The Guitar: Tracing the Grain Back to the Tree

Guitars inspire cult-like devotion: an aficionado can tell you precisely when and where their favorite instrument was made, the wood it is made from, and that wood's unique effect on the instrument's sound. In The Guitar, Chris Gibson and Andrew Warren follow that fascination around the globe as they trace guitars all the way back to the tree. The authors take us to guitar factories, port cities, log booms, remote sawmills, Indigenous lands, and distant rainforests, on a quest for behind-the-scenes stories and insights into how guitars are made, where the much-cherished guitar timbers ultimately come from, and the people and skills that craft those timbers along the way. Gibson and Warren interview hundreds of people to give us a first-hand account of the ins and outs of production methods, timber milling, and forest custodianship in diverse corners of the world, including the Pacific Northwest, Madagascar, Spain, Brazil, Germany, Japan, China, Hawaii, and Australia. They unlock surprising insights into longer arcs of world history: on the human exploitation of nature, colonialism, industrial capitalism, cultural tensions, and seismic upheavals. But the authors also strike a hopeful note, offering a parable of wider resonance--of the incredible but underappreciated skill and care that goes into growing forests and felling trees, milling timber, and making enchanting&nbsp;musical instruments, set against the human tendency to reform our use (and abuse) of natural resources only when it may be too late. The Guitar promises to resonate with anyone who has ever fallen in love with a guitar.&nbsp;

Arts & Photography

Warren, Andrew

Gibson, Chris

Music

University of Chicago Press

Sound Tracks is the first comprehensive book on the new geography of popular music, examining the complex links between places, music and cultural identities. It provides an interdisciplinary perspective on local, national and global scenes, from the 'Mersey' and 'Icelandic' sounds to 'world music', and explores the diverse meanings of music in a range of regional contexts.In a world of intensified globalisation, links between space, music and identity are increasingly tenuous, yet places give credibility to music, not least in the 'country', and music is commonly linked to place, as a stake to originality, a claim to tradition and as a marketing device. This book develops new perspectives on these relationships and how they are situated within cultural and geographical thought.

Sound Tracks: Popular Music Identity and Place (Critical Geographies)

Connell, John

Routledge

A highly illustrated and portable identification guide to the most common wild flowers and other plants This innovative photographic guide covers the most common wild flowers and other plants found in Britain and Ireland, as defined by the very latest distribution maps. It is designed so that anyone faced with an unfamiliar wild plant can confidently put a name to the species or recognise that it is a less common plant needing further investigation. The identification process is based on standard botanical features that are straightforwardly described, clearly illustrated and supported by a simple visual key to families. This book can be your springboard into the wider world of botanical identification, wherever you are, and of plants both common and rare. <ul> <li>Covers the plants most likely to be seen, including those in coastal areas</li> <li>Includes more than 3,800 colour photographs, with macro images of key features when needed</li> <li>Features a friendly, easy-to-use design and text written in plain English, with essential botanical terms described and illustrated</li> </ul>

British and Irish Wild Flowers and Plants: A Pocket Guide (WILDGuides)

Hamilton, Rachel

Still, Robert

Reference

Princeton University Press

This IBM Redbooks publication focuses on the enhancements to IBM AIX Version 7.1 Standard Edition. It is intended to help system administrators, developers, and users understand these enhancements and evaluate potential benefits in their own environments.AIX Version 7.1 introduces many new features, including:- Domain Role Based Access Control- Workload Partition enhancements- Topas performance tool enhancements- Terabyte segment support- Cluster Aware AIX functionalityAIX Version 7.1 offers many other new enhancements, and you can explore them all in this publication.For clients who are not familiar with the enhancements of AIX through Version 5.3, a companion publication, AIX Version 6.1 Differences Guide, SG24-7559, is available.

IBM AIX Version 7.1 Differences Guide

Computers & Technology

Gough, Brad

Bassemir, Richard

Fauck, Thierry

Neral, Murali

Networking & Cloud Computing

Vervante

Music Festivals and Regional Development in Australia

Throughout the world, the number of festivals has grown exponentially in the last two decades, as people celebrate local and regional cultures, but perhaps more importantly as local councils and other groups seek to use festivals both to promote tourism and to stimulate rural development. However, most studies of festivals have tended to focus almost exclusively on the cultural and symbolic aspects, or on narrow modelling of economic multiplier impacts, rather than examining their long-term implications for rural change. This book therefore has an original focus. It is structured in two parts: the first discusses broad issues affecting music festivals globally, especially in the context of rural revitalisation. The second part looks in more detail at a range of types of festivals commonly found throughout North America, Europe and Australasia, such as country music, jazz, opera and alternative music festivals. The authors draw on in-depth research undertaken over the past five years in a range of Australian places, which traces the overall growth of festivals of various kinds, examines four of the more important and distinctive music festivals, and makes clear conclusions on their significance for rural and regional change.

