Texts by Hans Haacke that range from straightforward descriptions of his artworks to wide-ranging reflections on the relationship between art and politics.
Hans Haacke's art articulates the interdependence of multiple elements. An artwork is not merely an object but is also its context―the economic, social, and political conditions of the art world and the world at large. Among his best-known works are MoMA-Poll (1970), which polled museumgoers on their opinions about Nelson Rockefeller and the Nixon administration's Indochina policy; Gallery-Goers' Birthplace and Residence Profile (1969), which canvassed visitors to the Howard Wise Gallery in Manhattan; and the famously canceled 1971 solo exhibition at the Guggenheim Museum, which was meant to display, among other things, works on two New York real estate empires.
This volume collects writings by Haacke that explain and document his practice. The texts, some of which have never before been published, run from straightforward descriptions to wide-ranging reflections and full-throated polemics. They include correspondence with MoMA and the Guggenheim and a letter refusing to represent the United States at the 1969 São Paulo Biennial; the title piece, “Working Conditions,” which discusses corporate influence on the art world; Haacke's thinking about “real-time social systems”; and texts written for museum catalogs on various artworks, including GERMANIA, in the German Pavilion of the 1993 Venice Biennial; DER BEVÖLKERUNG (To the Population) of 2000 at the Berlin Reichstag; Mixed Messages, an exhibition of objects from the Victoria and Albert Museum (2001); and Gift Horse, unveiled on the fourth plinth in Trafalgar Square in 2015.

Working Conditions: The Writings of Hans Haacke (Writing Art)

Arts & Photography

HAACKE, Hans

History & Criticism

The MIT Press

Framing and Being Framed: 7 Works 1970-75

New York University Press

Reproduces 7 of Hans Haacke's works that deal with the interaction of art, the producers of works of art, their public and their economic and ideological support structure. Works included are MOMA-Poll, John Weber Gallery Visitor's Profile 1 and 2, Solomon R. Guggenheim Museum Board of trustees, Manet-PROJEKT '74, Seurat's "Los Poseuses" (small version), 1888-1975, & On Social Grease. Includes a bibliography of related works. Also two essays analyzing the work. "Steps in the Formulation of Real-TIme Political Art" by Jack Burnham and "Social Science the work of Hans Haacke" by Howard S. Becker & John Walton

The Press of the Nova Scotia College of Art and Design

A new series in collaboration with Fondazione Antonio Ratti in Italy, each book focusing on a different artist that has taken part in their Advanced Course in Visual Arts. Black Dog Publishing start this series with the internationally acclaimed radical artists Hans Haacke and Susan Hiller. The books focus on the individual artists, their work, the themes that were addressed on the course and their commentary on the contemporary art world. This book focuses on his 2010 site-specific work, Once Upon a Time... screened in a disused church, San Francesco in Como, Italy. For the installation, Haacke projected footage from major Italian television channels onto sections of the original seventeenth century frescoes adorning the church’s apse. These videos were juxtaposed onto the frescoes, filling in the gaps where the originals had faded due to the ravages of time, the artist introduced continuously changing glimpses of Italy’s contemporary corporate culture. Into the missing parts of the frescoes the artist video-projects live TV programs of Rete 4, Italia 1, Canale 5 and the Milan stock exchange data in real time, in order to create a sort of collage made of seventeenth century representations and contemporary video images. Hans Haacke also exhibited two of his other works in the church, in response to the architecture of San Francesco and its frescos, Wide White Flow 1967 and The Population meets St. Francis. The book juxtaposes Hans Haacke’s writings from San Francesco with speech transcripts from Berlusconi and other essays commenting on his work to provide an overview of the contemporary work of this established artist.

Hans Haacke: Once Upon a Time...

Black Dog Press

Libre-Echange

Politics & Social Sciences

Bourdieu, Pierre

Social Sciences

SEUIL

Now in Paperback Everyone is an artist....I am really convinced that humankind will not survive without having realized the social body, the social order, into an artwork. --Joseph Beuys Few topics in the visual arts in recent years have created such controversy as the debate surrounding the significance and potential of public art. In this massive book, over 50 authors take a critical look at the theme; the result is a fascinating compendium of opinions and statements, experiences and reports. The wide-ranging material by curators, art historians and artists--including Vito Acconci, Daniel Buren, Dan Graham, Hans Haacke, Jenny Holzer, Rebecca Horn, Ilya Kabakov, Kasper Konig, Joseph Kosuth, Richard Serra, Harald Szeemann, Lawrence Weiner and many more--is divided into sections entitled "Art and the City," "Art and Architecture," "Art and History," "Art and Society" and "Art and the Public." First published in 2001 in a bilingual German/English hardcover edition, and now available in an English paperback, Public Art presents an unprecedented abundance of both written and visual information on a vital topic in contemporary art.

Public Art

Graham, Dan

Acconci, Vito

KOSUTH, Joseph

Kabakov, Ilya

Weiner, Lawrence

Buren, Daniel

Rückriem, Ulrich

Hatje Cantz Publishers

When Hans Haacke was awarded the Peter Weiss Prize in 2004, he called Weiss' writings "courageous interventions, driven by moral outrage." Since the early 1960s Haacke himself has been a socially engaged artist. Living in New York since 1965 (born Cologne, 1936), he has participated in the public debate through his sculptures, installations, paintings and photographs, as well as by his writings and teaching. In 1971, several works for a solo exhibition at the Guggenheim Museum were deemed "inappropriate" by the Museum's director and he cancelled the show (one was an expose of the real estate empire of a New York slumlord. At the 1993 Venice Biennial, the artist broke up the marble floor the Nazis had installed in the German pavilion and he displayed the replica of a 1-DM coin minted in the year of German reunification above the entrance. His 2000 installation DER BEVOLKERUNG (To the population), a work in progress in the German Parliament building in Berlin, also makes reference to the Nazi past but, in addition, addresses contemporary issues of citizenship and the integration of foreign-born residents. Recently, several works have paid critical attention to the Iraq war. This publication was produced for a 2006 retrospective exhibition at the Hamburg Deichtorhallen and the Akademie der Kunste in Berlin. It offers a survey of Haacke's works from 1959 to the present. It includes a selection of his writings and essays by Benjamin H.D. Buchloh, Rosalyn Deutsche and Walter Grasskamp.

Hans Haacke: For Real

Deutsche, Rosalyn

Buchloh, Benjamin

Richter Verlag

Onnasch Collection

Groys, Boris

Newman, Barnett

Salazar, Jaime

Rauschenberg, Robert

Kienholz, Edward

Motherwell, Robert

OLDENBURG, Claes

Spuybroek, Lars

TWOMBLY, Cy

Oosterhuis, Kas

Smithson, Robert

Flavin, Dan

Hofmann, Hans

Rhoades, Jason

Louis, Morris

Kipphoff, Petra

EDITORIAL ACTAR

Hans Haacke: Volume II

Stedelijk Van Abbemuseum

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