Disney History from the Source
The Walt's People series is an oral history of all things Disney, as told by the artists, animators, designers, engineers, and executives who made it happen, from the 1920s through the present.
Walt’s People: Volume 13 features appearances by Virginia Davis, Reg Massie, George Bakes, Milt Neil, Al Dempster, Joe Grant, Woolie Reitherman, Becky and Carla Fallberg, Jean Erwin, Jules Engel, Fred Kopietz, Donald Duckwall, George Sherman, Floyd Gottfredson, Richard Todd, Roy E. Disney, Norman "Stormy" Palmer, Paul Kenworthy, Hunt and Chris Hibler (about their father, Winston Hibler), Boyd Shaffer, Fess Parker, Dave Spafford, Bob Moore, Blaine Gibson, X Atencio, Don Iwerks, and Tony Baxter, plus articles by John Canemaker and Pete Docter.
Among the hundreds of stories in this volume:
<ul>
<li>Pixar's PETE DOCTER, the Oscar-winning director of Up and Monsters, Inc., examines the forgotten career of John Sibley, Disney's "Tenth Old Man", whose animations still dazzle today.</li>
<li>FESS PARKER relates how a bit part in the classic 1950s giant ant monster movie Them! netted him the role of Disney's Davy Crockett.</li>
<li>DON IWERKS, son of Walt's first partner Ub Iwerks, chats with Michael Broggie, son of Walt's first Imagineer, Roger Broggie, about their respective careers following in the footsteps of their fathers.</li>
<li>VIRGINIA DAVIS recalls her role as "Alice" in Walt Disney's Alice Comedies, a series of short films from the early 1920s that predated Mickey Mouse and were equally as important as Mickey in putting Walt on his path to success.</li>
</ul>
The entertaining, informative stories in every volume of Walt's People will please both Disney scholars and eager fans alike.

Walt's People : Volume 13: Talking Disney with the Artists Who Knew Him

Biographies & Memoirs

Ghez, Didier

Arts & Literature

Theme Park Press

Disney's Grand Tour: Walt and Roy's European Vacation, Summer 1935

DISCOVER A FORGOTTEN CHAPTER IN DISNEY HISTORYIn 1935, as the artists and animators at the Disney Studio toiled mightily on the animated feature film Snow White and the Seven Dwarfs, Walt and Roy Disney traveled with their wives to New York and boarded the luxury liner Normandie to begin their "grand tour" of Europe.With the full cooperation of Walt's late daughter Diane Disney Miller, Didier Ghez spent years researching this seminal but little-known event that became so vital to the continued growth of the Disney company right through the creation of Disneyland two decades later. His book, Disney's Grand Tour, is the culmination of that research.Walt Disney's European VacationThe early 1930s was a crucial time for Walt Disney: despite the global success of Mickey Mouse, Walt knew he couldn't rely on his iconic alter-ego to sustain his studio indefinitely. He needed new triumphs. So he staked his creative future and his cinematic fortune on Snow White. But the pressure was driving Walt to another nervous breakdown; he needed a vacation.Walt's brother Roy suggested a trip to Europe with their wives. The trip would take the Disneys from England to France, Germany, and Italy, and then back home. While the couples intended to relax and enjoy the comforts of Old World Europe, Walt also had business in mind: his grand tour was not just about taking in the sights but about building the Disney brand in Europe and bringing back to America ideas and source material for new films, new cartoons, and far down the road, a new theme park.Your Travel Itinerary with WaltIn Disney's Grand Tour, famed historian Didier Ghez traces the footsteps of Walt and Roy Disney as they board the Normandie in New York and sail to England, then travel through France, Germany, and Italy prior to boarding another luxury liner, the Rex, for the trip home. But the book is no mere travelogue: you will be at Walt's shoulder as he conducts Disney business; meets some of the luminaries of his day, including H.G. Wells and Louis Lumiere; attends gala events staged in his honor; and recharges his creative powers for the astonishing Disney projects ahead.Your trip with Walt and Roy includes:First-class cabin aboard the luxury liner Normandie bound for England12 days in England and Scotland, where Walt experiences one of the biggest thrills of his life10 days in France, where Walt receives a medal from the Legion of Nations for Mickey Mouse - or so he thinks6 days in Germany and Switzerland, where Walt attends a stage show that may have inspired the party scene in Snow White12 days in Italy, where Walt strikes a Mickey Mouse deal with Italy's biggest publisher and flushes out criminals who were defrauding himPersonal meetings with Mussolini and the Pope - or maybe notExpert analysis of and insight into the major milestones of the tourAnd much more besides! In addition to the many "small and delightful surprises" that noted animation historian (and author of The Animated Man: A Life of Walt Disney) Michael Barrier mentions in his preface to the book, Disney's Grand Tour features over 200 notes for those inclined to dig deeper into the story. It also contains a list of the hundreds of books that Walt personally selected in Europe for transfer back to the Disney Studio library. These books inspired Disney artists and animators for decades.So pack your bags. The Normandie whistle blows. Embark with Walt Disney and join him on a grand tour of Europe!

