Vertigo takes a leading role in bringing to light the emerging architectural landscape of the industrialized world. The ten projects explored include Lake Vegas in Nevada, the new Reichstag and Jewish Museum in Berlin, the Tate Gallery in London, Hong Kong Airport, Ontario Mills in Los Angeles, and the Millenium Dome in London. Edited by Rowan Moore, with essays by Jacques Herzog, Paul Davies, Aaron Betsky and others. In contrast to the bland future-gazing seen to date, Vertigo sets out to evoke tangible urban experiences, not futuristic utopias.

Vertigo: The Strange New World of the Contemporary City

Arts & Photography

Betsky, Aaron

Herzog, Jacques

Davies, Paul.

Architecture

Gingko Pr Inc

An affordable overview of the built and unbuilt works of Herzog & de Meuron, acclaimed by the New York Times as "one of the most admired architecture firms in the world" Renowned for such prominent buildings as London's Tate Modern, Beijing's Bird's Nest National Stadium and 1111 Lincoln Road in Miami Beach, Herzog & de Meuron sits at the cutting edge of contemporary design. Founded in Basel more than 40 years ago, the Swiss architectural practice is now an international partnership with projects across the globe--among them, museums, hospitals, skyscrapers, arenas, and private and civic buildings. Produced in close collaboration with the architects and published for a major exhibition at the Royal Academy of Arts in London, this volume gives an authoritative account of the inner workings of what the New York Times dubbed "one of the most admired architecture firms in the world." The book appraises a representative selection of its projects, both completed buildings and those still in the works, providing visual materials such as models, material samples and prototypes. Texts by leading writers, practitioners, filmmakers and thinkers also figure, offering expert analysis of the firm's commanding portfolio.

Herzog & de Meuron

de Meuron, Pierre

Royal Academy of Arts

Treacherous Transparencies analyzes transparency as expressed in architecture and art in an attempt to understand the intentions and objectives that underlie its use by pertinent architects and artists. The publication looks at a few important works by selected artists and architects who work with transparency as an artistic strategy, which they implement primarily by using glass and mirrors but other media as well. e architects and artists listed together in this context form an unlikely alliance: Bruno Taut, Ivan Leonidov, Marcel Duchamp, Mies van der Rohe, Dan Graham, and Gerhard Richter. But they do have something in common: their work marks salient way stations in the story of modernism up to the present day. Concept &amp; text by Jacques Herzog and photographs of Farnsworth House by Pierre de Meuron.

Treacherous Transparencies: Thoughts and Observations Triggered by a Visit to Farnsworth House

Actar

The Portuguese architect Eduardo Souto de Moura was born in 1952 in Porto. During his architectural studies he had the good fortune to work for Alvaro Siza, and in 1980 he opened his own office in Porto. Today Souto de Moura, with his purist yet atmospheric structures is one of the most well-known architects on the Iberian peninsula. "I began practically at the very beginning and concentrated on the essence of architecture. The most fundamental element is naturally the wall." Souto de Moura succeeded in combining Portugal's strong tradition of stone masonry with abstract modern forms, creating an architecture of compelling beauty. Werner Blaser conveys through wonderfully expressive photography the elemental and timeless nature of Souto de Moura's buildings focussing in particular on his use of stone as a building material.

Eduardo Souto de Moura - Stein Element Stone (German and English Edition)

Reference

Blaser, Werner

SOUTO DE MOURA, Eduardo

Foreign Language Study & Reference

Birkhäuser Architecture

Schweizer Stararchitekten entwerfen eine neue Landeskarte der urbanen Topografie. Geografische, historische, sprachliche, kulturelle, soziale, ökonomische, verkehrspolitische und architektonische Strukturen sind in ihrer vielfältigen Kombinatorik erfasst worden.

Die Schweiz – ein städtebauliches Portrait: Bd. 1: Einführung; Bd. 2: Grenzen, Gemeinden – eine kurze Geschichte des Territoriums; Bd. 3: Materialien (German Edition)

Schmid, Christian

Meili, Marcel

Diener, Roger

Birkhauser

Top Swiss architects create a new urban topography for Switzerland.

Switzerland – an Urban Portrait: Vol. 1: Introduction; Vol. 2: Borders, Communes – a Brief History of the Territory; Vol. 3: Materials

Top Swiss architects create a new urban topography for Switzerland.

La Suisse - portrait urbain: Vol. 1: Introduction - Vol. 2: Frontières, communes : brève histoire du territoire - Vol. 3: Matériaux (French Edition)

