"Every entrepreneur should read this book, ideally before they start their next business. The insights into finance and financial planning should help the entrepreneur not make many of the mistakes I did!" Jim Beach, Director of Education at The Entrepreneur School and author of School for Start-Ups "An exhaustive and invaluable resource for companies seeking funding at any stage of their life cycle." Donald J. Mullineaux, DuPont Chair in Banking and Financial Services, Gatton College of Business and Economics, University of Kentucky “Get Financing Now is a must for every entrepreneur starting a business or growing a business. . . . Although an easy and enjoyable read, the information and insight Charles Green provides isn’t sugar coated. It is relevant and timely in today’s economic challenging times. It seemed that every page had at least one ‘golden nugget’ that an entrepreneur could literally ‘take to the bank.’” Karen Rands, strategic advisor to entrepreneurs regarding access to capital and coordinator of an Atlanta based angel investor group ”Charles Green’s new book Get Financing Now is a real-world description of what small-business owners must know to fund startup or growth, and improves the probability for small-business owners to get the funding they need.” Jerry Chautin, national business columnist, former entrepreneur, SCORE business mentor and SBA’s 2006 national Journalist of the Year “Charles Green is a change agent for entrepreneurs in the field of acquiring financing and capital. He has written the premier guide to help entrepreneurs through the changes needed to acquire capital in the new marketplace thrust upon us by the great recession. I highly recommend Get Financing Now.” Larry Tyler, author of Romancing the Loan "A fantastic read! To the point and explains business terms for laymen―helps grasping the concept easily. Love it!” Colethea Jenkins, Build Grow and Enjoy

Get Financing Now: How to Navigate Through Bankers, Investors, and Alternative Sources for the Capital Your Business Needs

Business & Money

Green, Charles

Finance

McGraw=Hill

Sutton Hoo: the excavation of a royal ship-burial

This is the story of one of the richest archaeological finds of all times: a ship containing the treasure of a king who was probably the last of the pagan rulers of East Anglia. This unique collection, now largely restored and displayed in a place of honor at the British Museum, tells us much concerning this least documented and most elusive period in English history.This new, revised edition tells the dramatic story of the actual excavation, gives a detailed description of the finds, and appraises the gains to our knowledge of the period. The text has been rewritten to take into account new information, and the original black and white drawings and maps have been supplemented by color plates.

Sutton Hoo: The Excavation of a Royal Ship-Burial

History

Ancient Civilizations

Rowman & Littlefield Publishers

A definitive user's guide to the U.S. National CAD Standard The Architect's Guide to the U.S. National CAD Standard helps make the National CAD Standard (NCS) more accessible to architects by presenting: * Clear and succinct explanations of concepts and options in the NCS * A step-by-step approach to seamlessly implement standardized drawings in any size firm * Successful strategies design firms can use to best take advantage of the NCS requirements The Architect's Guide to the U.S. National CAD Standard presents an informative overview of the NCS, including illustrations and frequently asked questions. It shows architects how to minimize immediate costs and downtime, how to reap immediate benefits, and how best to learn the system at an individualized pace. Used side by side with the Standard, this authoritative guide offers helpful insight into how the NCS is likely to be interpreted and presents a variety of available options for meeting the standardization requirements. Interior designers, construction managers, urban planners, as well as owners, engineers, and facility managers will also find this authoritative reference to be invaluable!

The Architect's Guide to the U.S. National CAD Standard

Computers & Technology

Hall, Dennis J.

Graphics & Design

wiley

Australia's creative output has a particular viv- acity and audacity. This is evident in this snap- shot of exciting contemporary pieces by 114 artist s and artists' groups producing art, craft, cinema , video and digital media art created with the notion that anyone near the cutting edge expects the rules of the game and perspectives to keep

Collaboraration Between the Australian Centre M

Arts & Photography

National Gallery of Victoria

Despite the economic utopianism brought on by globalization, effective solutions to the persistent plight of urban blacks throughout the African diaspora continue to elude scholars, politicians, and community leaders. Charles Green brings a decade of research and original fieldwork in Africa, the Caribbean, and the United States to investigate the interface of the historic racism faced by these urban communities and contemporary trends of globalization. Green pays particular attention to the condition of the youth, whose aspirations, vulnerabilities, and insights into their own conditions are central to the future prospects for their communities as a whole. Considering the impacts of economic restructuring and cultural diffusion alike, his analysis asserts the importance of both global ties and local distinctiveness. Ultimately, Manufacturing Powerlessness aims to encourage the formation of alliances throughout the diaspora so that urban black communities can manufacture a future of empowerment. Visit the author's web page

