Criminal Investigation is designed to help readers develop an analytical understanding of the investigative process. Assuming no prior knowledge of the field, the book uses an accessible, authoritative style to discuss basic investigative techniques, major types of property and violent crime and the history and future of the field. Unique to this book, it links specific investigative techniques to specific crimes and explains the relationship of criminalistics to the investigative process. This edition retains its overall design, while incorporating new investigative profiles, additional websites, a revised chapter on computer crime and updated techniques and methodology.

Criminal Investigation

Politics & Social Sciences

GILBERT, JAMES

Social Sciences

Pearson

The youth culture is on everyone's lips today, as pressures build to ban controversial song lyrics, reintroduce school prayer, and prohibit teenagers' access to contraceptives. It's not the first time Americans have been outraged over the "seuction of the innocent." When James Dean and Marlon Brando donned their motorcycle jackets and adopted alienated poses in Rebel Without a Cause, East of Eden, and The Wild One, in the 1950's, so did countless numbers of American teenagers. Or so it seemed to their parents. American teenagers were looking and acting like juvenile delinquents. By mid-decade, the nation had reached a pitch of near obsession with the harmful effects of film, radio, comic books, and television on American youth. Experts across the land denounced mass culture as depriving young people of their innocence and weakening their parents' hold on them. By the end of the decade, the obsession had ended, although the actual numbers of juvenile delinquents had apparently risen. A Cycle of Outrage explores the 1950's debate over the media and juvenile delinquency among parents, professionals, and the creators of mass culture themselves. In this groundbreaking study, James Gilbert sees the attempt to blame the media as part of a larger reaction of discomfort echoed in recent debates over censorship. The book examines how the central phenomena of the 1950's--the development of youth culture and the rise of a mass media society--became intertwined and confused and argues that young people ceased to be a threat as they were recognized to be a market. ,bout the Author: James Gilbert is a Professor of History at the University of Maryland. He is the author of Another Chance: America After World War II, among other books. A groundbreaking study of the '50s obsession with juvenile deliquency ·Sheds new light on the rise of the youth culture and America's response to change ·"A marvelous exploration...He deeply illuminates our understanding of the contemporary United States."--William M. Tuttle, Jr. ·"Cultural history at its best."--David Nasaw

A Cycle of Outrage: America's Reaction to the Juvenile Delinquent in the 1950s

Teen & Young Adult

Oxford University Press

Examining the 1950s debate over the media and juvenile delinquency, this study shows how the development of youth culture and the rise of a mass-media society became intertwined and confused.

The 1904 St. Louis World’s Fair was a major event in early-twentieth-century America. Attracting millions of tourists, it exemplified the Victorian predilection for public spectacle. The Fair has long served as a touchstone for historians interested in American culture prior to World War I and has endured in the memories of generations of St. Louis residents and visitors. In Whose Fair? James Gilbert asks: what can we learn about the lived experience of fairgoers when we compare historical accounts, individual and collective memories, and artifacts from the event?
Exploring these differing, at times competing, versions of history and memory prompts Gilbert to dig through a rich trove of archival material. He examines the papers of David Francis, the Fair’s president and subsequent chief archivist; guidebooks and other official publications; the 1944 film Meet Me in St. Louis; diaries, oral histories, and other personal accounts; and a collection of striking photographs. From this dazzling array of sources, Gilbert paints a lively picture of how fairgoers spent their time, while also probing the ways history and memory can complement each other.

Whose Fair?: Experience, Memory, and the History of the Great St. Louis Exposition