Arts & Photography

Graphic Design

The Walt's People series, edited by Didier Ghez, is a collection of the best interviews ever conducted with Disney artists. Contributors to the series include noted Disney experts Robin Allan, Paul F. Anderson, Mike Barrier, Albert Becattini, Christopher Finch, J.B. Kaufman, Jim Korkis, Celbi Pegoraro, Christian Renaut, Linda Rosenkrantz, Rick Shale, Dave Smith, and Charles Solomon. Walt's People - Volume 6 features in-depth interviews with artists Ken Anderson, Roger Broggie, Larry Clemmons, Claude Coates, Marvin Davis, Diane Disney Miller, Edna Disney, Lillian Disney, Roy O. Disney, Sharon Disney, Joe Fowler, Joe Hale, Bud Hester, Steve Hulett, Ken Hultgren, Dick Irvine, Wilfred Jackson, Fred Joerger, Ollie Johnston, Milt Kahl, Ward Kimball, I. Klein, Eric Larson, Ron Miller, Ken O'Connor, Maurice Rapf, Frank Reilly, Carl Stalling, Iwao Takamoto, and Frank Thomas. These interviews discuss, among many other subjects, the very early days of the Disney Studio, the making of Pinocchio, the construction of Disneyland and Walt Disney World, and the golden age of Disney comic strips. It contains hundreds of new stories about the Studio and its artists and should delight even the most serious historians and enthusiasts. Walt's People is a notable new source of historical treasures and should give new energy to the world of Disney research! This book is neither authorized, sponsored nor endorsed by the Walt Disney Company and its subsidiaries. It is an unofficial and unauthorized book. The mention of names and places associated with the Walt Disney Company and its businesses are not intended to infringe on any existing copyrights or trademarks of the Walt Disney Company, but are used in context for educational purposes. The opinions and statements expressed in these interviews are solely the opinions and perspectives of the authors and the interviewees and do not necessarily reflect the opinions and policy of the Walt Disney Company and its businesses.

Walt's People - Volume 6: Talking Disney with the Artists Who Knew Him

Community & Culture

Xlibris

Walt's People - Volume 7: Talking Disney with the Artists who Knew Him

Literature & Fiction

Humor & Satire

Xlibris, Corp.

Walt's People - Volume 8: Talking Disney with the Artists who Knew Him

Humor & Entertainment

Movies

Walt's People - Volume 9: Talking Disney with the Artists who Knew Him

As the Walt Disney Studio entered its first decade and embarked on some of the most ambitious animated films of the time, Disney hired a group of "concept artists" whose sole mission was to explore ideas and inspire their fellow animators. They Drew as They Pleased showcases four of these early pioneers and features artwork developed by them for the Disney shorts from the 1930s, including many unproduced projects, as well as for Snow White and the Seven Dwarfs, Pinocchio, and some early work for later features such as Alice in Wonderland and Peter Pan. Introducing new biographical material about the artists and including largely unpublished artwork from the depths of the Walt Disney Archives and the Disney Animation Research Library, this volume offers a window into the most inspiring work created by the best Disney artists during the studio's early golden age. They Drew as They Pleased is the first in what promises to be a revealing and fascinating series of books about Disney's largely unexamined concept artists, with six volumes spanning the decades between the 1930s and 1990s. Copyright ©2015 Disney Enterprises, Inc. All rights reserved.

Disney They Drew as They Pleased Vol. 1: The Hidden Art of Disney's Golden AgeThe 1930s (Disney, 1)

History & Criticism

Chronicle Books+

The 1940s ushered in an era of musical experimentation and innovation at the Walt Disney Studios. Artists from all over the world flocked to California to be part of the magic, and their groundbreaking styles influenced such classics as Dumbo and Bambi as well as shaped the masterpieces that followed such as Alice in Wonderland and Peter Pan. For this volume, author Didier Ghez has unearthed hundreds of enchanting images—from early sketches to polished concepts for iconic features—by five exceptional artists who shaped the style of the Studio's animation during this period of unbridled creativity. With evocative descriptions and excerpts from the artists' journals and autobiographies, this magnificent collection offers a rare look at the visionaries who breathed life into some of the most beloved films of our time. Copyright ©2016 Disney Enterprises, Inc. All Rights Reserved

They Drew As they Pleased: The Hidden Art of Disney's Musical Years (The 1940s - Part One) (Disney x Chronicle Books, 2)

Walt Disney always envisioned the studios that bear his name remaining relevant by consistently taking creative risks and doing the unexpected. Heading into the 1940s, he crafted an entirely new division of the studio called the Character Model Department, which focused solely on the details of character development. This latest volume from famed Disney historian Didier Ghez profiles six remarkable artists from that department, sharing uncommon and never-before-seen images of their influential work behind the scenes. With vivid descriptions and passages from the artists' journals, this visually rich collection offers a rare view of the Disney artists whose work gave rise to many classic Disney characters, and who ultimately rewrote the future of character creation in animation. Copyright ©2017 Disney Enterprises, Inc. All Rights Reserved

They Drew as They Pleased Vol. 3: The Hidden Art of Disney's Late Golden Age (The 1940s - Part Two) (Art of Disney, Cartoon Illustrations, Books about Movies) (Disney x Chronicle Books)

The 1950s and 1960s at The Walt Disney Studios marked unprecedented stylistic directions brought on by the mid-century modern and graphic sensibilities of a new wave of artists. This volume explores the contributions of these heroes with special emphasis on the art of Lee Blair, Mary Blair, Tom Oreb, John Dunn, and Walt Peregoy. It includes never-before-seen images from Cinderella, Alice in Wonderland, Peter Pan, and Sleeping Beauty and discusses Disney's first forays into television, commercials, space, and science projects—even the development of theme parks. Drawing on interviews and revealing hundreds of rediscovered images that inspired Disney's films during one of its most prolific eras, this volume captures the rich stories of the artists who brought the characters to life and helped shape the future of animation. Copyright ©2018 Disney Enterprises, Inc. All Rights Reserved

They Drew As They Pleased Vol 4: The Hidden Art of Disney's Mid-Century Era (Disney Art Books, Gifts for Disney Lovers) (Disney x Chronicle Books)

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