Manufacturing Powerlessness in the Black Diaspora: Inner City Youth and the New Global Frontier

Africa

AltaMira Press

Despite the economic utopianism brought on by globalization, effective solutions to the persistent plight of urban blacks throughout the African diaspora continue to elude scholars, politicians, and community leaders. Charles Green brings a decade of research and original fieldwork in Africa, the Caribbean, and the United States to investigate the interface of the historic racism faced by these urban communities and contemporary trends of globalization. Green pays particular attention to the condition of the youth, whose aspirations, vulnerabilities, and insights into their own conditions are central to the future prospects for their communities as a whole. Considering the impacts of economic restructuring and cultural diffusion alike, his analysis asserts the importance of both global ties and local distinctiveness. Ultimately, Manufacturing Powerlessness aims to encourage the formation of alliances throughout the diaspora so that urban black communities can manufacture a future of empowerment. Visit the author's web page

Manufacturing Powerlessness in the Black Diaspora: Inner-City Youth and the New Global Frontier

Economics

This book explores the paradigm of that very special business relationship, using the professional services paradigm as a basis

The Trusted Advisor

Maister, David H.

Galford, Robert

Business Culture

Simon Schuster Ltd

God's covenants: A teaching manual of the Bible

Manna Christian Outreach

The Third Hand: Collaboration in Art from Conceptualism to Postmodernism

The lone artist is a worn cliche of art history but one that still defines how we think about the production of art. Since the 1960s, however, a number of artists have challenged this image by embarking on long-term collaborations that dramatically altered the terms of artistic identity. In The Third Hand, Charles Green offers a sustained critical examination of collaboration in international contemporary art, tracing its origins from the evolution of conceptual art in the 1960s into such stylistic labels as Earth Art, Systems Art, Body Art, and Performance Art. During this critical period, artists around the world began testing the limits of what art could be, how it might be produced, and who the artist is. Collaboration emerged as a prime way to reframe these questions.Green looks at three distinct types of collaboration: the highly bureaucratic identities created by Joseph Kosuth, Ian Burn, Mel Ramsden, and other members of Art & Language in the late 1960s; the close-knit relationships based on marriage or lifetime partnership as practiced by the Boyle Family, Anne and Patrick Poirier, Helen Mayer Harrison and Newton Harrison; and couples -- like Christo and Jeanne-Claude, Gilbert & George, or Marina Abramovic and Ulay -- who developed third identities, effacing the individual artists almost entirely. These collaborations, Green contends, resulted in new and, at times, extreme authorial models that continue to inform current thinking about artistic identity and to illuminate the origins of postmodern art, suggesting, in the process, a new genealogy for art in the twenty-first century.

Other Media

Univ. of Minnesota Press

The lone artist is a worn cliche of art history but one that still defines how we think about the production of art. Since the 1960s, however, a number of artists have challenged this image by embarking on long-term collaborations that dramatically altered the terms of artistic identity. In The Third Hand, Charles Green offers a sustained critical examination of collaboration in international contemporary art, tracing its origins from the evolution of conceptual art in the 1960s into such stylistic labels as Earth Art, Systems Art, Body Art, and Performance Art. During this critical period, artists around the world began testing the limits of what art could be, how it might be produced, and who the artist is. Collaboration emerged as a prime way to reframe these questions.
Green looks at three distinct types of collaboration: the highly bureaucratic identities created by Joseph Kosuth, Ian Burn, Mel Ramsden, and other members of Art &amp; Language in the late 1960s; the close-knit relationships based on marriage or lifetime partnership as practiced by the Boyle Family, Anne and Patrick Poirier, Helen Mayer Harrison and Newton Harrison; and couples -- like Christo and Jeanne-Claude, Gilbert &amp; George, or Marina Abramovic and Ulay -- who developed third identities, effacing the individual artists almost entirely. These collaborations, Green contends, resulted in new and, at times, extreme authorial models that continue to inform current thinking about artistic identity and to illuminate the origins of postmodern art, suggesting, in the process, a new genealogy for art in the twenty-first century.

History & Criticism

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Books by Green, Charles