For this collection, Brooklyn-born photographer Leonard Freed chose his most powerful images taken during a period of over thirty years spent traveling across continents. The 170 black and white pictures collected here are well worth the wait: the subject matter is sometimes violent and the images often startling, but a deep compassion and lively interest in seemingly every aspect of the human condition are evident in each shot. It is around the theme of 'life and all its emotions' that Freed conceived this anthology, and it balances his commissioned worked with images reflecting a more personal quality. Freed's images are, like those of Boubat, Doisneau, and Cartier-Bresson, full of irony, humor, and pathos. They document black America, neo-Nazis, the Arab-Israeli war, the Romanian revolution, and many other subjects. Stefanie Rosenkranz, a journalist from Stern magazine who has worked with Freed on assignment, contributes a highly personal anecdotal essay.

Leonard Freed: Photographs 1954-1990

Arts & Photography

Freed, Léonard

Individual Artists

W.W. Norton & Co., Inc.

Made in Germany

Photography & Video

Grossman Publishers

A wonderful retrospective of socially conscious b&amp;w work by this long-time member of Magnum. 196 pages; 170 duo-toned b&amp;w plates; 10 x 11.5 inches.

Leonard Freed Photographs 1954-1990

Cornerhouse

Leonard Freed (1929-2006) was inspired to capture the African American experience while he was in Berlin in 1962 to photograph the building of the Berlin wall. He noticed a black soldier standing in front of the wall and was struck by the fact that this soldier was ready to defend America abroad, while at home African Americans were facing their own battle for civil rights. Traveling in New York, Washington, D.C., and throughout the South, Freed captured images that reflected the struggle for the end of racial segregation. First published in 1968, Black in White America shows many aspects of black life in 1960s America, from political marches and rallies to children playing and splashing in the spray of a fire hydrant, from signs for colored entrances to interactions with whites. One particularly poignant image shows Martin Luther King Jr. in an open convertible being greeted by an eager crowd of admirers. Freed's captions include observations, stories about the people he met, lyrics from spirituals, and an excerpt from the "I have a dream" speech.

Black in White America

J.paul Getty Museum

This Is the Day: The March on Washington is a stirring photo-essay by photographer Leonard Freed documenting the March on Washington for Jobs and Freedom of August 28, 1963, the historic day on which Dr. Martin Luther King Jr. delivered his “I Have a Dream” speech at the base of the Lincoln Memorial. This book commemorates the fiftieth anniversary of the historic march that ultimately led to the passage of the Civil Rights Act of 1964. Never before published in book form, the seventy-five photographs in this volume were chosen from among the hundreds of images that Freed made in the nation’s capitol—before, during, and after the march. These images not only present us with stunning wide-angle views of hundreds of thousands of marchers overflowing the National Mall but also focus on small groups of people straining to see the speakers and on individual faces, each one filled with hope and yearning, epitomized by the beautiful young woman who throws her entire being into singing "We Shall Overcome.” In addition are eighteen pictures from the twentieth-anniversary march of August 1983, conveying a sense of celebration coupled with peaceful protest. Accompanying the photographs are a first-hand, backstage account of the preparations leading up to the march by social activist and civil rights leader Julian Bond; an essay on the importance of the march and Dr. King's involvement by sociology professor and author Michael Eric Dyson; and an informative discussion of Freed’s approach to the photographic project by scholar Paul Farber.

This Is the Day: The March on Washington

Dyson, Michael Eric

79 photographies en noir et blanc légendées / Con 79 fotografie in bianco e nero. Testo introduttivo di Leonard Freed (traduzione dall'inglese di Jean-François Chaix) . 8vo (cm 29,5x26) pp. 116 Rilegato tela, sovracoperta (cloth, dust jacket) Molto buono (Very Good)

La Danse des Fidèles

Chêne

New York Police

Actes-sud

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