographs of houses. The resulting book is a pulp tale that hints at some of the undercurrents and backgrounds that many of the people Hido has used in his other projects have hinted at, 'I have always felt that many of the model's I have worked with in doing nudes were somehow revisiting something from their past by posing for the camera. There is a peculiar attraction we have as humans to reengage later in life with the things that troubled us most.'"

NYMPH DAUGHTERS.

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