The first comprehensive study of Picasso's mastery of line drawing and its centrality to his artistic process This beautiful new study provides an insightful reevaluation of the role of line in the work of Pablo Picasso (1881–1973). Picasso pursued drawing assiduously throughout his career, ranging across media such as pen and pencil, charcoal, and papier collé. This book brings together eighty extraordinary drawings spanning the most important phases of Picasso’s career. Contributors discuss the artist’s intensive exploration of line in relation to three-dimensional form, both in the context of the European artistic tradition and in analyses of selected works. Drawing emerges as central to the artist’s process—a creative process that reveals another facet of Picasso’s genius for making art out of the simplest of means. The first in-depth exploration of the artist’s line drawings, Picasso The Line conveys how essential these powerful works are within the artist’s oeuvre. As Picasso himself stated: “line drawings are the only ones that cannot be imitated.”

Picasso The Line

Arts & Photography

Giménez, Carmen

History & Criticism

The Menil Collection

A beautifully produced monograph on one of the greatest sculptors of the twentieth century, comprising a critical essay, a superb selection of colour plates, and invaluable documentation of the artist’s writings, interviews, bibliography and exhibition history.

Calder

Serraller, Francisco Calvo

Rower, Alexander S.C.

Phaidon Press

Picasso and the Age of Iron

Ashton, Dore

Solomon R. Guggenheim Museum

The Patsy R. and Raymond D. Nasher Collection is renowned as one of the finest collections of Modern and contemporary sculpture in the world. Remarkable for its uniformly high level of quality as well as the depth of its representation of key artists, the collection spans more than a century, from the pioneering work of Paul Gauguin, Auguste Rodin, and Medardo Rosso late in the nineteenth century to contemporary developments reflected in works by Magdalena Abakanowicz, Tony Cragg, Claes Oldenburg, and Richard Serra, among others.Lavishly illustrated in this volume are 136 works by fifty-eight artists, a selection that surveys many of the most important sculptural developments of the past one hundred years. In no other historical period have the definitions of sculpture been so dramatically challenged and expanded. The Nasher Collection is a celebration of the creative energies behind this Modernist tradition. Particularly notable is the presentation in depth of such masters as Alexander Calder, Raymond Duchamp-Villon, Alberto Giacometti, Henri Matisse, Joan Miro, Pablo Picasso, and David Smith; groupings of multiple works allow a broad picture of each artist's achievement.

A Century of Sculpture: The Nasher Collection

Nash, Steven A.

Collections, Catalogs & Exhibitions

Picasso and the age of iron

PICASSO, Pablo

Calvo S

Sculpture

Guggenheim Museum

Tapies

Spanish Painting from El Greco to Picasso: The Wound of Time

Calvo Serraller, Francisco

Guggenheim Museum Publications,U.S.

The artist’s first solo exhibition in a New York museum since 1980, James Turrell considers his long-standing explorations of perception, light, color and space with special attention to the role of site-specificity in his practice. Local audiences find new occasion to experience his work through a major new project created especially for the Guggenheim, Aten Reign (2013), recasting the museum’s rotunda as a volume of shifting natural and artificial light. One of the most dramatic transformations of the museum ever conceived, the installation reimagines Frank Lloyd Wright’s iconic architecture--its openness to nature, its graceful curves, its magnificent sense of space and light--as one of Turrell’s Skyspaces. Experienced for the first time only from below, the rotunda appears not as an open void but as a mass of vibrant color that expands and contracts above the heads of visitors, and at the installation’s core, daylight from the museum’s oculus connects the work to the outside environment. Through these interventions, Turrell rekindles the museum’s identity as a “temple of spirit” (to quote the museum’s first director, Hilla Rebay), encouraging a state of meditative contemplation. This full-color catalogue accompanies the exhibition at the Guggenheim, detailing the production of the rotunda installation and situating it in the context of Turrell’s career. In addition to beautifully reproduced images featuring the artist’s early works, his magnum opus Roden Crater Project (1979– ), and documentation of Aten Reign, this volume includes essays by the show’s curators, Stephen and Nan Swid Curator of Twentieth-Century Art, Carmen Giménez, and Associate Curator Nat Trotman, and Arthur Zajonc, Emeritus Professor of Physics at Amherst College. As an undergraduate, James Turrell (born 1943) studied psychology and mathematics, transitioning to art at MFA level. A practicing Quaker, one of his earliest memories is of his grandmother inviting him to “go inside and greet the light” at Quaker meetings. The recipient of several prestigious awards such as Guggenheim and MacArthur Fellowships, Turrell lives in Arizona.

James Turrell

Trotman, Nat

Zajonc, Arthur

Guggenheim Museum Publications

This expanded edition was published on the inauguration of the Nasher Sculpture Center in 2003. Essays by Carmen Gimenez, Michael Brenson, and Steven A. Nash. Artists include Degas, Brancusi, Noguchi, Serra, Segal, di Suvero, Stella, Puryear, Long, and others. 152 works by 62 artists are illustrated. Measures 10x11.75 inches.

Brenson, Michael

Nasher, Raymond

Nasher Foundation

Book by Steven A.;Gimenez, Carmen;Brenson, Micha

Steven, A

Brenson, Micha

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