Reading a play and watching it performed onstage are quite different experiences. Likewise, studying a country's theatrical tradition with reference only to playtexts overlooks the vital impact of a play's performance on the audience and on the whole artistic community. In this performance-centered approach to Brazilian theatre since the 1940s, David George explores a total theatrical language—the plays, the companies that produced them, and the performances that set a standard for all future stagings. George structures the discussion around several important companies. He begins with Os Comediantes, whose revolutionary 1943 staging of Nelson Rodrigues' Vestido de Noiva (Bridal Gown) broke with the outmoded comedy-of-manners formula that had dominated the national stage since the nineteenth century. He considers three companies of the 1950s and 1960s—Teatro Brasileiro de Comédia, Teatro de Arena, and Teatro Oficina—along with the 1967 production of O Rei da Vela (The Candle King) by Teatro Oficina. The 1970s represented a wasteland for Brazilian theatre, George finds, in which a repressive military dictatorship muzzled artistic expression. The Grupo Macunaíma brought theatre alive again in the 1980s, with its productions of Macunaíma and Nelson 2 Rodrigues. Common to all theatrical companies, George concludes, was the desire to establish a national aesthetic, free from European and United States models. The creative tension this generated and the successes of modern Brazilian theatre make lively reading for all students of Brazilian and world drama.

The Modern Brazilian Stage

Arts & Photography

George, David

Performing Arts

University of Texas Press

Reading a play and watching it performed onstage are quite different experiences. Likewise, studying a country's theatrical tradition with reference only to playtexts overlooks the vital impact of a play's performance on the audience and on the whole artistic community. In this performance-centered approach to Brazilian theatre since the 1940s, David George explores a total theatrical language—the plays, the companies that produced them, and the performances that set a standard for all future stagings. George structures the discussion around several important companies. He begins with Os Comediantes, whose revolutionary 1943 staging of Nelson Rodrigues' Vestido de Noiva (Bridal Gown) broke with the outmoded comedy-of-manners formula that had dominated the national stage since the nineteenth century. He considers three companies of the 1950s and 1960s—Teatro Brasileiro de Comédia, Teatro de Arena, and Teatro Oficina—along with the 1967 production of O Rei da Vela (The Candle King) by Teatro Oficina. The 1970s represented a wasteland for Brazilian theatre, George finds, in which a repressive military dictatorship muzzled artistic expression. The Grupo Macunaíma brought theatre alive again in the 1980s, with its productions of Macunaíma and Nelson 2 Rodrigues. Common to all theatrical companies, George concludes, was the desire to establish a national aesthetic, free from European and United States models. The creative tension this generated and the successes of modern Brazilian theatre make lively reading for all students of Brazilian and world drama.

Recipes from the French Kitchen Garden

Cookbooks, Food & Wine

Tilleray, Brigitte

Cooking Education & Reference

Cassell Illustrated*

The first New Variorum edition of Coriolanus, by Horace Howard Furness, Jr., was published in 1928. The present edition follows Furness's but does not replace it because frequently the more recent scholarship and criticism recorded here could be accommodated only by reducing Furness's fuller treatment of earlier material. The reader who finds this edition useful is urged to consult Furness's as well to obtain a fuller account on many subjects. Niels Herold wrote the section on Music and Sound Effects, and Sylvia Bryant and Ian Aspinall translated German criticism. Megan-Marie Johnson collaborated with me on the Plan of the Work, on the collations necessary to compile the Textual Notes, and on the Commentary. Ashley Spriggs helped revise the Plan of the Work and the Textual Notes. Both of these latter assistants also had a hand in all the other sections of the edition...

A New Variorum Edition of Shakespeare CORIOLANUS Volume I

Literature & Fiction

lulu.com

Poisons

A unique book on recognition and investigation\nof criminal poisoning for investigators\nof all backgrounds and stages of their careers.\nPoisons: An Introduction for Forensic Investigators is a concise yet comprehensive overview of toxicants and unanticipated circumstances in which poisoning occurs. This book expands awareness of poisoning possibilities, heightens recognition of the toxic potential of many substances, and provides information to aid in focusing investigations.\nPoisons discusses life-threatening toxic substances and agents that modify behavior to achieve criminal goals. These include drugs that facilitate sexual assaults and robberies, and those found in medical child abuse and drug-product tampering.\nMore than 230 case studies illustrate both unintentional and intentional poisoning and highlight situations where poisoning may not immediately be apparent. Information is included in pertinent criminal poisoning cases to illustrate the temperament of poisoners, their relationship to victims, their basis for poison selection, and their method of administration.\nSince Poisons is written by a single author, the discussions, format, educational level, and terminology remain consistent to aid crime scene investigators, homicide detectives, forensic scientists, death investigators, toxicologists, medical examiners, attorneys, and students. The book's more than 650 references are an asset to frame knowledge as well as a resource to return to again and again.

