A collection of 26 graded repertoire pieces by Haydn, Mozart, and Beethoven. It provides a complete overview of the musical characteristics of the Classical Era in an easily comprehensible manner. Students learn practice strategies, musical concepts, and general characteristics of the era as they explore delightful pieces by the great composers. A companion CD of complete performances and practice strategies is provided. Contents include: By Haydn: German Dance No. 8 in G Major; German Dance No. 1 in G Major; Minuet in C Major; German Dance in F Major; German Dance in C Major; German Dance in B flat major; Minuet in B flat Major; Minuet and Trio in F Major; Dance in B flat major. By Mozart: Minuet in F; Minuet in C K. 6; Minuet in C; Air; Minuet in F K. 2; Andante and Maestoso; Minuet and Trio K. 1; Allegro Moderato; Allegro K. 3. By Beethoven: German Dance in C Major; Ecossaise in G Major; Country Dance No. 2 in D Major; Ecossaise in E flat Major; Country Dance No. 1 in D Major; Minuet and Trio in G Major; German Dance in G Major; Country Dance in D Minor.

Succeeding with the Masters(R), Classical Era, Volume One (Succeeding with the Masters, 1)

Helen Marlais

Humor & Entertainment

Alfred Music

Volume Two continues this collection of graded repertoire pieces by Haydn, Mozart, and Beethoven. The marvelous selections included here build a foundation for playing advanced classical music. After studying and performing these pieces, the student will be ready for entry-level sonatas by each of these great composers. As in Volume One, complete and easily comprehensible overviews of the era’s musical characteristics appear throughout, along with illustrative practice strategies. A companion CD of complete performances and practice strategies is provided. Contents include: By Haydn: Minuet in D major, Hob. 20; Minuet in B flat major; Minuet in D major, Hob. 3; Minuet in C major; Scherzo in F major; Andante in G minor; Presto in C major. By Mozart: Klavierstuck in F; Andante in F; Minuet in F; Little Funeral March; Moderato in F major; Adagio in C for Glass Harmonica; Presto in B flat Major. By Beethoven: German Dance in E flat major; Bagatelle in A minor; Allemande in A; Waltz in E flat major; Minuet in C major; Fur Elise; Minuet in D major; Six Variations on a Swiss Song.

Succeeding with the Masters(R), Classical Era, Volume Two (Succeeding with the Masters, 2)

Arts & Photography

Music

This third In Recital collection offers selections for the late elementary student. In Book 3, Judith Strickland adds a lyrical solo, Autumn Leaves. The repertoire also features arrangements of Puccini's O mio babbino caro, Beethoven's Allegretto, from Symphony No. 7, and the theme from Mozart's Symphony No. 40, along with solos and duets from Bober, Brown, Greenleaf, McLean, and Olson, to complete the volume. As part of the curriculum, students learn: playing legato and staccato at the same time, blocked and broken major, minor, and diminished chords, and scales with finger crossings that extend beyond 5-finger patterns. A companion CD is included. Contents include: Autumn Colors (Judith R. Strickland); Raindrops on My Roof (Kevin Olson); Song of the Sahara (Duet-Kevin Olson); O mio babbino caro from Gianni Schicchi (Puccini arr. Edwin McLean); Theme from Symphony No. 40 (Mozart, duet arr. Timothy Brown); Allegretto from Symphony No. 7 (Beethoven arr. Timothy Brown); Skeleton Stomp (Melody Bober); Joseph, Dearest Joseph Mine (arr. Elizabeth Greenleaf); and My Country, 'Tis of Thee (arr. Edwin McLean).

In Recital(R) Throughout the Year, Vol 1 Bk 3: with Performance Strategies (The FJH Pianist's Curriculum, Vol 1 Bk 3)

Some of the most rewarding In Recital music is here in the final book of Volume One! Melody Bober leads off with a lyrical solo, First Snowfall; Kevin Olson then offers an arrangement of J.S. Bach s Toccata and Fugue in D Minor, BWV 565; and later, a jazzy Christmas solo, Jingle Bell Jam; Ed McLean contributes his rendition (an equal-part duet) of the Toreador Song, from the opera Carmen, while Mart n Cu llar, David Karp, and Timothy Brown (2 solos!), showcase highlights of their own. New elements include dotted eighths, triplet sixteenths, scales in tenths, syncopation, jazz chords, parallel and color chords, middle pedal use, and more, found in the teaching text and the CD. Also includes: Romanza (Martin Cuellar); Bagatelle (Timothy Brown); Dans le jardin (Timothy Brown); Toccatina (David Karp).

In Recital(R) Throughout the Year, Vol 1 Bk 6: with Performance Strategies (The FJH Pianist's Curriculum, Vol 1 Bk 6)

Baroque Era, Volume One of Succeeding with the Masters is a collection of 22 graded repertoire pieces by J.S. Bach, Handel and Scarlatti. These works, mostly dances, build a foundation for playing more advanced baroque music. Complete and easily comprehensible overviews of the era s musical characteristics appear throughout, along with composer biographies and illustrative practice strategies. This approach to learning style, technique and historical context provides a valuable foundation for successful performance. A companion CD of complete performances and a practice strategy workshop is provided. Contents include: By J.S. Bach: Theme in F major, BWV Anh.131; Minuet in G major, BWV Anh.114; Musette in D major, BWV Anh.126; Minuet in G minor, BWV 822; Minuet in D minor, BWV Anh.132; Minuet in G major, BWV 822; Minuet in G, BWV Anh.116; Minuet in C minor, AMNB 1722; Prelude in C major, BWV 939. By Handel: Minuet in G major from Partita in G; Impertinence, HWV 494; Minuet in F major from Suite in F major, G.179; Aria, HWV 449; Gavotte in G major, HWV 491; Sarabande from Suite in D minor, HWV 448; Air in B flat major from Aylesford Collection; Sonatina in G major, G.234 HHA iv/6. By Scarlatti: Minuet in G minor, K.88d/L.36; Minuetto in C major, K.73b/L.217; Larghetto in D minor, K.34/L.7; Minuetto in B flat major, K.42/L.36; Minuetto in C minor, K.40/L.357.

