"Funny and deeply sad, large-hearted and merciless. The Corrections is a testament to the range and depth of pleasures great fiction affords." - David Foster Wallace &gt; 1st Edition &gt; Copyright 2001 by Jonathan Franzen &gt; Published 2001 by Farrar Straus Giroux, New York &gt; Measures 9.25 x 6.5 x 1.75 inches thick &gt; 568 pages &gt; Weighs 32 ounces

THE CORRECTIONS.

Literature & Fiction

Franzen, Jonathan

Contemporary

Farrar. Straus & Giroux

How To Be Alone, Essays

Essays & Correspondence

As Jonathan Franzen tells it, he was the kind of boy who was afraid of spiders,school dances, urinals, music teachers, boomerangs, popular girlsand his parents.He had nothing against geeky kids except a desperate fear of being taken forone of them, a fate which would result in instant Social Death. Approachingpuberty the way a fraud artist confronts a particularly tough scam, he pretended tobe a kid who naturally said “shit” and who didn’t enjoy calculations on his new six functionTexas Instrument calculator.
The Discomfort Zone is Franzen’stale of growing up squirming in his own über-sensitive skin. It’s a multi-layeredtour de force that daringly cascades from single moments into a domino-like discourseof sometimes truculent, sometimes piercing, always entertaining investigationand insight. Whether he’s writing about the explosive dynamics of a Christianyouth fellowship in the 1970s, the effects of Kafka’s fiction on his own protractedquest to lose his virginity, or the web of connections between birdwatching, hisall-consuming marriage and the problem of global warming, Franzen is always feelinglyengaged with the world we live in now. Franzen’s personal history of a Midwesternyouth and New York adulthood is warmed by the same blend of comic scrutinyand affection that characterize his fiction; the result is an arresting portrait of aman, his family and his time.

The Discomfort Zone

Biographies & Memoirs

Memoirs

HarperCollins, Publishers

The Discomfort Zone is Jonathan Franzen’s tale of growing up afraid of spiders, school dances, urinals, music teachers, boomerangs, popular girls and his parents. It’s also a portrait of a middle-class family weathering the turbulence of the 1970s, and a vivid personal history of the decades in which America turned away from its mid-century idealism and became a more polarized society. Whether he’s writing about the explosive dynamics of a Christian youth fellowship in the 1970s, the effects of Kafka’s fiction on his own protracted quest to lose his virginity or the web of connections between birdwatching, his all-consuming marriage and the problem of global warming, Franzen’s recounting of a mid-western youth and a New York adulthood is warmed by the same blend of comic scrutiny and affection that characterize his fiction. Funny, insightful and daringly honest, The Discomfort Zone is Jonathan Franzen at his most engaging.

Harper-perennial

The Corrections is a 2001 novel by American author Jonathan Franzen. It revolves around the troubles of an elderly Midwestern couple and their three adult children, tracing their lives from the mid-20th century to "one last Christmas" together near the turn of the millennium. The novel was awarded the National Book Award in 2001[1] and the James Tait Black Memorial Prize in 2002.

The Corrections

G.K.Hall & Co.

Enid, long-time matriarch of the Lambert family, sets her heart on an elusive goal: bringing her family together for one last Christmas at home.
Published to universal acclaim, Jonathan Franzen’s novel about a post-modern family breaking down in late-twentieth-century America is a comic, tragic masterpiece. Richly realistic, darkly hilarious, and deeply human, The Corrections has been a fixture on bestseller lists since its debut and was one of the most talked-about books of the year.

Literary

From Jonathan Franzen, the National Book Award–winning author of The Corrections, here are fourteen provocative and entertaining answers to the question of how to be alone in a noisy and distracting mass culture. Although Franzen’s subjects range from the sex-advice industry to the way a supermax prison works, each piece wrestles with essential themes of his writing: the erosion of civic life and private dignity, the dubious claims of technology and psychology, the tragic shape of the individual life.Recent pieces include a moving essay on his father’s struggle with Alzheimer’s disease and a rueful account of Franzen’s brief tenure as an Oprah Winfrey author.
This is a book that will further cement Franzen’s reputation as one of the sharpest, toughest, and liveliest writers at work today.

How To Be Alone

Jonathan Franzen is smart and brash, the kind of person you want as your social critic but not as a brother-in-law. Many of the 14 essays in How to Be Alone, by the author of the critically acclaimed novel The Corrections, first appeared in The New Yorker, Harper's, and elsewhere. A long, much-discussed rumination on the American novel, (newly) titled "Why Bother?," is included, as well as essays on privacy obsession, the U.S. post office, New York City, big tobacco, and new prisons. At his best, as in "My Father's Brain," a piece on his father's struggle with Alzheimer's, Franzen can make the ordinary world utterly riveting. But at times, it can be difficult to discern where Franzen stands on any particular subject, as he often takes both sides of an argument. Valid attempts to reflect ambiguity s! ometimes lead to obfuscation, especially in his essays on privacy and tobacco, although his belief that small-town America of years gone by offered the individual little privacy certainly rings true. Franzen can write with panache, as in this comment after he watched, without headphones, a TV show during a flight: "(It) became an exposé of the hydraulics of insincere smiles." A few of the shorter pieces appear to be filler. Franzen shines brightest when he gets edgy and a little angry, as in "The Reader in Exile": "Instead of Manassas battlefield, a historical theme park. Instead of organizing narratives, a map of the world as complex as the world itself. Instead of a soul, membership in a crowd. Instead of wisdom, data." --Mark Frutkin, Amazon.ca

How to Be Alone

London: Fourth Estate

4th Estate

Passionate, independent-minded nonfiction from the international bestselling author of 'The Corrections'. Jonathan Franzen's 'The Corrections' was the best-loved and most written-about novel of 2001. Nearly every in-depth review of it discussed what became known as 'The Harper's Essay,' Franzen's controversial 1996 look at the fate of the novel. This essay is reprinted for the first time in 'How to be Alone', alongside the personal essays and painstaking, often funny reportage that earned Franzen a wide readership before the success of 'The Corrections'. Although his subjects range from the sex-advice industry to the way a supermax prison works, each piece wrestles with familiar themes of Franzen's writing: the erosion of civic life and private dignity, and the hidden persistence of loneliness, in postmodern, imperial America. Recent pieces include a moving essay on his father's struggle with Alzheimer's disease and a rueful account of Franzen's brief tenure as an Oprah Winfrey author. As a collection, these essays record what Franzen calls 'a movement away from an angry and frightened isolation toward an acceptance -- even a celebration -- of being a reader and a writer.' At the same time they show the wry distrust of the claims of technology and psychology, the love-hate relationship with consumerism, and the subversive belief in the tragic shape of the individual life that help make Franzen one of the sharpest, toughest-minded, and most entertaining social critics at work today.

Harperperennial

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Books by Franzen, Jonathan

See the best price to sell, buy, or rent books by Franzen, Jonathan. BookScouter helps to compare book prices from 25+ online bookstores and 30+ buyback vendors with a single search.

THE CORRECTIONS.

How To Be Alone, Essays

The Discomfort Zone

The Discomfort Zone

The Corrections

The Corrections

How To Be Alone

How to Be Alone

How to Be Alone

How to Be Alone