George V. Higgins, who died as At End of Day was going to press, reinvented the language of the crime novel with his ability to breathe life into the dialogue of the small-time hoodlum. At the end of all of Higgins's fictional days--from his first novel, The Friends of Eddie Coyle, to this practically posthumous work--lie 1,001 nights in which FBI agents and crime bosses become consonant-dropping, vowel-skewing, grammar-ignoring Scheherazades whose stories are recounted with the deadly accurate tone that became the author's trademark.  At End of Day tells the story of the downfall of Boston mobster Arthur McKeach; more precisely, it tells the story of those who tell the story of McKeach's undoing. In Higgins's world--though he could write a mean murder scene--crime is less an immediate event than a moment to which his characters return to weave complicated, often conflicting narratives. At the novel's center lies a problematic alliance between McKeach and his top henchman, Nick Cistaro, and FBI agents Darren Stoat and Jack Farrier: the mobsters provide information to the FBI about their Mafia rivals in return for protection. To say that the partnership serves to humanize both sides, or to claim that the yoke of creative necessity harnesses men who are ironically similar, is to pander to the obvious. Far better to relax into the intoxicating rhythms of the characters' language, as when McKeach attempts to educate a horrified Stoat in the underworld code of behavior:  His expression was calm, his tone the patient monotone, varied by occasional emphasis, that an earnest instructor would use addressing interested novices. 'But then the big guys get involved in private fights, one of them floats in onna tide? Reason don't matter--if he's big then his guys're involved, they don't have no choice. It's then a matter of honor. And besides, if the guys who aren't dead, if they expect to keep what they've got, well then, they'd better get involved too. Show some respect for their guy who is dead, and retaliate, right? Because otherwise the guys who did him'll come around and do them, take over his whole territory. So--never mind why he is dead, he is dead--revenge is their duty to him, and themselves, to show they're still men.' McKeach lives, and others die, by this code; his unwavering control is the axis around which At End of Day revolves. Higgins fans both old and new will find themselves captivated by McKeach's authority and Higgins's hypnotic prose. --Kelly Flynn

At End of Day : A Novel of Suspense

Mystery, Thriller & Suspense

GEORGE V. HIGGINS

Thrillers & Suspense

San Diego, CA, U.S.A.: Harcourt Trade Publishers, 2000

Sins of the Fathers

Literature & Fiction

Contemporary

Carlton Books, Limited

sixth novel and maybe his most elusive.

Dreamland

Little,Brown & Company

Title: FBI

Little Brown & Co (Pap)

The Friends of Eddie Coyle

BANTAM BOOKS

Friends of Richard Nixon, The

Ballantine Books

Impostors (Abacus Books)

ABACUS +

A masterwork of crime and black comedy, George V. Higgins is in his element as he spell-bindingly recounts lawyer Jerry Kennedy's more fragrant cases. Keen to take some time off, Jerry Kennedy plans a short holiday en famille at Green Harbor, his eclectic clients don't get the memo however. His drive-by clientele, the car thieves, pimps, drug dealers and boatyard mechanics are diverse in all respects but one, persistence. Matters come to a head when a midnight intruder breaks into Kennedy's home, knife drawn and determination blaring in his eyes. In deciphering the imposter's intentions, Jerry's qualities of honesty, responsibility and downright hard work are seriously put to the test. Brimming with a bevy of bimbos, bent cops and bad actors, Kennedy for the Defense shows us the Boston crooks-and-cops world through an attorney's eyes.

Kennedy for the Defense (Abacus Books)

Abacus Books (Sphere)

Jerry "Digger" Doherty is an ex-con and proprietor of a workingman's Boston bar, who supplements his income with the occasional "odd job," like stealing live checks and picking up hot goods. His brother’s a priest, his wife’s a nag, and he’s got a deadly appetite for martinis and gambling. But when the Digger looses eighteen grand in borrowed money on a trip to Vegas, he quickly finds himself in the sights of mob loneshark “the Greek,” who will have to make the Digger pay up one way or another. Luckilyâif you call it luckâthe Digger has been let in on a little job that can turn his gambling debt into a profit, as long as he can pull it off without getting killed.

The Digger's Game

Alfred.A. Knopf

Cogan's Trade (Filmed as Killing Them Softly):

Cogan's Trade

Mystery

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