Politics & Social Sciences

Social Sciences

CRC-Press

The Rhetoric of the Right (Routledge Studies in the History of Economics)

This study seeks to demonstrate the subtle ways in which changes in the language associated with economic issues are reflective of a gradual but quantifiable conservative ideological shift. In this rigorous analysis, David George uses as his data a century of word usage within The New York Times, starting in 1900. It is not always obvious how the changes identified necessarily reflect a stronger prejudice toward laissez-faire free market capitalism, and so much of the book seeks to demonstrate the subtle ways in which the changing language indeed carries with it a political message. This analysis is made through exploration of five major areas of focus: "economics rhetoric" scholarship and the growing "behavioral economics" school of thought; the discourse of government and taxation; the changing meaning of "competition," and "competitive"; changing attitudes toward labor; and the celebration of growth relative to the decline in attention to economic justice and social equality.

The Rhetoric of the Right: Language Change and the Spread of the Market (Routledge Studies in the History of Economics)

Business & Money

Economics

Routledge

Preference Pollution: How Markets Create the Desires We Dislike (Economics, Cognition, and Society)

Seldom considered is whether markets do an adequate job of shaping our tastes. David George argues that they do not, and that the standard economic definition of efficiency can be used to demonstrate that the market ignores people's desires about their desires. He concludes that markets perform poorly with respect to second-order preferences, thus worsening the problem of undesired desires. The book further investigates changes in perceptions and public policy toward such activities as gambling, credit, entertainment, and sexual behavior.David George is Chair and Professor Economics, LaSalle University.

Preference Pollution: How Markets Create the Desires We Dislike (Economics, Cognition, And Society)

University of Michigan Press

Seldom considered is whether markets do an adequate job of shaping our tastes. David George argues that they do not, and that the standard economic definition of efficiency can be used to demonstrate that the market ignores people's desires about their desires. He concludes that markets perform poorly with respect to second-order preferences, thus worsening the problem of undesired desires. The book further investigates changes in perceptions and public policy toward such activities as gambling, credit, entertainment, and sexual behavior. David George is Chair and Professor Economics, LaSalle University.

Univ of Michigan Pr

Between 1892 and 1936 Spanish society witnessed many momentous transformations, including the reassertion of a Catalan identity and the emergence of Barcelona as a major industrial and cultural centre. At the same time, theatre in Spain underwent significant changes as teatro poetico and the avant-garde challenged both the naturalistic and commercial theatres.Theatre in Madrid and Barcelona, 1892-1936 is an account of an exciting period in Spanish cultural history and provides a detailed analysis of the artistic, political and linguistic contexts of Spanish and Catalan theatre before the Spanish Civil War.

Theatre in Madrid and Barcelona, 1892-1936

George, David J.

History

University of Wales Press

First Published in 1968. Routledge is an imprint of Taylor & Francis, an informa company.

Early English Intercourse with Burma, 1587-1743 and the Tragedy of Negrais: The Tragedy of Negrais

Hall, Edward

International

See the best price to sell, buy, or rent books by George, David. BookScouter helps to compare book prices from 25+ online bookstores and 30+ buyback vendors with a single search.

Books by George, David

See the best price to sell, buy, or rent books by George, David. BookScouter helps to compare book prices from 25+ online bookstores and 30+ buyback vendors with a single search.

The Modern Brazilian Stage

The Modern Brazilian Stage

Recipes from the French Kitchen Garden

A New Variorum Edition of Shakespeare CORIOLANUS Volume I

Poisons

The Rhetoric of the Right: Language Change and the Spread of the Market (Routledge Studies in the History of Economics)

Preference Pollution: How Markets Create the Desires We Dislike (Economics, Cognition, And Society)

Preference Pollution: How Markets Create the Desires We Dislike (Economics, Cognition, and Society)

Theatre in Madrid and Barcelona, 1892-1936

Early English Intercourse with Burma, 1587-1743 and the Tragedy of Negrais: The Tragedy of Negrais