Reproduces in full color more than eight hundred paintings from Florence's Uffizi Gallery and the Pitti Palace, including many of the greatest paintings by such Renaissance masters as Botticelli, Michelangelo, Raphael, Titian, and Giotto. 20,000 first printing. BOMC Div.

Paintings in the Uffizi and Pitti Galleries

Arts & Photography

Gregori, Mina

Chiarini, Marco

Paolucci, Antonio

History & Criticism

Bulfinch

Combines a history of Caravaggio criticism through four centuries, with reproductions of many of the great works by the Italian painter of the late sixteenth century and outstanding examples from the oeuvre of the painters he influenced

The Age of Caravaggio, 1590-1610

Metropolitan Museum of Art

Book by Edwards, Nancy, Gregori, Mina, Humphery, Peter, Gilbert, Creghton, Brindgeman, Jane

Giovanni Battista Moroni: Renaissance Portraitist

Edwards, Nancy

Humphery, Peter

Gilbert, Creghton

Brindgeman, Jane

Kimbell Art Museum

Artemisia (1593-1654): Pouvoir, gloire et passions d'une femme peintre

COLLECTIFS

Mann, Judith W.

Ciardi, Roberto Paolo

Primarosa, Yuri

Nicolaci, Michele

Ruotolo, Renato

Pettinau-Vescina, Maria Pia

Gallimard]

This work, the fruit of more than ten years of research, consists of a systematic cataloguing of all Florentine painters, and of all the painters active over many years in the Tuscan city, between the early 17 th and the end of the 18 th Centuries. Alongside artists who have already won renown and about whom various monographic studies already exist, this publication shines a collateral light on relatively unknown personages who are worthy of more than a little interest. In some cases these are artists otherwise unknown to contemporary criticism. The intention is to make a significant contribution to art history and the work is in some cases decisive in its attributions of uncertain works that have hitherto been habitually associated only with the better-known names. The three volumes are accompanied by biographies and lists of paintings along with, as is to be expected, an ample selection of approximately 1,800 colour and monochrome photographic reproductions. Volume I (312 pages) Presentation and introduction by Mina Gregori Colour plates I-CVI Biographies of the artists and index of works Bibliography, index of artists in the catalogue, of names and place names Volume II (376 pages) Plates 1-824 (Allori - Guiducci) Volume III (392 pages) Plates 825-1,698 (Hugford - Zocchi)

Catalogo dei pittori fiorentini del '600 e '700: Trecento artisti. Biografie e opere (Italian Edition)

Bellesi, Sandro

Edizioni Polistampa

Uffizi & Pitti. The peintings, the artists, the school of painting

Magnus

From the Palazzo Vecchio to the Forte Belvedere, through the Uffizi, the Vasari Corridor, the Pitti Palace, and the Boboli Gardens, Florence is honeycombed with a series of public art collections that is unparalleled in Europe for its size and for the variety and value of its holdings. Taken all together, the museums of Florence are one of the wonders of the world, for the spiritual values that they embody as much as for the works they contain. The painting collections in the state museums of Florence are unequalled for their quality, historical significance, and for the sheer number of works; never before have they been presented in a publication of such splendid technical quality. Thus the reader can trace the various phases and great moments of Florentine painting, including lesser known works of the seventeenth century; can appreciate the presence of masterpieces from other, perhaps unknown, schools; and can examine details different from the standard ones consecrated by tradition. Text in English and Italian.

Uffizi & Pitti: From Giotto to Caravaggio

Scripta Maneant Editori

This stunning book reveals how a version of the Medusa in private hands has been newly attributed to Caravaggio (1571-1610). The similarity of the work, and its frame, to the better-known version at the Uffizi in Florence attracted the attention of experts. X-rays and new technologies eventually confirmed that this version was the original. Here, the results of historical and technological research are accompanied by superb illustrations and close-ups of the painting, the X-rays, and more, enabling art lovers the opportunity to appreciate this previously neglected work.

The First Medusa. Caravaggio

Marini, Maurizio

Seracini, Maurizio

5 Continents Editions

* Stunning photography captures in never-before-seen detail the entire fresco cycle of Brunelleschi's Dome in Florence, painted by Giorgio Vasari and Federico Zuccari between 1572 and 1579The iconic Dome of the Cathedral of Florence, the largest masonry vault in the world, was built by Filippo Brunelleschi between 1420 and 1436. More than 100 years later, between 1572 and 1579, the vault was decorated with frescos by the artists Giorgio Vasari and Federico Zuccari depicting the Last Judgment. Working with advanced imaging technology, total access, and Italy's leading art photographer, this book presents in never-before-seen detail and completeness the entire pictorial cycle of the Dome. Contributions by noted art historians Marco Bussagli, Mina Gregori, and Timothy Verdon illuminate the art historical significance of this magnificent symbol of Florence and the Renaissance. Text in English and Italian.

Brunelleschi’s Dome in Florence

Bussagli, Marco

Architecture

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