Humor & Entertainment

University of Chicago Press

In this elegant and sensitive look at the milieu of the World's Columbian Exposition of 1893, James Gilbert examines the three utopias that were designed to bring order to the chaos of urban life: The World's Fair itself, George Pullman's community for his workers, and Dwight Moody's evangelical crusade. Gilbert draws upon a rich selection of fiction, collective biography, architecture, photographs, and souvenir books to show how these experiments each acted as a middle-class prescription for coming to terms with the new cultural diversity and competition resulting from the disruptive forces of technological change, commercial enterprise, and pluralism. "Mr. Gilbert's splendid book opens the door on a conflicted past, and provides an indispensable perspective on the troubled and troubling struggle we face today between old and new, unity and diversity."—Alan Trachtenberg, New York Times "Perfect Cities is a remarkable account of a struggle for cultural definition. Chronicling the byplay between cultural homogeneity and heterogeneity, unity and diversity, James Gilbert not only throws light on Chicago's past but also provides insight that can be applied to the cultural debates of our own time."—Adria Bernardi, Chicago Tribune "What Gilbert has done is to enable the reader to experience the grand utopian visions of the times, yet at the same time see the cantankerous reality that made the visions impossible."—Henry Kisor, Chicago Sun-Times

Perfect Cities: Chicago's Utopias of 1893

History

Americas

In this intriguing history, James Gilbert examines the confrontation between modern science and religion as these disparate, sometimes hostile modes of thought clashed in the arena of American culture. Beginning in 1925 with the infamous Scopes trial, Gilbert traces nearly forty years of competing attitudes toward science and religion. "Anyone seriously interested in the history of current controversies involving religion and science will find Gilbert's book invaluable."—Peter J. Causton, Boston Book Review "Redeeming Culture provides some fascinating background for understanding the interactions of science and religion in the United States. . . . Intriguing pictures of some of the highlights in this cultural exchange."—George Marsden, Nature "A solid and entertaining account of the obstacles to mutual understanding that science and religion are now warily overcoming."—Catholic News Service "[An] always fascinating look at the conversation between religion and science in America."—Publishers Weekly

Redeeming Culture: American Religion in an Age of Science

While the 1950s have been popularly portrayed-on television and in the movies and literature-as a conformist and conservative age, the decade is better understood as a revolutionary time for politics, economy, mass media, and family life. Magazines, films, newspapers, and television of the day scrutinized every aspect of this changing society, paying special attention to the lifestyles of the middle-class men and their families who were moving to the suburbs newly springing up outside American cities. Much of this attention focused on issues of masculinity, both to enforce accepted ideas and to understand serious departures from the norm. Neither a period of "male crisis" nor yet a time of free experimentation, the decade was marked by contradiction and a wide spectrum of role models. This was, in short, the age of Tennessee Williams as well as John Wayne. In Men in the Middle, James Gilbert uncovers a fascinating and extensive body of literature that confronts the problems and possibilities of expressing masculinity in the 1950s. Drawing on the biographies of men who explored manhood either in their writings or in their public personas, Gilbert examines the stories of several of the most important figures of the day-revivalist Billy Graham, playwright Tennessee Williams, sociologist David Riesman, sex researcher Alfred Kinsey, Playboy literary editor Auguste Comte Spectorsky, and TV-sitcom dad Ozzie Nelson-and allows us to see beyond the inherited stereotypes of the time. Each of these stories, in Gilbert's hands, adds crucial dimensions to our understanding of masculinity the 1950s. No longer will this era be seen solely in terms of the conformist man in the gray flannel suit or the Marlboro Man.

Men in the Middle: Searching for Masculinity in the 1950s

-- Times Literary Supplement

Writers and Partisans

Literature & Fiction

History & Criticism

Columbia University Press

See the best price to sell, buy, or rent books by GILBERT, JAMES. BookScouter helps to compare book prices from 25+ online bookstores and 30+ buyback vendors with a single search.

Books by GILBERT, JAMES

See the best price to sell, buy, or rent books by GILBERT, JAMES. BookScouter helps to compare book prices from 25+ online bookstores and 30+ buyback vendors with a single search.

Criminal Investigation

A Cycle of Outrage: America's Reaction to the Juvenile Delinquent in the 1950s

A Cycle of Outrage: America's Reaction to the Juvenile Delinquent in the 1950s

Whose Fair?: Experience, Memory, and the History of the Great St. Louis Exposition

Perfect Cities: Chicago's Utopias of 1893

Perfect Cities: Chicago's Utopias of 1893

Redeeming Culture: American Religion in an Age of Science

Redeeming Culture: American Religion in an Age of Science

Men in the Middle: Searching for Masculinity in the 1950s

Writers and Partisans