Nineteenth-century Ontario is the background for Robert Fraser's single, all-consuming task--to build a perpetual motion machine--and the locality of a richly imaginative universe composed of elements of humor, and magic

Perpetual Motion

GIBSON, Graeme

Literature & Fiction

Penguin??Books

In Music and Autism: Speaking for Ourselves, renowned ethnomusicologist Michael Bakan engages in deep conversations - some spanning the course of years - with ten unique and fascinating individuals who share two basic things in common: an autism spectrum diagnosis and a life in which music iscentral. The result is a profound yet accessible exploration of how people make and experience music, and of why it matters to them that they do, one whose rich tapestry of words, images, and musical sounds speaks to both the extraordinary diversity of autistic experience and the common humanity weall share.

Music and Autism: Speaking for Ourselves

Arts & Photography

Bakan, Michael

Grace, Elizabeth J.

Hamelson, Zena

Nitzberg, Dotan

PETERSON, GORDON

Pytlik, Maureen

Rindale, Donald

Sequenzia, Amy

Silar, Addison

Music

Oxford University Press

Nineteenth-century Ontario is the background for Robert Fraser's single, all-consuming task--to build a perpetual motion machine--and the locality of a richly imaginative universe composed of elements of humor, horror, and magic

St Martins Pr

In this stunning assemblage of words and images, novelist and avid birdwatcher Graeme Gibson has crafted an extraordinary tribute to the venerable relationship between humans and birds. Birds have ever been the symbols of our highest aspirations. As divine messengers, symbols of our yearning for the heavens, or avatars of glorious song and colour, they have stirred our imaginations from the moment we first looked into the sky. Whether as the Christian dove, or Quetzalcoatl—the Aztec Plumed Serpent—or in Plato’s vision of the human soul growing wings and feathers, religion and philosophy have looked to birds as representatives of our better selves—that part of us not bound to the earth. With the passion of a birdwatcher and hoarder of words, Gibson has spent fifteen years collecting the literary and artistic forms our affinity for birds has taken over the centuries. Birds appear again and again in mythology and folk tales, and in literature by writers as diverse as Ovid, Thomas Hardy, Kafka, Thoreau and T.S. Eliot. They’ve been omens, allegories, disguises and guides; they’ve been worshipped, eaten, feared and loved. Nor does Gibson forget the fascination they hold for science, as the Galapagos finches did for Darwin. Birds figure charmingly and tellingly in the work of such nature writers as Gilbert White, Peter Matthiessen, Farley Mowat and Barry Lopez. Gorgeously illustrated, woven from centuries of human response to the delights of the feathered tribes, The Bedside Book of Birds is for anyone who is aware of birds, and for everyone who is intrigued by the artistic forms that humanity has created to represent its soul. From The Bedside Book of Birds ~ Stevenson remembered the story of a monk who had been distracted from his copy-work by the song of a bird. He went into the garden to listen more closely, and when he returned, after what he thought were only a few minutes, he discovered that a century had gone by, that his fellow monks were dead and his ink had turned to dust. The song of the bird had given him a taste of Paradise, where an instant is as a hundred years of earthly time. Was the same true of time in hell, Stevenson asked himself. Alberto Manguel

The Bedside Book of Birds: An Avian Miscellany

Essays & Correspondence

Nan A. Talese

This stunning companion to the internationally bestselling Bedside Book of Birds explores the relationship between predators and their prey. The intricate, complex connection between the hunter and the hunted has defined animal life on Earth throughout time. In The Bedside Book of Beasts, Graeme Gibson gathers from all eras and cultures works of art and literature that capture the power, grace, and inventiveness of both predators and their natural prey. Here are myths, fables, poetry, generous excerpts from nature and travel writing, journals, sacred texts, and works of fiction. There are vivid descriptions of noteworthy predators â€” including the big cats, bears, wolves â€” but also the small but voracious praying mantis. Gibson also brings to life the experiences, strategies, and emotions of vulnerable prey, and paints intriguing portraits of such legendary evil beasts as the Minotaur, Grendel, and the Biblical Leviathan. All of this is enhanced by a breathtaking array of art, both traditional and contemporary, as well as scientific, religious, and mythological drawings, paintings, and woodcuts. In The Bedside Book of Beasts Gibson evokes a profound sense of the eternal, often unsettling, connection between the human animal and the free, untamed beasts of the wilderness.

