Against the backdrop of Facist Europe, the novel's narrator hastens despairingly from city to city in a sexual and mental nightmare - his internal collapse mirroring the fighting on the streets. Will he identify with history's victims or be seduced by the glamour of its terrible victors?

Blue of Noon

Literature & Fiction

Georges Bataille

Contemporary

Penguin

This work contains Bataille's own research into eroticism, its origins of taboo, religious ecstacy and the erotic impulse. He includes his comments on Freud, Sade, Saint Theresa and Kinsey.

Eroticism

History

World

PENGUIN BOOKS LTD, UK

Manet

Skira

On Nietzsche (Athlone Contemporary European Thinkers)

Bruce Boone

UNKNO

Since the publication in France of his Oeuvres Completes in the mid-1970s, the breadth of Bataille's writing and influence has become increasingly apparent across the disciplines in, for example, the fields of literature, art, art history, philosophy, critical theory, sociology, economics, and anthropology.

The Bataille Reader

History & Criticism

Wiley/Blackwell

”Literature is not innocent,” Bataille declares in the preface to this unique collection of literary profiles. “It is guilty and should admit itself so.” The word, the flesh, and the devil are explored by this extraordinary intellect in the work of eight outstanding authors: Emily Bronte, Baudelaire, Blake, Michelet, Kafka, Proust, Genet and De Sade.
Born in France in 1897, Georges Bataille was a radical philosopher, novelist and critic whose writings continue to exert a vital influence on today's literature and thought.

Literature and Evil

Health, Fitness & Dieting

Mental Health

Marion Boyars Publishers Ltd

Since the publication of Visions of Excess in 1985, there has been an explosion of interest in the work of Georges Bataille. The French surrealist continues to be important for his groundbreaking focus on the visceral, the erotic, and the relation of society to the primeval. This collection of prewar writings remains the volume in which Batailles’s positions are most clearly, forcefully, and obsessively put forward.This book challenges the notion of a “closed economy” predicated on utility, production, and rational consumption, and develops an alternative theory that takes into account the human tendency to lose, destroy, and waste. This collection is indispensible for an understanding of the future as well as the past of current critical theory.Georges Bataille (1897-1962), a librarian by profession, was founder of the French review Critique. He is the author of several books, including Story of the Eye, The Accused Share, Erotism, and The Absence of Myth.

Visions Of Excess: Selected Writings, 1927-1939 (Theory and History of Literature Vol 14) (Volume 14)

Essays & Correspondence

Univ. of Minnesota Press

His is a journey marked by the questioning of experience itself, until what is reached is sovereign laughter, non-knowledge, and a Presence in no way distinct from Absence, where “The mind moves in a strange world where anguish and ecstasy coexist.”

Inner Experience (SUNY Series Intersections: Philosophy and Critical Theory)

Politics & Social Sciences

Philosophy

State Univ of New York Pr

Urizen Books

The ideas of Georges Bataille (1897-1962) are being increasingly recognised as offering vital insights into the whole areas of human existence, and over the last few years most of his important theoretical and fictional texts have appeared in English. Yet Bataille’s thought is complex, and his books make few concessions to the reader. The first series of texts here, however, were written for a wider audience by Bataille and his friends, in the form of a dictionary, and they provide a witty, poetic and concise introduction to his ideas. 
The Critical Dictionary appeared in the magazine edited by Bataille, Documents, the second series of texts, the Da Costa Encyclopédique was published anonymously after the liberation of Paris in 1947 by members of the Acéphale group and writers associated with Surrealists. Both cover the essential concepts of Bataille and his associates: sacred sociology; scatology, death and the erotic; base materialism; the aesthetics of the formless; sacrifice, festival and the politics of the tumult etc: a new description of the limits of being human. Humour, albeit, sardonic, is not absent from these remarkable redefinitions of the most heterogeneous objects or ideas: Camel, Church, Dust, Museum, Spittle, Skyscraper, Threshold, Work — to name but a few. 
The Documents group was celebrated for joining together artists, authors, sociologists and ethnologists (among the most important of their time) in a literary and philosophical project. The Acéphale group was more mysterious, even its membership is only vaguely known, and its activities remain secret. The origins of the Da Costa only became known in 1993, the present volume reveals for the first time its principal compilers: Robert Lebel, Isabelle Waldberg and Marcel Duchamp, even so, the identity of the authors of a large part of it remain unknown.

Encyclopaedia Acephalica (Atlas Arkhive Three, Documents of the Avant-Garde)

Isabelle Waldberg

Iain White

Atlas Press

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