American Prints: Process & Proofs

Goldman, Judith

Bookthrift Co

Outlines the history of printmaking in the United States and provides a critical analysis of the prints of contemporary American artists, such as Chuck Close, Robert Motherwell, and Jasper Johns

American Prints (ICON EDITIONS)

Icon.

Published simultaneously with a 1985 retrospective exhibition. Illustrated in color and black/white. 188p. James Rosenquist (2944-2017) was an American artist and one of the protagonists in the pop art movement.

James Rosenquist

Arts & Photography

History & Criticism

Viking Adult

Examines the social, artistic, and cultural background of Rosenquist's early works and reproduces many of his paintings and the collage studies that functioned as the blueprints for his larger works

Rizzoli

A fresh look at this giant of 1960s Pop Art--featuring his billboard-sized images of commercial subjects and combining his eye of an advertising man and the heart of a Pop artist. Lipsticks, automobiles, dishwashers, men in business suits, spaghetti, rockets, airplanes, hairdryers, ice cream cones and pigtailed girls: James Rosenquist (1933-2017) has always known how to combine these seemingly disparate but always all-American elements into whirlwind, billboard-sized collages. With airbrushed surreal euphoria, he slammed colors, patterns, and objects into one another with the eye of an advertising man and the heart of a Pop artist. This momentous catalogue, published to accompany the first in-depth survey of the artist's work of the 1960s through 1980s, will give long-overdue attention to Rosenquist's singular achievement in American art during these three decades. From 1957 to 1960, Rosenquist earned his living a billboard painter. This was perfect training, as it turned out, for an artist about to explode onto the pop art scene. Like other pop artists, Rosenquist adapted the visual language of advertising and pop culture (often funny, vulgar, and outrageous) to the context of fine art. An informative essay by art historian Judith Goldman examines the influence of Rosenquist's early days as a billboard painter, his early themes and techniques, and his similarities and differences with other pop artists like Warhol and Lichtenstein. The essay focuses on areas that have only been superficially addressed in the literature to date, bringing the level of Rosenquist scholarship up to that of his Pop Art contemporaries. For any collector of American art, this gives attention to Rosenquist's singular achievement in American art during these three decades.

James Rosenquist: His American Life

Baxter, Charles

The catalogue for an exhibition of recent prints, held at the Whitney Museum of American Art, from August 29 to November 25, 1984. Curated with text by Judith Goldman. 95 pages; 52 full-page b&amp;w plates; 8 x 8 inches. List of works in the exhibition, by artist, with annotations.

Print acquisitions, 1974-1984

Whitney Museum of American Art

American prints: Process & proofs (Icon editions)

Graphic Design

Whitney Museum / Harper

The Pop Image: Prints and Multiples

Distributed Art Pub Inc

Judith Goldman's VOCODER is new perspective, a new time in Stein's sense that a time is articulated differently in each generation, that is perspective of the way time's seen--Leslie Scalapino. Judith Goldman's book makes me very uncomfortable. She is so angry, and she sets up so many barriers--brackets, slashes, cross-outs and the like--that she makes reading as complicated a proposition as locating the ethical good in a corrupt political climate. She restores two visions at once: the avant-garde's insistence that poetic form be politically motivated and not just 'fun,' and the conviction that freedom is possible 'only' when we admit that we are not free--Jennifer Moxley.

Vocoder

Literature & Fiction

Roof Books

James Rosenquist: Welcome to the Water Planet and House of Fire

Tyler Graphics Ltd

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Books by Goldman, Judith