The Bedside Book of Beasts: A Wildlife Miscellany

Science & Math

Biological Sciences

Featuring a new foreword by Margaret Atwood! In this stunning assemblage of words and images, novelist and avid birdwatcher Graeme Gibson offers an extraordinary tribute to the venerable relationship between humans and birds. &nbsp; From the Aztec plumed serpent to the Christian dove to Plato's vision of the human soul growing wings, religion and philosophy use birds to represent our aspirational selves. Winged creatures appear in mythology and folk tales, and in literature by writers as diverse as Ovid, Thoreau, and T. S. Eliot. They've been omens, allegories, and guides; they've been worshipped, eaten, and feared. Birds figure tellingly in the work of such nature writers as Gilbert White and Peter Matthiessen, and are synonymous with the science of Darwin. Gibson spent years collecting this gorgeously illustrated celebration of centuries of human response to the delights of the feathered tribes. The Bedside Book of Birds is for everyone who is intrigued by the artistic forms that humanity creates to represent its soul.

In this stunning assemblage of words and images, novelist and avid birdwatcher Graeme Gibson has crafted an extraordinary tribute to the venerable relationship between humanity and birds. Birds have ever been the symbols of humanity’s highest aspirations. As divine messengers, symbols of our yearning for the heavens, or avatars of glorious song and colour, birds have stirred our imaginations from the moment we first looked up into the sky. Whether as the Christian dove, or the Aztec Quetzalcoatl, or in Plato’s representation of the human soul growing wings and feathers, religion and philosophy have looked to birds as representatives of our best selves — that part of us not bound to the earth. With the devotion of a birder and hoarder of words, Gibson has spent twenty years collecting the literary and artistic forms our affinity for birds has taken over the centuries. Birds appear again and again in mythology and folk tales and in literature by writers as diverse as Aesop, Shakespeare, Poe, Coleridge, Borges, and Eliot. They’ve been omens, allegories, disguises and guides; they’ve been worshipped, eaten, feared, and loved. Nor does Gibson forget the fascination birds hold for science, as the Galapagos finches did for Darwin. Birds appear charmingly and tellingly in the work of such naturalists as W.H. Hudson, Peter Matthiessen, Farley Mowat, and Barry Lopez. So intensely and universally are we drawn to birds, it’s small wonder that birdwatching is one of the most popular activities in the English-speaking world. Gorgeously illustrated and woven from centuries of human response to the delights of the feathered tribes, The Bedside Book of Birds is for everyone who is passionate about birds and all they mean to humanity. “With the zeal of a convert and the instigated imagination of an ex-novelist, I started taking note of, then collecting, and finally obsessively searching out texts that illustrated something — almost anything — about our human response to birds. This book is the result. It isn’t so much about birds themselves as it is about the richly varied relationships we have established with them during the hundreds of thousands of years that we and they have shared life on earth.” —Graeme Gibson