About the Author\nSimon Baur is an art historian, lives in Basel, and is a freelance publicist and curator. Corinne Diserens studied art and film history at the Sorbonne in Paris and at the Independent Study Program of the Whitney Museum of American Art in New York. She was curator at IVAM Valencia from 1989-1993, director of the Musée de Marseille from 1996-1999, of the Musée des Beaus-Arts de Nantes from 2001-2005, and of the Museion Bolzano from 2005-2008. She has published countless essays on advanced artistic positions, including Carl Andre, Dan Graham, Eva Hesse, Santu Mofokeng, Gordon Matta-Clark, Gabriel Orozco, Paola Yacoub. The editor Eva Schmidt is art historian and a curator, since 2004 she was director of the Museum für Gegenwartskunst Siegen, and retired in 2019. She has curated numerous monographic exhibitions amongst others to Lucian Freud, Sigmar Polke, Bridget Riley, Antoni Tapies, Niele Toroni, and others. She revealed her special interests in thematic shows like "Dear Aby Warburg, what can be done with the images?" or 2018 with "Remembering Landscape." Eva Schmidt is a member of the Board of the Association of Friends of Rémy Zaugg and is the editor of this affable volume on Rémy Zaugg. Herzog & de Meuron, established in Basel in 1978, is a partnership led by Jacques Herzog and Pierre de Meuron together with Senior Partners and an international team of over 500 collaborators across Europe, the Americas, and Asia. Their practice has designed a wide range of projects from the small scale of a private home to the large scale of urban design. Many projects are highly recognized public facilities, such as museums, stadiums, and hospitals, and they have completed distinguished private projects including offices, laboratories and apartment buildings. Christoph Oswald, born in 1961, lives and works in Zurich, where he studied art history and politics and initially wrote for a number of European art magazines before working for the Neue Zürcher Zeitung, Weltwoche, and Tages-Anzeiger. He has held various teaching positions and professorships, most recently realizing close to 400 projects for art in public spaces for the city of Zurich from 2009 to 2020. Mathilde de Croix, born 1990, lives and works in Paris. She holds a research and a professional master’s degree from the University of Paris Sorbonne in Contemporary Art. Since 2017, she has worked as a curator at the Monnaie de Paris. She co-curated the exhibitions “A pied d’œuvre(s)” (2017) on the occasion of the 40th anniversary of the Centre Pompidou, Subodh Gupta (2018) and Thomas Schütte (2019), she also worked with Michel Gauthier in the preparation of the sixth edition of the festival “Air de Jeu” at the Centre Pompidou. Rémy Zaugg (1943–2005) dealt with questions of perception in his conceptual work. He did not see it as limited to seeing, but as a human function of the reciprocal relationship to the world. His work includes painting, drawing, sculpture, works in public space, art on building projects, and architectural designs. Among the artists of his generation, he is considered one of the role models for the transmedial approaches of today's young generations of artists. His collaboration with the architects Herzog & de Meuron, with whom he realized around 15 projects in the years before his death.\nRémy Zaugg (1943–2005) was an internationally renowned artist who lived and worked in Basel and Mulhouse. He saw himself as a painter, yet he would not limit himself solely to the production of images. Rather, from his painterly practice he generated general assumptions for a processual conception of the work that enabled him to view spatial, architectural, and urban contexts in new, unfamiliar ways. Accordingly, the perceiving human being as a member of society was always at the center of his considerations—all his aesthetic assumptions led to the emancipatory idea of the "becoming" subject. In addition to his extensive painterly and writ

Rémy Zaugg: The Particular Place

Mack, Gerhard

Loock, Ulrich

Diserens, Corinne

Zaugg, Rémy

Kurzmeyer, Roman

Baur, Simon

Schmidt, Eva

Doswald, Christoph

de Croix, Mathilde

Individual Artists

Snoeck Publishing Company

More than any of their contemporaries, Swiss architects Jacques Herzog and Pierre de Meuron are challenging the boundaries between architecture and art. Natural History explores that challenge, examining how the work of this formidable pair has drawn upon the art of both past and present, and brought architecture into dialogue with the art of our time. Echoing an encyclopedia, this publication reflects the natural history museum structure of the exhibition which it accompanies, organized by the Canadian Centre for Architecture. Models and projects by Herzog &amp; de Meuron, as well as by other artists, are structured around six thematic portfolios that suggest an evolutionary history of the architects' work: Appropriation &amp; Reconstruction, Transformation &amp; Alienation, Stacking &amp; Compression, Imprints &amp; Moulds, Interlocking Spaces, and Beauty &amp; Atmosphere. Each section is introduced with a statement from Herzog, and more than 20 artists, scholars, and architects have contributed essays, including Carrie Asman, Georges Didi-Huberman, Kurt W. Forster, Boris Groys, Ulrike Meyer Stump, Peggy Phelan, Thomas Ruff, Rebecca Schneider, Adolf Max Vogt, and Jeff Wall. 
A building is a building. It cannot be read like a book; it doesn't have any credits, subtitles or labels like pictures in a gallery. In that sense, we are absolutely anti-representational. The strength of our buildings is the immediate, visceral impact they have on a visitor. --Jacques Herzog 
Edited by Philip Ursprung. Contributions by Fernando Romero, Carrie Asman, Boris Groys, Gernot Bohme, Jeff Wall, Thomas Ruff, Alfred Richterich, Adolph Max Vogt, Alejandro Zaera-Polo, Reinhold Hohl, Petros Koumoutsakos, Albert Lutz, Christian Muoeix, Hurzeler, Catherine, Rebecca Schneider and Remy Zaugg. Foreword by Phyllis Lambert. Introduction by Kurt W. Forster. 
Hardcover, 480 pages, 300 color and 200 b&amp;w illustrations

Herzog & de Meuron: Natural History

Ursprung, Philip

& de Meuron, Herzog

Lars Müller Publishers

Engañosas transparencias: Observaciones y reflexiones suscitadas por una visita a la casa Farnsworth

Editorial GG, SL

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