Edouard Vuillard, one of the great post-impressionists, is especially loved for his small easel paintings that capture the charm and mystery of everyday life. Yet at the same time that he was making his name as an "intimist" artist, he was also creating a number of large-scale canvases, panels, and screens commissioned to decorate the homes of his patrons and friends. Infrequently exhibited, these works were separated from their original settings during Vuillard's lifetime, and they have remained a relatively unknown aspect of his oeuvre. In this lavishly illustrated study of Vuillard as decorator, Gloria Groom examines the two earliest decades of his career, a period when he produced fifty daring and important large-scale paintings as decoration. Groom discusses these early works and recreates and re-evaluates their original context, providing valuable new information about Vuillard's career, a fresh perspective on his thinking about art, and an entertaining social history of fin-de-siecle Paris. She describes not only Vuillard's large decorative projects but also the industrialists, bankers, doctors, financiers, journalists, playwrights, and foreign aristocrats who commissioned them, wealthy individuals who came from a social and economic milieu decidedly different from Vuillard's own. Drawing on his patrons' archives and memoirs, and on interviews with their surviving family members, as well as on Vuillard's own private journals, Groom evokes the circumstances and setting of each of these ambitious projects. She situates Vuillard's decorative works within the evolution of his other easel paintings, discusses the notion of "decoration" as a new painting style as well as a complement to the aesthetics of the art nouveau movement, and compares Vuillard's works as a painter-decorator to similar projects undertaken by his contemporaries.

Edouard Vuillard: Painter-Decorator - Patrons and Projects, 1892-1912

Arts & Photography

Groom, Gloria

History & Criticism

Yale University Press

The Art Institute of Chicago has one of the largest and finest holdings of late 19th-century French art in the world. This lavishly illustrated book features over ninety paintings—nearly the entire collection—engagingly discussed in terms of the context in which so much memorable art was produced. It offers a fascinating overview of the Impressionist movement and its legacy, drawing upon the latest art-historical findings.
The volume explores works by artists who sought official sanction by the French Academy, from Manet—notorious for his bold and direct style—to Boudin and Jongkind, who are known for their light effects and deft brushwork. Paintings by Caillebotte, Degas, Monet, Pissarro, and Sisley offer insight on such topics as contemporary life, the changing quality of light, and painting outdoors. Another section examines the works of artists who were influenced by Impressionism and compelled to explore new avenues of expression, including those of Cézanne, Gauguin, Van Gogh, Seurat, and Toulouse-Lautrec.
Each image, handsomely reproduced, exemplifies the diversity of ideas and extraordinary wealth of talent at work in late 19th-century France. A fascinating illustrated chronology of the formation of this world-renowned collection is also included.

The Age of Impressionism at the Art Institute of Chicago

Druick, Douglas

Art Institute of Chicago

The Art Institute of Chicago houses one of the world’s greatest collections of late-19th-century French art. This stunning book highlights more than 100 of the museum’s masterpieces, from the bold works of Édouard Manet, an important figure in the transition from Realism to Impressionism, to Claude Monet’s light-filled paintings—the hallmarks of the period—and Paul Cézanne’s influential Post-Impressionist canvases. 
Each beautifully reproduced work is situated in terms of the memorable era in which it was created, and collectively they exemplify the diversity of ideas and extraordinary wealth of talent at work during the remarkable Impressionist period. The publication also features a chronology—illustrated with color reproductions, archival photographs, and exhibition shots—that documents the history and formation of the Art Institute of Chicago’s renowned collection. The Age of French Impressionism offers art enthusiasts a fascinating overview of the Impressionist movement and its legacy.

The Age of French Impressionism: Masterpieces from the Art Institute of Chicago

Van Gogh's Bedrooms

A fascinating look at the genesis and meaning of Van Gogh’s famed paintings of his bedroom Vincent van Gogh’s The Bedroom, a painting of his room in Arles, is arguably the most famous depiction of a bedroom in the history of art. The artist made three versions of the work, now in the collections of the Van Gogh Museum, the Art Institute of Chicago, and the Musée d’Orsay. This book is the first in-depth study of their making and their meaning to the artist. In Van Gogh’s Bedrooms, an international team of art historians, scientists, and conservators investigates the psychological and emotional significance of the bedroom in Van Gogh’s oeuvre, surveying dwellings as a motif that appears throughout his work. Essays address the context in which the bedroom was first conceived, the uniqueness of the subject, and the similarities and differences among the three works both on and below the painted surface. The publication reproduces more than 50 paintings, drawings, and illustrated letters by the artist, along with other objects that evoke his peripatetic life and relentless quest for “home.”

Van tilborgh, Louis

Getsy, David J.

Fiedler, Inge

An unprecedented exploration of Gauguin’s works in various media, from works on paper to clay and furniture Paul Gauguin (1848–1903) was a creative force above and beyond his legendary work as a painter. Surveying the full scope of his career-spanning experiments in different media and formats—clay, works on paper, wood, and paint, as well as furniture and decorative friezes—this volume delves into his enduring interest in craft and applied arts, reflecting on their significance to his creative process. Gauguin: Artist as Alchemist draws on extensive new research into the artist’s working methods, presenting him as a consummate craftsman—one whose transmutations of the ordinary yielded new and remarkable forms. Beautifully designed and illustrated, this book includes essays by an international team of scholars who offer a rich analysis of Gauguin’s oeuvre beyond painting. By embracing other art forms, which offered fewer dominant models to guide his work, Gauguin freed himself from the burden of artistic precedent. In turn, these groundbreaking creative forays, especially in ceramics, gave new direction to his paintings. The authors’ insightful emphasis on craftsmanship deepens our understanding of Gauguin’s considerable achievements as a painter, draftsman, sculptor, ceramist, and printmaker within the history of modern art.

Gauguin: Artist as Alchemist

<div>The catalogue of the sold-out exhibition at the Art Institute of Chicago, a rich and unprecedented exploration of Chicago's embrace of Claude Monet's modernism "Monet and Chicago is a stunner."--The Chicago Tribune (exhibition review) In 1903, the Art Institute of Chicago became the first American museum to buy a painting by&nbsp;Claude Monet (1840-1926), beginning a tradition of collecting that has inextricably connected this midwestern city to the French Impressionist master. Tracing Chicago's unique relationship with the artist, this generously illustrated volume not only features well-known works in the Art Institute's holdings, such as the six Stacks of Wheat paintings and four Water Lilies, but also includes works on paper and rarely seen still lifes, landscapes, and photographic material from private Chicago collections. Stunning reproductions of details at actual size, a delightful essay by Adam Gopnik, and a richly illustrated chronology combine to reveal the depth of the city's continuing devotion to an adopted artistic hero.</div>

Monet and Chicago

Perfect condition, loaded with color illustrations and info. 2001, 9 By 11"

Beyond the Easel Decorative Paintings by Bonnard, Vuillard, Denis, and Roussel, 1890-1930

Caillebotte, peindre les hommes (Catalogue officiel d'exposition)

Scott, Allan

Perrin, Paul

Hazan

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