Günther Förg im Gespräch mit Siegfried Gohr (Kunst heute) (German Edition)

Förg, Günther

Kiepenheuer & Witsch

Featuring established and emerging photographers including Thomas Ruff, Peter Fischli and David Weiss, Beat Streuli, Thomas Struth, Nobuyoshi Araki, Anna and Bernhard Blume, Baltasar Burkhard, Gnter Farg, Andreas Gursky, Candida Hafer, Axel Htte, Martin Liebscher, Inge Rambow, and Jarg Sasse, XL-Photography presents the photography collection of the Frankfurt Stock Exchange, assembled by Jean-Christophe Amman, Director of the Museum of Modern Art in Frankfurt. XL-Photography presents close to 200 large-format works by the 14 aforementioned photographers, with pieces that range from the ironic pictorial narratives of Anna and Bernhard Blume to Htte's landscape images; from Candida Hafer's interior shots to Araki's provocative erotic stagings; from Ruff's deconstructions of subjectivity to Streuli's urban views. Much more than a simple collection catalogue, this smartly designed and lavishly illustrated book presents some of the essential positions taken in photographic art over the past ten years.

XL-Photography: Art Collection Neue Borse

Arts & Photography

WEISS, David

Hütte, Axel

Fischli, Peter

GURSKY, ANDREAS

Ammann, Jean-Christophe

Araki, Nobuyoshi

Sasse, Jörg

Snauwaert, Dirk

Bernhard

Liebscher, Martin

Rambow, Inge

Scherf, Jone Elissa

Lorenz, Gunter

Photography & Video

Hatje Cantz Publishers

Uncompromising, unembellished, sometimes delapidated, and often featuring careless renovations and additions, more than 1500 Bauhaus structures remain standing in Tel Aviv and Jerusalem, monuments that have stubbornly defied the course of time and retained the unbroken utopic spirit of their era. Photographed by Gnter Farg, whose oeuvre encompasses painting, graphic design, sculpture, and a body of architectural photographs of such buildings as the Villa Malaparte and the Wittgenstein House, these villas, studios, and working-class housing developments were designed in the 1930s and 40s largely by architects who had emigrated from Europe. Ariel Sharon, Sam Barkai, Genia Averbuch, Ze'ev Haller, Richard Kauffman, Erich Mendelsohn, and others endeavored to implement the social, technical, and aesthetic principles postulated by the Bauhaus before it was closed down by the Nazis in 1933.

Günter Förg- Photographs: Bauhaus Tel Aviv-Jerusalem

Schmitz, Rudolf

Beil, Herman

Förg, Günter

Individual Artists

Günther Förg was a genuine space artist!Already in 1978 while he was still at the academy, Günther Förg began working with colored spaces, or rather, wall paintings. He liked to tell, laughing, how obvious that seemed to him, given that during his studies he occasionally earned some extra money as a housepainter. In total, he created over 140 wall paintings, and a selection will now be on show at the Deichtorhallen. Günther Förg had been looking forward to the exhibition at the Deichtorhallen; in an interview, already several years ago, he clearly organized this important body of work into several types: »... the first were vertical, later horizontal wall bisections. Furthermore, there are color sequences with different colored areas placed next to one another. There were rooms where all four walls were painted in different colors. Various paintings were created in public, as well as semi-public spaces. In these works, the architecture is the main focus; the paint emphasizes it and renders it visible. The color bears reference to the place ... Next came murals with flat areas and stripes, and also wall paintings akin to panel painting.« The critic Hans-Joachim Müller put it this way: »Günther Förg was a genuine space artist .«Exhibition: Deichtorhallen Hamburg, 31/7–25/10/2015

Günther Förg: Wall Paintings. Deichtorhallen Hamburg: Photographed by Julian Faulhaber

History & Criticism

Snoeck Publishing Company

Gunther Forg: Gesamte Editionen : The Complete Editions 1974-1988

Distributed Art Pub Inc

Text: English, German (translation) 
Original Language: German

A Gunther Forg (English and German Edition)

Edition Cantz

Gunther Forg: Fotografien 1982-1992 (English, German and German Edition)

Preiss, Achim

Bund Deutscher Architekten

Galerie Der Stadt Stuttgart

Famous ArchitectureThe book includes 50 buildings photographed by Günther Förg in Moscow in Autumn 1995. Choosing from over 1,000 photographs—a few of which have already occasionally appeared individually at exhibitions—Günther Förg has put together a definite selection as an archive which was published in this book for the first time in its entirety. In addition to Konstantin Melnikov’s highly celebrated studio and its ground plan of a drum so often imitated in modern architecture, the book also includes photographs of extraordinary Constructivist and avant-garde architectural experiments from the twenties and early thirties of the 20th century. Exhibition: Gemeentemuseum Den Haag, 8/11/03–18/1/04

Günther Förg: Moscow

Klotz, Heinrich

Snoeck Publishers

You can make something out of nothingSome of the current batch of watercolours were originated on partially sullied sheets of paper, on sheets that had been used either as an underlay for the painting of other watercolours or one that were to hand during this process in order that the artist could dab his brush now and then or test the value of a particular colour. Such literal »working papers« now form the basis for watercolours and paintings, which cover the whole range from cheery fields of paint blots to an intensive encounter between different principles of form. It is self-evident that the quasi self-originating beginnings of this new »pictorial language« also deal with the phenomenon of horror vacui, which on the one hand equivocally demands that the emptiness—the pure white of the canvas—should be done away with and yet in so doing, simultaneously induces a high degree of anxiety, rendering any composition a sheer impossibility. We can forge a connection to French Impressionism, which was quite literally thrown back upon the essence of the blot in its quest for that true visual insight and depiction of the world, as we also could see in these paintings the contemporary answer for that depiction.
Exhibition: Fuhrwerkswaage, Cologne, 25/3–22/4/2007

Günther Förg: passage

Wechsler, Max

Architecture has always been a natural subject matter for photographers, but for most of the twentieth century the practice of architectural photography has been a professional endeavor--anonymous photographs taken for clients for specific, commercial reasons. This book concerns itself with another aspect of the phenomenon: the photography of architecture as an art practice. It considers the work of seven contemporary photographers who use buildings in their work in a new way. In these photographs, they respond to the work of prominent architects with their own singular interpretations. Here are Andreas Gursky's photos of the Stockhom Library by Gunnar Asplund, Thomas Ruff's photos of several works by Herzog &amp; de Meuron, Hiroshi Sugimoto's photos of Le Corbusier's Villa Savoye, as well as works by Candida Hofer, Jeff Wall, Gunther Forg and Balthasar Burkhard. Architecture Without Shadow is a beautiful and valuable book on one of the prominent movements in contemporary photography.

Architecture Without Shadow

Schwabsky, Barry

Bader, Joerg

Moure, Gloria

Abalos & Enguita

Hurzeler, Catherine

Irrek, Hans

Tschanz, Martin

Collections, Catalogs & Exhibitions

Ediciones Polgrafa

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