Surfing Places, Surfboard Makers: Craft, Creativity, and Cultural Heritage in Hawaii, California, and Australia

Over the last forty years, surfing has emerged from its Pacific islands origins to become a global industry. Since its beginnings more than a thousand years ago, surfing’s icon has been the surfboard―its essential instrument, the point of physical connection between human and nature, body and wave. To a surfer, a board is more than a piece of equipment; it is a symbol, a physical emblem of cultural, social, and emotional meanings. Based on research in three important surfing locations―Hawai‘i, southern California, and southeastern Australia―this is the first book to trace the surfboard from regional craft tradition to its key role in the billion-dollar surfing business. 
The surfboard workshops of Hawai‘i, California, and Australia are much more than sites of surfboard manufacturing. They are hives of creativity where legacies of rich cultural heritage and the local environment combine to produce unique, bold board designs customized to suit prevailing waves. The globalization and corporatization of surfing have presented small, independent board makers with many challenges stemming from the wide availability of cheap, mass-produced boards and the influx of new surfers. The authors follow the story of board makers who have survived these challenges and stayed true to their calling by keeping the mythology and creativity of board making alive. In addition, they explore the heritage of the craft, the secrets of custom board production, the role of local geography in shaping board styles, and the survival of hand-crafting skills.
From the olo boards of ancient Hawaiian kahuna to the high-tech designs that represent the current state of the industry, Surfing Places, Surfboard Makers offers an entrée into the world of surfboard making that will find an eager audience among researchers and students of Pacific culture, history, geography, and economics, as well as surfing enthusiasts.

Business & Money

Industries

University of Hawaii Press

Over the last forty years, surfing has emerged from its Pacific islands origins to become a global industry. Since its beginnings more than a thousand years ago, surfing’s icon has been the surfboard―its essential instrument, the point of physical connection between human and nature, body and wave. To a surfer, a board is more than a piece of equipment; it is a symbol, a physical emblem of cultural, social, and emotional meanings. Based on research in three important surfing locations―Hawai‘i, southern California, and southeastern Australia―this is the first book to trace the surfboard from regional craft tradition to its key role in the billion-dollar surfing business. The surfboard workshops of Hawai‘i, California, and Australia are much more than sites of surfboard manufacturing. They are hives of creativity where legacies of rich cultural heritage and the local environment combine to produce unique, bold board designs customized to suit prevailing waves. The globalization and corporatization of surfing have presented small, independent board makers with many challenges stemming from the wide availability of cheap, mass-produced boards and the influx of new surfers. The authors follow the story of board makers who have survived these challenges and stayed true to their calling by keeping the mythology and creativity of board making alive. In addition, they explore the heritage of the craft, the secrets of custom board production, the role of local geography in shaping board styles, and the survival of hand-crafting skills. From the olo boards of ancient Hawaiian kahuna to the high-tech designs that represent the current state of the industry, Surfing Places, Surfboard Makers offers an entrée into the world of surfboard making that will find an eager audience among researchers and students of Pacific culture, history, geography, and economics, as well as surfing enthusiasts.

What if Martin Luther King Jr., this name-branded, oft-sanitized preacher from Atlanta, is a prophet whose message America has yet to fully reckon with?Ten days before Martin Luther King Jr.’s assassination, Rabbi Abraham Joshua Heschel said, “Where in America today do we hear a voice like the voice of the prophets of Israel? Martin Luther King is a sign that God has not forsaken the United States of America. God has sent him to us.” What if Heschel’s words about King are true? What if this name-branded, oft-sanitized, Super-Bowl-ad-commercialized, National-Mall-memorialized preacher from Atlanta . . . is a prophet whose message America has yet to fully reckon with? This issue of Plough Quarterly looks at King’s unfinished struggle against the three evils of racism, materialism, and militarism. Perspectives from Edwidge Danticat, Gary Dorrien, Brandon M. Terry, D. L. Mayfield, Eugene Rivers, and Susannah Heschel explore the ways King’s message of nonviolence, justice, and love of neighbor still matters today: to refugees and immigrants, soldiers and veterans, preachers and prisoners, black lives matter activists and the white working class.Also in this issue: original poetry by Naomi Shihab Nye; reviews of new books by James Forman Jr., Steve Krivák, Jim Forest, and Christopher de Hamel; and art by Yvan Lamothe, Roberson Joseph, Barry Moser, Benny Andrews, Zoe Cromwell, Julian Peters, Asuka Hishiki, Mark Smith, Mary Kang, Marc Chagall,John Partipilo, Yuri Kozyrev, Vinicius Barajas, Iain Stewart, Giovanni Bellini.Plough Quarterly features stories, ideas, and culture for people eager to put their faith into action. Each issue brings you in-depth articles, interviews, poetry, book reviews, and art to help you put Jesus’ message into practice and find common cause with others.

Plough Quarterly No. 16 - America’s Prophet

History

Dorrien, Gary

Danticat, Edwidge

Heschel, Susannah

Peters, Nathaniel

Britts, Philip

Terry, Brandon M.

Romero, Óscar

Mayfield, D.L.

Rivers III, Eugene F.

Gumaer, Oddny

Americas

Plough Publishing House

The Admiralty and AEW: Royal Navy Airborne Early Warning Projects (Project Tech Profiles)

Blue Envoy Press

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Books by Gibson, Chris