Dynamics of British Health Policy (The State of Welfare)

Politics & Social Sciences

Hunter, David J.

Pollitt, Christopher

Harrison, Stephen

Social Sciences

Unwin Hyman

PM Plus Silver L23 Contest

Cengage Learning Australia

Rupert Brooke, Wilfred Owen, Isaac Rosenberg, and Charles Sorley all died in the First Word War. They came from diverse social, educational, and cultural backgrounds, but for all of the writers, engagement with Greek and Roman antiquity was decisive in shaping their war poetry. The world views and cultural hinterlands of Brooke and Sorley were framed by the Greek and Latin texts they had studied at school, whereas for Owen, who struggled with Latin, classical texts were a part of his aspirational literary imagination. Rosenberg's education was limited but he encountered some Greek and Roman literature through translations, and through mediations in English literature. The various ways in which the poets engaged with classical literature are analysed in the commentaries, which are designed to be accessible to classicists and to users from other subject areas. The extensive range of connections made by the poets and by subsequent readers is explained in the Introduction to the volume. The commentaries illuminate relationships between the poems and attitudes to the war at the time, in the immediate post-war years, and subsequently. They also probe how individual poems reveal various facets of the poetry of unease, the poetry of survival, and the poetics of war and ecology. References to the accompanying online Oxford Classical Receptions Commentaries will enable readers to follow up their special interests. This volume differs from the shorter volume Greek and Roman Antiquity in First World War Poetry: Making Connections in that it covers the whole output of the four poets, and not just their war poems.

Rupert Brooke, Charles Sorley, Isaac Rosenberg, and Wilfred Owen: Classical Connections (Oxford Classical Reception Commentaries)

Literature & Fiction

Vandiver, Elizabeth

Hardwick, Lorna

History & Criticism

Oxford University Press

The story of Cupid and Psyche is first known through the Latin novel Metamorphoses or The Golden Ass by the second-century AD writer Apuleius--one of the few Latin fictions from Roman antiquity to have survived in its entirety. Apuleius in European Literature: Cupid and Psyche since 1650 examines the reception of the long two-book romantic story of Cupid and Psyche in European literature from 1650 to the present day, with some attention also devoted to fine art and opera across this period. Stephen Harrison and Regine May argue that Cupid and Psyche had a broad and profound influence on certain important and specific areas of European culture; it was appropriated and adapted to suit particular cultural and generic contexts, especially the development of the fairy tale. This constitutes an important strand of the more general reception of the ancient novel, since the tale of Cupid and Psyche is arguably the most famous section of any fiction from Greece or Rome. Apuleius' story has enjoyed an extraordinarily rich reception throughout the five centuries from its rediscovery in the Renaissance to the present day. Previous studies of this reception have focused on the tale's prominence in Renaissance art and literature, or otherwise on its status in the German Romantic period. This book goes further and wider, ranging across literary genres in English, French, German and Dutch, encompassing poetry and drama as well as prose fiction, and covering all the key elements of the tale's reception from 1650 to the present. We hereby rediscover a tale that today remains as relevant and ripe for appropriation as ever.

Apuleius in European Literature: Cupid and Psyche since 1650 (Classical Presences)

May, Regine

Greek and Roman Antiquity in First World War Poetry: Making Connections (Oxford Classical Reception Commentaries)

A sumptuous volume that tells the story of how three iconic designers in prewar Europe created and marketed jewelry as art Fabergé, Tiffany, Lalique—these great designers came together only once to display their goods in what was probably the most opulent exhibition ever mounted. At the 1900 Exposition Universelle in Paris, the three strove to position themselves ahead of their many competitors in the luxury market, each presenting his jewelry and home adornments as high art. Their success is explored in this splendidly illustrated catalogue, which elucidates the prewar pinnacle of European culture.
The array of displayed objects was mesmerizing: Tiffany glass, Easter eggs to dazzle the Czars, realistic insects created in precious materials as sinister decorations. Many of these bore influences of the advanced art of the time, such as Art Nouveau, Viennese modernism, and symbolism, and of styles from around the world.
Four essays discuss the works in the context of their times, illuminate the high societies served by the three masters, and trace the cultural trends behind their extraordinary creations. A treasure of accompanying photographs shows the individual exhibits, scenes from the World's Fair, and the glitterati who wore the jewelry.

Artistic Luxury: Fabergé, Tiffany, Lalique

Arts & Photography

Falino, Jeannine

Ducamp, Emmanuel

Collections, Catalogs & Exhibitions

Yale University Press

An exhilarating look at Art Deco design in 1920s America, using jazz as its unifying metaphor Capturing the dynamic pulse of the era’s jazz music, this lavishly illustrated publication explores American taste and style during the golden age of the 1920s. Following the destructive years of the First World War, this flourishing decade marked a rebirth of aesthetic innovation that was cultivated to a great extent by American talent and patronage. Due to an influx of European émigrés to the United States, as well as American enthusiasm for traveling to Europe’s cultural capitals, a reciprocal wave of experimental attitudes began traveling back and forth across the Atlantic, forming a creative vocabulary that mirrored the ecstatic spirit of the times. The Jazz Age showcases developments in design, art, architecture, and technology during the ’20s and early ’30s, and places new emphasis on the United States as a vital part of the emerging marketplace for Art Deco luxury goods. Featuring hundreds of full-color illustrations and essays by two leading historians of decorative arts, this comprehensive catalogue shows how America and the rest of the world worked to establish a new visual representation of modernity.

The Jazz Age: American Style in the 1920s

Coffin, Sarah D.

Orr, Emily M.

The Cleveland Museum of Art

An exhilarating look at Art Deco design in 1920s America, using jazz as its unifying metaphor\nCapturing the dynamic pulse of the era’s jazz music, this lavishly illustrated publication explores American taste and style during the golden age of the 1920s. Following the destructive years of the First World War, this flourishing decade marked a rebirth of aesthetic innovation that was cultivated to a great extent by American talent and patronage. Due to an influx of European émigrés to the United States, as well as American enthusiasm for traveling to Europe’s cultural capitals, a reciprocal wave of experimental attitudes began traveling back and forth across the Atlantic, forming a creative vocabulary that mirrored the ecstatic spirit of the times.\nThe Jazz Age showcases developments in design, art, architecture, and technology during the ’20s and early ’30s, and places new emphasis on the United States as a vital part of the emerging marketplace for Art Deco luxury goods. Featuring hundreds of full-color illustrations and essays by two leading historians of decorative arts, this comprehensive catalogue shows how America and the rest of the world worked to establish a new visual representation of modernity.\nDistributed for the Cleveland Museum of Art

For 20 years, British governments of both the left and right have tried to improve the management of the NHS. But the distinctive contribution of the Thatcher governments of the 1980s has defined this very much in terms of controlling health professionals: doctors, nurses and others. This volume offers an explanation of why this approach was adopted. It examines in detail the various methods of control employed and assesses the consequences for the future of professional work and organization in the NHS.

Controlling Health Professionals (Studies in Law and Politics)

Harrison, B.D. Ed.

Open University Press

For 20 years, British governments of both the left and right have tried to improve the management of the NHS. But the distinctive contribution of the Thatcher governments of the 1980s has defined this very much in terms of controlling health professionals: doctors, nurses and others. This volume offers an explanation of why this approach was adopted. It examines in detail the various methods of control employed and assesses the consequences for the future of professional work and organization in the NHS. The book should be interest to a wide range of health professionals including doctors, nurses, health authority members and managers and should also be useful for students of social policy and health studies.

Controlling Health Professionals: The Future of Work and Organization in the National Health Service (State of Health)

Open Univ Pr

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