Biographies & Memoirs

Professionals & Academics

Doubleday, Canada

From The Bedside Book of Birds ~Stevenson remembered the story of a monk who had been distracted from his copy-work by the song of a bird. He went into the garden to listen more closely, and when he returned, after what he thought were only a few minutes, he discovered that a century had gone by, that his fellow monks were dead and his ink had turned to dust. The song of the bird had given him a taste of Paradise, where an instant is as a hundred years of earthly time. Was the same true of time in hell, Stevenson asked himself.Alberto ManguelIn this stunning assemblage of words and images, novelist and avid birdwatcher Graeme Gibson has crafted an extraordinary tribute to the venerable relationship between humans and birds.Birds have ever been the symbols of our highest aspirations. As divine messengers, symbols of our yearning for the heavens, or avatars of glorious song and colour, they have stirred our imaginations from the moment we first looked into the sky. Whether as the Christian dove, or Quetzalcoatl—the Aztec Plumed Serpent—or in Plato’s vision of the human soul growing wings and feathers, religion and philosophy have looked to birds as representatives of our better selves—that part of us not bound to the earth.With the passion of a birdwatcher and hoarder of words, Gibson has spent fifteen years collecting the literary and artistic forms our affinity for birds has taken over the centuries. Birds appear again and again in mythology and folk tales, and in literature by writers as diverse as Ovid, Thomas Hardy, Kafka, Thoreau and T.S. Eliot. They’ve been omens, allegories, disguises and guides; they’ve been worshipped, eaten, feared and loved. Nor does Gibson forget the fascination they hold for science, as the Galapagos finches did for Darwin. Birds figure charmingly and tellingly in the work of such nature writers as Gilbert White, Peter Matthiessen, Farley Mowat and Barry Lopez.Gorgeously illustrated, woven from centuries of human response to the delights of the feathered tribes, The Bedside Book of Birds is for anyone who is aware of birds, and for everyone who is intrigued by the artistic forms that humanity has created to represent its soul.

The Bedside Book of Birds

Anchor Canada

This stunning companion to the internationally bestselling Bedside Book of Birds explores the relationship between predators and their prey. The intricate, complex connection between the hunter and the hunted has defined animal life on Earth throughout time. In The Bedside Book of Beasts, Graeme Gibson gathers from all eras and cultures works of art and literature that capture the power, grace, and inventiveness of both predators and their natural prey. Here are myths, fables, poetry, generous excerpts from nature and travel writing, journals, sacred texts, and works of fiction. There are vivid descriptions of noteworthy predators — including the big cats, bears, wolves — but also the small but voracious praying mantis. Gibson also brings to life the experiences, strategies, and emotions of vulnerable prey, and paints intriguing portraits of such legendary evil beasts as the Minotaur, Grendel, and the Biblical Leviathan. All of this is enhanced by a breathtaking array of art, both traditional and contemporary, as well as scientific, religious, and mythological drawings, paintings, and woodcuts. In The Bedside Book of Beasts Gibson evokes a profound sense of the eternal, often unsettling, connection between the human animal and the free, untamed beasts of the wilderness.

This stunning companion to the internationally bestsellingBedside Book of Birdsexplores the relationship between predators and their prey. The intricate, complex connection between the hunter and the hunted has defined animal life on Earth throughout time.In The Bedside Book of Beasts, Graeme Gibson gathers from all eras and cultures works of art and literature that capture the power, grace, and inventiveness of both predators and their natural prey. Here are myths, fables, poetry, generous excerpts from nature and travel writing, journals, sacred texts, and works of fiction. There are vivid descriptions of noteworthy predators &mdash; including the big cats, bears, wolves &mdash; but also the small but voracious praying mantis. Gibson also brings to life the experiences, strategies, and emotions of vulnerable prey, and paints intriguing portraits of such legendary evil beasts as the Minotaur, Grendel, and the Biblical Leviathan. All of this is enhanced by a breathtaking array of art, both traditional and contemporary, as well as scientific, religious, and mythological drawings, paintings, and woodcuts. InThe Bedside Book of BeastsGibson evokes a profound sense of the eternal, often unsettling, connection between the human animal and the free, untamed beasts of the wilderness.

See the best price to sell, buy, or rent books by GIBSON, Graeme. BookScouter helps to compare book prices from 25+ online bookstores and 30+ buyback vendors with a single search.

Books by GIBSON, Graeme

See the best price to sell, buy, or rent books by GIBSON, Graeme. BookScouter helps to compare book prices from 25+ online bookstores and 30+ buyback vendors with a single search.

Perpetual Motion

Music and Autism: Speaking for Ourselves

Perpetual Motion

The Bedside Book of Birds: An Avian Miscellany

The Bedside Book of Beasts: A Wildlife Miscellany

The Bedside Book of Birds: An Avian Miscellany

The Bedside Book of Birds: An Avian Miscellany

The Bedside Book of Birds

The Bedside Book of Beasts: A Wildlife Miscellany

The Bedside Book of Beasts: A Wildlife Miscellany