Traces the development of western European architecture from Romantic Classicism to the International epoch following World War II

Architecture: Nineteenth and Twentieth Centuries (The Pelican History of Art)

Arts & Photography

Henry-Russell Hitchcock

History & Criticism

Penquin Books

Buffalo's rich architectural and planning heritage has attracted the attention of several prominent historians, whose work here is accompanied by over 250 illustrations and photographs.

Buffalo Architecture: A Guide

Reyner Banham

Charles Beveridge

Architecture

MIT Press]

H. H. Richardson was born into the architectural chaos of the mid-eighteen hundreds and dies in the architectural revolution of the age of the skyscraper, yet his genius and reputation were able to surmount the first and survive the latter. This is a study of his architecture and of the setting in which he worked. It includes detailed discussions of the social,, economic, and technical history of the era and examines the architecture of Richardson's contemporaries and of those countries in which he traveled and lived.
His heritage was the romantic generation that had contemptuously renounced the austerity of the classical revival and, in the search for stylistic stimulation, had borrowed indiscriminately from the rich bazaar of historic and exotic styles, the Gothic, Italianate, Norman, Byzantine. By the time Richardson had completed his education at Harvard and at the École des Beaux-Arts, this mixed architectural diet had played havoc with the American taste.
In his maturity he developed a personal style that resolved the dilemma in which he found himself: his own good taste and judgment demanded utility, spatial tangibility, function; his public demanded pictorial surface effects. His reconciliation of these disparities resulted in his finest works: Trinity Church, Boston; the Marshall Field Wholesale Store, Chicago; the Allegheny County Courthouse and Jail, Pittsburgh; Sever Hall, Cambridge.
At the time of his death technological advances had made the skyscraper feasible, and in the succeeding years architectural form was virtually dictated by these advances. Richardson's mastery of traditional composition, mortar, polychromy, and ornament was largely forgotten. Today in the search for aesthetic expression of fine materials and (integral) ornament, Richardson's work is relevant once more for practical as well as historical purposes.

The Architecture of H. H. Richardson and His Times

Book is 69 pages of text and 82 pages of photos-captions. From DJ Flap: Rhode Island contains a remarkable group of buildings representing the finest in American architecture from the seventeenth century to the twentieth. A history of American architectural development, ranging from the colonial work through the sophistical mansions and important early industrial construction. (Description by http-mart)

Rhode Island Architecture

The MIT Press

The Rise of an American Architecture

Albert Fein

Published [for] The Metropolitan Museum of Art, New York [by] Pall Mall P

This is the definitive study of Frank Lloyd Wright and his work, an eloquent summation of an outstanding career that spanned nearly seventy years of American architectural history. Writing with warmth and penetrating intelligence, Henry-Russell Hitchcock, America's leading architectural expert, explores Wright's distinctive approach to the design and construction of homes, civic centers, housing projects, country clubs, and office buildings—emphasizing throughout Wright's skillful use of materials to create harmony between structure and environment.Hitchcock covers each of the major phases in Wright's first fifty years as an architect: the apprenticeship with J.L. Selsbee; the movement toward maturity with "Lieber Meister" Sullivan, and the links with Richardson, the "prairie" architecture of the early 1900s and the non-domestic work of the same period which exerted so great an influence upon the development of modern European architecture; the textile block housing and cantilevered skyscraper projects of the early ‘20s; the creative hiatus of the late ‘20s and early ‘30s; and the projects of the Depression years, interrupted in 1942 by World War II.More than 400 illustrations are presented in chronological order in a format Wright himself designed, revealing an endless assortment of shapes, materials and structural ornament that indicate the scope and focus of Wright's genius. Accompanying the photographs, plans, and perspectives is Hitchcock's perceptive commentary, linking each building to a particular phase in Wright's development and showing how in each case the architect forged the elements of materials, mass, space, and ornament into a powerful visual statement.Hitchcock also contributes a list of the architect's completed projects through 1941, and, in a new foreword specially prepared for this Da Capo edition, assesses Wright's major projects during the last two decades of his life.

In the Nature of Materials: The Buildings of Frank Lloyd Wright 1887-1941 (Da Capo Paperback)

Da Capo Press

Physical description: viii, 409 pages : illustrations, map, plan ; 29 cm. Notes: Includes bibliography. Subjects: Architecture, Rococo - Germany. Genre: Bibliography.

Rococo architecture in Southern Germany

Phaidon

This is the definitive study of Frank Lloyd Wright and his work, an eloquent summation of an outstanding career that spanned nearly seventy years of American architectural history. Writing with warmth and penetrating intelligence, Henry-Russell Hitchcock, America's leading architectural expert, explores Wright's distinctive approach to the design and construction of homes, civic centers, housing projects, country clubs, and office buildings—emphasizing throughout Wright's skillful use of materials to create harmony between structure and environment.Hitchcock covers each of the major phases in Wright's first fifty years as an architect: the apprenticeship with J.L. Selsbee; the movement toward maturity with "Lieber Meister" Sullivan, and the links with Richardson, the "prairie" architecture of the early 1900s and the non-domestic work of the same period which exerted so great an influence upon the development of modern European architecture; the textile block housing and cantilevered skyscraper projects of the early ‘20s; the creative hiatus of the late ‘20s and early ‘30s; and the projects of the Depression years, interrupted in 1942 by World War II.More than 400 illustrations are presented in chronological order in a format Wright himself designed, revealing an endless assortment of shapes, materials and structural ornament that indicate the scope and focus of Wright's genius. Accompanying the photographs, plans, and perspectives is Hitchcock's perceptive commentary, linking each building to a particular phase in Wright's development and showing how in each case the architect forged the elements of materials, mass, space, and ornament into a powerful visual statement.Hitchcock also contributes a list of the architect's completed projects through 1941, and, in a new foreword specially prepared for this Da Capo edition, assesses Wright's major projects during the last two decades of his life.

In the Nature of Materials: Buildings of Frank Lloyd Wright, 1887-1941

Trewin Copplestone Publishing Ltd

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Books by Henry-Russell Hitchcock