Walter Benjamin And Architecture

Gevork Hartoonian

walter-benjamin

Routledge

Starting with the question concerning the discursive formation of architectural history, the chapters compiled in this manuscript attempt to re-read the historiography of the early modern architecture from the point of view of the theoretical work produced since the post-war era. Central to the objectives of the implied differentiation are the ways in which architectural history differs from the traditions of art history, and that the text works its autonomy through theoretical representation, its discursive flow is interrupted by the historian's urge to support his/her argument with references to buildings, texts, drawings, and events that are historical. The historians discussed in this volume are the regulars addressed by most critics who revisit modern architectural history. The idea of dedicating chapters to N. Pevsner, H.R. Hitchcoc, and S. Giedion respectively, entails an economy of selection that is formative for a critical understanding of the canon established by these historians. Discussing themes such as periodization, autonomy, and time, the coda of the final chapter expands the scope of 'critical historiography' popularised by Kenneth Frampton and Manfredo Tafuri.

The Mental Life of the Architectural Historian: Re-opening the Early Historiography of Modern Architecture

Arts & Photography

History & Criticism

Cambridge Scholars Publishing

Starting with the question concerning the discursive formation of architectural history, the chapters compiled in this book attempt to re-read the historiography of early modern architecture from the point of view of the theoretical work produced since the post-war era. Central to the objectives of the argument are the ways in which, firstly, architectural history differs from the traditions of art history, and, secondly, that the historical narrative works its autonomy through theoretical representation, the discursive flow of which is interrupted by the historian's urge to support arguments with references to buildings, texts, drawings, and historical events. The historians discussed in this volume are those regularly addressed by most critics revisiting modern architectural history. Individual chapters are dedicated to N. Pevsner, H. R. Hitchcock, and S. Giedion, an economy of selection that is formative for a critical understanding of the canon established by these historians. Themes such as periodization, autonomy, and time are discussed, and the coda of the final chapter expands on the scope of "critical historiography" popularised by Kenneth Frampton and Manfredo Tafuri.

The Mental Life of the Architectural Historian: Re-Opening the Early Historiography of Modern Architecture, Second Edition

History

Historical Study & Educational Resources

<p>In Australia, many aspects of architectural Modernism have been transformed, interpreted, used, reformed and converted to that country's very particular geographic qualities, perhaps to a greater degree than in most other countries. Much Australian Modernist architecture is characterized by the pervasive presence of strong light, and by ranging structures that spread out across the terrain, avoiding any hierarchical organization of component parts in ways that would be impractical and inappropriate elsewhere. Living the Modern traces the unusually independent development of Australian architecture, through examples of constructions built in the last 15 years by 25 different architects. The culturally and environmentally specific development of Modern architecture (especially homes) in Australia demonstrates what a truly diverse "Progressive Modernism" might be. Essays by Philip Drew, Philip Goad and Gevorks Hartoonian elucidate its unique qualities.</p>

Living the Modern: Australian Architecture

Philip Goad

Philip Drew

Architecture

Hatje Cantz

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Books by Gevork Hartoonian