We Do Not Part

Han, Kang

Hamish Hamilton

Greek Lessons

A powerful novel of the saving grace of language and human connection, from the celebrated author of The Vegetarian\nIn a classroom in Seoul, a young woman watches her Greek language teacher at the blackboard. She tries to speak but has lost her voice. Her teacher finds himself drawn to the silent woman, for day by day he is losing his sight.\nSoon they discover a deeper pain binds them together. For her, in the space of just a few months, she has lost both her mother and the custody battle for her nine-year-old son. For him, it's the pain of growing up between Korea and Germany, being torn between two cultures and languages.\nGreek Lessons tells the story of two ordinary people brought together at a moment of private anguish - the fading light of a man losing his vision meeting the silence of a woman who has lost her language. Yet these are the very things that draw them to one another. Slowly the two discover a profound sense of unity - their voices intersecting with startling beauty, as they move from darkness to light, from silence to expression.\nGreek Lessons is a tender love letter to human intimacy and connection, a novel to awaken the senses, vividly conjuring the essence of what it means to be alive.

Hamish Hamilton Ltd.

Literature & Fiction

Genre Fiction

Penguin Books, Ltd.

Human Acts: A Novel

Hogarth

The Vegetarian

Granta Books

The Vegetarian: A Novel

Literary

Portobello Books Ltd

An Amazon Best Book of January 2017: Han Kang, author of the Man Booker Prize-winning The Vegetarian, is back with a new novel that is as poetic as it is disturbing, profound as it is intimate, brave as it is brilliant. This is a story seeped in South Korean history but rooted in the stronghold of humanity. In Human Acts, Kang recounts a violent uprising in Gwangju, South Korea in 1980 and begins unapologetically with the bodies – the bodies piled unclaimed and rotting of the students that were murdered. Dong-ho, a young teenager looks for his friend amidst the rubble, clinging to the proximity of his friend’s last breath. Refusing to go home, Dong-ho is murdered. From there, Kang’s epic novel blooms outward, telling the stories of friends, family, prisoners, editors that are haunted, ruined and ravaged by the atrocities of that day. Kang is uncompromisingly raw in her portrayal of the violence, censorship and political corruption that pervades the lives of these South Koreans. She unfurls how trauma extends across generations, how forgetting is impossible and how human touch can still incite hope: “it felt as they were rethreading the sinews of that world heart, patching up the fissures from which blood had flowed, making it beat again.” Human Acts is a triumph of sustained force and poetry. --Al Woodworth, The Amazon Book Review

Human Acts

Gwangju, South Korea, 1980. In the wake of a viciously suppressed student uprising, a boy searches for his friend's corpse, a consciousness searches for its abandoned body, and a brutalised country searches for a voice. In a sequence of interconnected chapters the victims and the bereaved encounter censorship, denial, forgiveness and the echoing agony of the original trauma. Human Acts is a universal book, utterly modern and profoundly timeless. Already a controversial bestseller and award-winning book in Korea, it confirms Han Kang as a writer of immense importance.

Yeong-hye and her husband are ordinary people. He is an office worker with moderate ambitions and mild manners; she is an uninspired but dutiful wife. The acceptable flatline of their marriage is interrupted when Yeong-hye, seeking a more 'plant-like' existence, decides to become a vegetarian, prompted by grotesque recurring nightmares. In South Korea, where vegetarianism is almost unheard-of and societal mores are strictly obeyed, Yeong-hye's decision is a shocking act of subversion. Her passive rebellion manifests in ever more bizarre and frightening forms, leading her bland husband to self-justified acts of sexual sadism. His cruelties drive her towards attempted suicide and hospitalisation. She unknowingly captivates her sister's husband, a video artist. She becomes the focus of his increasingly erotic and unhinged artworks, while spiralling further and further into her fantasies of abandoning her fleshly prison and becoming - impossibly, ecstatically - a tree. Fraught, disturbing and beautiful, The Vegetarian is a novel about modern day South Korea, but also a novel about shame, desire and our faltering attempts to understand others, from one imprisoned body to another.

FABER ET FABER

Shortlisted for the Man Booker International 2018 From the author of The Vegetarian, winner of the Man Booker International Prize 2016
From the author of The Vegetarian and Human Acts comes a book like no other. The White Book is a meditation on colour, beginning with a list of white things. It is a book about mourning, rebirth and the tenacity of the human spirit. It is a stunning investigation of the fragility, beauty and strangeness of life.
 Translated from the Korean by Deborah Smith.

The White Book

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Books by Han, Kang