In Anna Halberstadt’s second full-length collection in English, Green in a Landscape with Ashes, the poet’s brushstrokes are those of a muralist and miniaturist. Halberstadt brings in themes of love, loss, and life’s abundance informed by her post-Holocaust childhood in Vilnius amidst a country’s amnesia and silence about its murdered Jews. An immigrant with aging parents and a young son, she leaves a broken marriage, a floundering Soviet state, and a career in psychology for the unknown. There is a god who won’t forgive present in Halberstadt’s work. ‘Where are you/ the beautiful shining angel/to stop Abraham’s knife?’ We follow her pilgrimage through Europe’s cities, the poet marking the continent with her wry, penetrating meditations. Elegant, crafted, and having the authority of Akhmatova, Halberstadt’s virtuosity enables her to embrace life’s suffering as well as its bawdy side with the directness of a Mae West. ‘You can love a man/ who can’t make you come.’ These juxtapositions and discontinuities work brilliantly.

Green in a Landscape with Ashes

Literature & Fiction

Halberstadt, Anna

Poetry

New Meridian Arts

This book gathers poems on Goddesses by accomplished poets from around the world. The Goddesses invoked are Aruru, Atabeyra, Brigid, Cybele, Dalia, Friya, Kali, Nana Buruku, Neeli Mariamman, Nyx, Saraswati, Xori, and Zemyna. The poets are Ann Filemyr, Annie Finch, Judy Grahn, Anna Halberstadt, Yona Harvey, Jurgita Jasponyte, Raina Leon, Mary Mackey, Marianela Medrano, Monica Mody, Purvi Shah, Richelle Slota, and Arundhati Subramaniam. Each poem is followed by the poet's comments and some information on the Goddess.\nA video of these poems performed by the poets is being produced by Poetry Witch Ritual Theater in conjunction with the book. Both projects are created as part of the 2021 Symposium of the Association for the Study of Women and Mythology, honoring the centennial of Marija Gimbutas. 
The mission of Poetry Witch Press is to serve the needs of Poetry Witch Community; to support the return of the Divine Feminine through poetry and magic; and to share and celebrate the art and craft of meter, form, and rhythm. Poetry Witch Press was founded by poet Annie Finch in 2021.

An Exaltation of Goddesses: Poems for the Divine Feminine

Mody, Monica

Finch, Annie

Grahn,Judy

Filemyr, Ann

Harvey, Yona

Jasponyte, Jurgita

Leon, Raina

Medrano, Marianela

Mackey, Mary.

Literary

Poetry Witch Press

Poetry. Jewish Studies. With the concentrated precision of poetry, VILNIUS DIARY has also the richness of a novel and the intimacy of a memoir. Memory, loss, and immigration are captured in poignant images. Each poem inhabits a dual time and space. Never simply a lament, Halberstadt weaves together the sacred and the wildly profane, lighting the great darkness with wit and laughter.  "Anna Halberstadt's VILNIUS DIARY kept me reading late into the night. With the concentrated precision of poetry, it has also the richness of a novel and the intimacy of memoir. One poem leads to the next with addictive power, moving from her childhood in Lithuania to her later life in New York by way of Moscow, Vienna, and Rome. Memory, loss, and immigration are captured in poignant images: the print of cat's paws in the dust of an attic in Vilnius, a knitted cap clutched in white-knuckled hands at the Moscow airport, buildings in Rome 'peeling and bruised like old hand-made shoes,' a grandfather's grave buried in beer cans in the vandalized Jewish cemetery of Kaunas, pigeons huddling on a New York street 'like small-time drug pushers.' There's an occasional lyrical burst of feeling for the natural world, as in 'the enormous palace of the evening sky.' Throughout, the poet returns again and again to Vilnius: 'provincial, sleepy, magical,' 'Atlantis of disappeared life,' its cobblestones stained with the blood of pogroms. The reader, like the writer, will fall under its spell, haunted by the terrible magic of the city. 'VILNIUS DIARY' is impossible to forget."—Elizabeth Dalton "'The need to forget gradually / turned into a need to remember,' Anna Halberstadt writes in this moving autobiographical collection of poems, which keeps returning to her Jewish childhood in Lithuania, her interim time in Russia, her first hardscrabble years in New York. VILNIUS DIARY is a fine book of days—scrupulously remembered, refreshingly truthful, deeply astonished."—Edward Hirsch "History's a glowing lamp held slightly aloft in Anna Halberstadt's hand. She guides us wisely, richly, and satirically across continents, tough choices and the gorgeous pithy details of otherwise overwhelming tragedies and truths. I love this book—across all of it and poem by poem because it's like a kind of careful shopping, she weighs and feels each thing and remembers to read her own heart too and the hearts of all the lost and known friends, the cousins and lovers and parents and strangers—waiting in rooms and getting on trains, acting, vanishing, all of it, all of them. This beautiful book lives most perfectly in the throbbing heart of our time."—Eileen Myles "This is a brilliant collection that immerses the reader from the first lines, sweeping us away... Anna Halberstadt's VILNIUS DIARY begins its poetic journey from behind the Iron Curtain only five years after the Holocaust. The poet's elegiac tone mourns and celebrates the Vilnius of her youth and like Sebald's Austerlitz images seem to flow effortlessly in an unending succession to evoke the drowned world of the past... In image after incantatory image the poet tells us of her immigration from Russia; in Rome 'persimmons like orange lanterns / hanging on naked branches;' the wrenching up of roots and replanting them in the unfamiliar soil of America, a nine-year-old-son and two aging parents in tow... Each poem inhabits a dual time and place... The genius of VILNIUS DIARY lies in its refusal to be circumscribed. Never simply a lament, Halberstadt weaves together the sacred and the wildly profane, lighting the great darkness with wit and laughter. This is the poet who calls God a bastard but recognizes divinity in a beehive, the poet who mourns a family tree cut off during the Shoah, yet wickedly observes changing women's fashions. Literate in three languages, she gives us VILNIUS DIARY in English. . . . The collection not unlike the immigrant's initiation into a Viennese s

Vilnius Diary (Mudfish Individual Poet, 9)

History & Criticism

Box Turtle Press

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