What do Mrs H., Rachel, Edwina, Ida, Sarah, Dot, Chrissie have in common? They're all women, but they're fat, thin, old, young, professional, incompetent - and appear as diverse as human nature can be. But they are all survivors. This compelling novel follows the ripples that go out into ordinary lives, women's lives in particular, which have been scarred and changed by a shared experience, all connected by the same hospital clinic in a small Northern town. This is a novel about what it means to live in the shadow of disease and with its scars, whether mental and physical, looking back over one's shoulder while trying to go forward. You can trip up or, if you're careful, you might make it...At its heart is a strong, difficult but finally vulnerable, old woman. Mrs H. is generous and helpful to a (sometimes comical) fault, and lives alone with a secret that she tells no one but that finally explains everything. Her niece is a young doctor who can't take the strain, and who wants something different from life. Alongside them are the other walking wounded, getting on with their lives: Ida, once beautiful and now hiding her scars under layers of fat; tiny Dot who is stronger than she seems; Edwina, a mother who lives vicariously through others, even her wild daughter, Rachel, who finds almost too late what it's like to soar above the crowd; and not to mention the men in their lives. From the marvellous ambivalence of the title question, it leaves us with a whole lot more to consider about life and its infinite variety.

Is There Anything You Want?

Literature & Fiction

FORSTER, Margaret

Contemporary

Vintage Books

Lady's Maid

Mystery, Thriller & Suspense

Georgy is young, gregarious and fun - she is also large, self-confessedly ugly and desperate for love. Georgy bears her fate bravely as she alternates between playing the fool and humbling herself before Meredith, her pretty, callous flatmate, although when James, middle-aged socialite and self-imposed 'Uncle', asks Georgy to become his mistress, she is tempted to accept. Then Meredith announces that she is pregnant and Jos, the expectant father, decides he is in love with Georgy...

Georgy Girl

A classic Margaret Forster novel with the same satisfying appeal as her bestselling Diary of an Ordinary Woman — the story of an actual early 20th century painting and its fictional adventures through the century and of the women whose lives it touches. From the Hardcover edition.

Keeping the World Away

Margaret Forster writes fiction that is convincingly, disturbingly real, rooted in the experiences of ordinary lives. As in Carol Shields’s Unless, this novel takes a heartbreaking look at a mother’s anguish.Over is a novel about what happens after a tragedy in a family. Not the tragedy itself but its aftermath; what’s left when the tide recedes and it’s over. A daughter has died, suddenly, shockingly, and the different ways in which her parents respond to the tragedy, and how this affects the other siblings, is at the heart of things. The sad story is narrated by the mother, Louise, who is trying to hold herself together and get on with life, trying to understand not “what happened,” but what has happened to them all in the wake of the accident. Only gradually do we learn some of the details of the tragedy — a storm blew up, a yacht capsized, but the body was never found. Louise’s husband cannot come to terms with the lack of knowledge and uncertainty and becomes obsessive in his quest for a reason and someone to blame. His wife just wants to come to terms with it. She moves out of the home and goes back to work. Their other children can’t deal with the way their parents are tearing the family and each other apart.With characteristic subtlety, Forster holds back the essential truth till the end, when we realize that Louise is not as reliable as her matter-of-fact narration suggests. Her determination to deal with grief in her own way, and her refusal to be defined by tragedy has its dangers and this is where the real tragedy lies.From the Hardcover edition.

Over

Isa & May

The curiously named Isamay, a would-be academic, is trying to write a coherent thesis about grandmothers in history - from Sarah Bernhardt and George Sand to the matriarchal Queen Victoria and other influential grannies -- while constantly ambushed by the secrets her own family has been keeping. An only child, she is named after her grandmothers, Isa and May, who were there at her birth and who have formed and influenced her in very different ways. Jealous of each other, they both want to be first in their granddaughter's affections. Isa has an edge, in that young Isamay looks like her, but Isa's reserved and elegant exterior hides startling surprises that could undermine her granddaughter's certainties. May, on the other hand, is plump, indomitable and opinionated, and it's from her that Isamay inherits her stubborn determination. Isamay, almost thirty, has never wanted children, but suddenly considers changing her mind. Her live-in lover, Ian (always mysterious about his own family history) is sure that he does not want a child. Engrossing, set in the present but with hooks into the past, this is an unusual story about grandmothers and their potentially powerful role in family life, about nature vs nurture, bloodlines and bridges across generations. From the Hardcover edition.

A powerful, moving story about motherhood, abandonment and guilt which casts a shadow across generations. Born in Carlisle in 1887, brought up in a children's home and by reluctant relatives, Evie, with her wild hair and unassuming ways, seems a quiet, undemanding child. Shona, born almost seventy years later, is headstrong and striking. She grows up in comfort and security in Scotland, the only child of doting parents. But there are, as she discovers, unanswered questions about her past. The two girls have only one thing in common: both were abandoned as babies by their mothers. Different times, different circumstances, but these two girls grow up sharing the same obsession. Each sets out to stalk and then haunt her natural mother. Both mothers dread disclosure; both daughters seek emotional compensation and, ultimately, revenge.

Shadow Baby

A powerful, dramatic and disturbing new novel about the long shadow cast by the memory of a dead mother on the life of her daughter -- another brilliant exploration of family mythology and guilt from a novelist who reigns supreme in her territory. A dying woman leaves a sealed box for her baby daughter. Years later, as a young woman, the daughter Catherine finds the mysterious box, addressed to her, full of unexplained objects -- three feathers, an exotic seashell, a painting, a mirror, two prints, an address book, a map, a hat, a rucksack, and a necklace -- and she finally starts to unpack, literally and metaphorically, the story of a woman whom she never knew but who has cast a long shadow over her life. Having a 'perfect', beautiful, dead mother has been a heavy burden to carry, and one she has tended to resent. But now she sets off on the trail of her 'perfect' mother, trying to unravel the truth about a woman who turns out to be more complex, reckless and surprising than her family have painted her. And Catherine has to face up to the truths about herself and the damage that guilt and silence have done to her own relationships. Only when she has come to terms with her dead mother, can she move on, to take up the challenges of her own young life.

The Memory Box

Only one person knows what happened that day... Julia was the only person who knew what happened that day. But she didn't tell the police. And then it was too late. Now, years later, her secret looms large. Is it really too late? And if she does tell, can she bear the consequences?

The Unknown Bridesmaid

Naxos Audio Music

Mother Can You Hear Me

Random House]

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Books by FORSTER, Margaret