Baroque Era (Succeeding With the Masters, 1)

Alfred Pub. Co

Book 2 of In Recital Vol. Two offers tips on recital preparation, a friendly practice guide and schedule, an Imagine Your Performance feature, and an After the Recital review, as part of a progressive discussion on the art of performance. New musical concepts are introduced (legato and staccato articulations, crescendo/ decrescendo, ritardando, rests, etc.), and familiar ones reinforced (note values, keys, hand positions, etc.). Contents include a classical theme arrangement: Tchaikovsky (arr. Brown) Serenade for Strings, 2nd Movement Waltz;, and a patriotic solo: George M. Cohan (arr. McLean) You re a Grand Old Flag; plus solos and arrangements by Bober, Goldston, Greenleaf, Leaf, and Olson, and an equal part duet by McLean. Includes a companion CD of performances.

In Recital(R) Throughout the Year, Vol 2 Bk 2: with Performance Strategies (The FJH Pianist's Curriculum, Vol 2 Bk 2)

This series is designed to help students achieve an impeccable sense of rhythm which is the first step in successful sight reading, as well as develop their skills with key recognition, time signature recognition, pattern identification, interval recognition, and immediate response to articulation and dynamics. In the Every Day plan for Book 1B, students learn key and time signature recognition; how to count basic rhythms in time signatures of 2/4, 3/4, and 4/4; interval recognition starting on and around the guide notes of middle C, treble G, treble C, and bass C; pattern identification; and immediate response to articulations and dynamics.

Sight Reading & Rhythm Every Day(R), Book 1B (The FJH Pianist's Curriculum, 1B)

Kevin Olson

Book 5 of In Recital Vol. Two offers tips on recital preparation, a Calendar for Success practice guide to set goals, performance strategies for before and the day of the recital, and Practicing with the Metronome, as part of a progressive discussion on the art of performance. Triplets, one- and two-octave scale passages, rolled chords, double thirds, simple ornamentation and playing two voices within the same hand are introduced and explored in the teaching pages. Contents include classical themes: Tchaikovsky (arr. Olson), Miniature Overture from The Nutcracker Suite, and an equal part duet arrangement of Rossini s The Barber of Seville Overture (arr. Brown), plus solos by Bober, Brown, Cu llar, McLean, and Roubos, and an equal part duet by Karp. The CD and teaching pages address more advanced performance issues. Contents include: Canto de Estio (Song of Summer) (Martin Cuellar); Dance Masquerade (Timothy Brown); Distant Dream (David Karp); The Barber of Seville Overture (Rossini, arr. Timothy Brown); We Wish You a Jazzy Christmas (arr. Edwin McLean); Presto (Valerie Roth Roubos); Serenade (Melody Bober); and Miniature Overture from the Nutcracker Suite (Tchaikovsky, arr. Kevin Olson).

In Recital(R) Throughout the Year, Vol 2 Bk 5: with Performance Strategies (The FJH Pianist's Curriculum, Vol 2 Bk 5)

Book 6 of In Recital Vol. Two offers tips on recital preparation, advice on anaging Performance Jitters, the ull s Eye practice strategy, and a guide to hat Makes a Performance Stellar? as part of a progressive discussion on the art of performance. New elements include dotted eighths, triplets and sixteenths, scales in tenths, syncopation, jazz chords, an introduction to Spanish rhythms and style, and more. Contents include classical themes: J.S. Bach (arr. Costley), Jesu, Joy of Man s Desiring, an equal part duet: Cervantes (arr. McLean), El Velorio; a Christmas solo: Willis (arr. Bober) It Came Upon the Midnight Clear, plus solos by Brown, Goldston, Olson, and Rossi. The CD and teaching pages address more advanced performance issues. Contents include: Tango Romantico (Timothy Brown); Rags to Riches (Duet-Kevin Olson); A Stormy Voyage (Christopher Goldston); Jazz Etude (Kevin Olson); Sunrise Over Reykjavik (Wynn-Anne Rossi); It Came Upon the Midnight Clear (arr. Melody Bober); El Velorio (Duet) (Cervantes, arr. Edwin McLean); and Jesu, Joy of Man's Desiring (Bach, arr. Kevin Costley).

In Recital® Throughout the Year, Vol 2 Bk 6: with Performance Strategies (Fjh Pianist's Curriculum, 2)

The FJH Company, Inc.

Baroque Era, Volume Two of Succeeding with the Masters™ continues the collection of graded repertoire, featuring the great masters of the Baroque era. These marvelous selections build a foundation for playing even more advanced baroque music, such as the two-part inventions by Bach, Handel suites, and the more difficult Scarlatti sonatas. Complete and easily comprehensible overviews of the era’s musical characteristics appear throughout, along with biographies and practice strategies. This cumulative approach to learning style, technique and historical context provides a valuable foundation for successful performance. A companion CD of complete performances and a practice strategy workshop is provided. Contents include: By J.S. Bach: Minuet in E major, BWV 817; Prelude in C major, BWV 846; Minuet in G minor, BWV 842; Prelude in F major, BWV 927; Prelude in C minor, BWV 999; Prelude in E minor, BWV 941; Prelude in D minor, BWV 926; Gavotte, BWV 816; Minuet in B minor, BWV 929. By

Succeeding with the Masters, Baroque Era, Volume 2 by Helen Marlais (2005) Sheet music (Succeeding with the Masters, 2)

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