In his new book, Samuel Fuller, independent director-producer extraordinaire, tells the story of his life, a life that spanned most of the twentieth century. His twenty-nine tough, gritty pictures made from 1949 to 1989 set out to capture the truth of war, racism, and human frailties, and incorporate some of his own experiences. He writes of his years in the newspaper business—selling papers as a boy on the streets of New York, working for Hearst’s New York Journal American, first as a copyboy, then as personal runner for the famous Hearst editor in chief Arthur Brisbane. His film Park Row was inspired by his years as a reporter for the New York Evening Graphic, where his beat included murders, suicides, state executions, and race riots—he scooped every other New York paper with his coverage of the death by drug overdose of the legendary Jeanne Eagels. Fuller writes about hitchhiking across the country, seeing America firsthand at the height of the Great Depression. He writes of his years in the army . . . fighting with the first infantry division in World War II, called the Big Red One . . . on the front lines during the invasion of North Africa and Sicily, and landing on Omaha Beach on D Day, June 6, 1944. These experiences he later captured in his hugely successful pictures The Big Red One, The Steel Helmet, and Merrill’s Marauders, which was based on the true story of a three-thousand-man infantry that fought behind enemy lines in Burma in 1944. Fuller talks about directing his first picture (he also wrote the script), I Shot Jesse James . . . and how, as a result, he was sought after by every major studio, choosing to work for Darryl Zanuck of Twentieth Century Fox. We see him becoming one of the most prolific, independent-minded writer-directors, turning out seven pictures in six years, among them Pickup on South Street, House of Bamboo, and China Gate. He writes about making Underworld U.S.A., a movie that shows how gangsters in the 1960s were no longer seen as thugs but as “respected” tax-paying executives . . . about the making of the movie Shock Corridor—about a journalist trying to solve a murder in a lunatic asylum—which exposed the conditions in mental institutions . . . and about White Dog (written in collaboration with Curtis Hanson), a film so controversial that Paramount’s then studio heads, Jeffrey Katzenberg and Michael Eisner, refused to release it. Honest, open, engrossing. A must for anyone interested in movies.

A Third Face: My Tale of Writing, Fighting, and Filmmaking

Fuller, Samuel

Humor & Entertainment

KNOPF

The Golden Censer: A Collection of Anthems, Collects, Prayers, and Thanksgivings From Holy Scriptur

Literature & Fiction

Literary

Wentworth Press

Describing Sam Fuller as a cult legend and a celluloid genius would be like describing Muhammad Ali as a boxer or Jimi Hendrix as a guitar player. He was a singular American visionary, a giant of independent filmmaking, and a king of bruised-knuckle cinematic poetry. The Big Red One is his masterpiece. Twenty years in the making, both the novel and the film are based on Fuller's own experiences with the Army's First Infantry Division ("the Big Red One") in World War II. The story centers on the friendship of five soldiers and follows them from the arid landscapes of Vichy French Africa to Europe to the beaches of Normandy on D-Day and onward into Germany. Excruciating scenes of suffering and brutality are juxtaposed against heartbreaking scenes of compassion and selflessness. In Fuller's vision the lines between heroism and villainy are blurred—"the only glory in war is surviving"—but The Big Red One also provides an epic adventure steeped in the true history of World War II.

The Big Red One

Genre Fiction

Bantam]

The magnificent saga of WWII's incredible first infantry division. Fiction.

The Big Red One: The Magnificent Saga of World War II's Incredible First Infantry Division

The Golden Censer: A Collection of Anthems, Collects, Prayers, and Thanksgivings; from Holy Scripture

This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

The Golden Censer: A Collection Of Anthems, Collects, Prayers, And Thanksgivings; From Holy Scripture (1867)

United States

Kessinger Publishing

Kessinger Pub

St. Peter's Recognition Of St. Paul As The Author Of The Epistle To The Hebrews (1885)

Biographies & Memoirs

Historical

The Golden Censer: a collection of anthems, collects, prayers, and thanksgivings from Holy Scriptur

This is a pre-1923 historical reproduction that was curated for quality. Quality assurance was conducted on each of these books in an attempt to remove books with imperfections introduced by the digitization process. Though we have made best efforts - the books may have occasional errors that do not impede the reading experience. We believe this work is culturally important and have elected to bring the book back into print as part of our continuing commitment to the preservation of printed works worldwide.

The Golden Censer: A Collection of Anthems, Collects, Prayers, and Thanksgivings from Holy Scriptur

BiblioLife

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