On Wings Made of Gauze

Literature & Fiction

Finney, Nikky

Poetry

William Morrow & Co.

Love Child’s Hotbed of Occasional Poetry is a twenty-first-century paean to the sterling love songs humming throughout four hundred years of black American life. National Book Award winner Nikky Finney’s fifth collection contains lighthouse poems, narrative hotbeds, and treasured artifacts—copper coins struck from a new matrix for poetry, one that testifies from the witness stand and punctuates the occasional lyric within a new language of “docu-poetry.” The ancestors arise and fly, and the black female body is the “insurgent sensualist,” hunted but fighting to live and love in the ways it wants and knows best: “I loved being / a black girl but had not yet learned / to play dead . . .” The tenderness of a father’s handwritten notes shadows the collection like a ghost, while the treasured, not-for-sale interiority of a black girl’s fountainhead takes over every page. “One yellaw gal with an all-black tongue has gone missing.” Finney has composed a new black spiritual, and one of the great voices of our time again stamps her singular sound into the new day.

Love Child's Hotbed of Occasional Poetry: Poems & Artifacts

Essays & Correspondence

TriQuarterly

Winner, 2011 National Book Award for Poetry Winner, 2012 GCLS Award for Poetry Winner, 2012 SIBA Book Award for Poetry Nominee, 2012 NAACP Image Award for Outstanding Literary Work in Poetry The poems in Nikky Finney's breathtaking new collection Head Off &amp; Split sustain a sensitive and intense dialogue with emblematic figures and events in African American life: from civil rights matriarch Rosa Parks to former secretary of state Condoleezza Rice, from a brazen girl strung out on lightning to a terrified woman abandoned on a rooftop during Hurricane Katrina. Finney's poetic voice is defined by an intimacy that holds a soft yet exacting eye on the erotic, on uncanny political and family events, like her mother's wedding waltz with South Carolina senator Strom Thurmond, and then again on the heartbreaking hilarity of an American president's final State of the Union address. 
Artful and intense, Finney's poems ask us to be mindful of what we fraction, fragment, cut off, dice, dishonor, or throw away, powerfully evoking both the lawless and the sublime.

Head Off & Split: Poems

In Rice, her second volume of poetry, Nikky Finney explores the complexity of rice as central to the culture, economy, and mystique of the coastal South Carolina region where she was born and raised. The prized Carolina Gold rice paradoxically made South Carolina one of the most oppressive states for slaves and also created the remarkable Gullah culture on the coastal islands. The poems in Rice compose a profound and unflinching journey connecting family and the paradoxes of American history, from the tragic times when African slaves disembarked on the South Carolina coast to the triumphant day when Judge Ernest A. Finney Jr., Nikky’s father, was sworn in as South Carolina’s first African American chief justice. Images from the Finney family archive illustrate and punctuate this collection. Rice showcases Finney’s hungry intellect, her regional awareness and pride, and her sensitivity to how cultures are built and threatened.

Rice: Poems

The World Is Round, Nikky Finney’s third volume of poetry, collects the wisps of memory we carry with us throughout our earthly lives and weaves them into deft and nuanced poems that emphasize understanding the cycles of life. The settings offer a view into the kaleidoscope of human experience: the sweetness and shock of family life, the omnipresent wash of memory, and the ebullience of warm Southern air. The World Is Round carries with it an implicit challenge—to the author as a poet, and to the reader as a fellow human—to see the characters and details and events of our lives with clarity, fearlessness, and love. The result is poems that range the gamut of human reach and resilience, fury and frailty. The poet’s vision of community requires understanding and tolerance from every breathing soul. Finney illuminates the cruelties of the sometimes gawking, narrow-minded world and makes a plea for compassion inspired by our common humanity.

The World Is Round: Poems

" Deep in the center of every tree, you'll find the heartwood. The characters in this new book by poet Nikky Finney are the heartwood of their small Kentucky communities. You'll meet Buck Jones and Mae Bennet, whose anger has twisted them up inside, Queenie Sims and Arizona Scott, who can see the good in people, and Trina Sims and Jenny Bryan, two young women who discover how much they are alike despite their different skin color.

Heartwood (New Books For New Readers)

United States

University Press of Kentucky

When Trina Sims and Jenny Bryan first meet, they don't relate well to each other. Jenny is troubled, struggling to escape personal demons, and somewhat closed-minded, the result of growing up in a racist town. Trina is a proud Black woman--ambitious, strong-willed, and unafraid to speak her mind. But after the pair spend a few days together, they soon realize that they're both yearning for understanding and a fresh start and are, at heart, more alike than different. At the center of every tree can be found the heartwood--the very soul of the tree. And at the heart of this illuminating novel are characters with more complexities and contradictions than appear on the surface. Members of a rural Kentucky community, their lives are loosely connected through chance encounters, and yet somehow deeply intertwined. This captivating story by National Book Award-winning author Nikky Finney is filled with the sights and sounds and hopes and hurts of a land and its people. Some are burdened with racist attitudes, anger, and fear, while others strive to see the good in their neighbors. This "tiny little book about the human heart and what it can do" was first released 25 years ago as part of New Books for New Readers, a series designed for adult literacy students. In this expanded anniversary edition, with a new preface by Finney, all readers will find lessons about life and understanding, and the encouragement to live audaciously while acknowledging the goodness that is all around us--if we only strive to recognize and embrace it.

Heartwood

Teen & Young Adult

Jacob Lawrence: The Migration Series

In 1941, Jacob Lawrence, then just 23 years old, completed a series of 60 small tempera paintings with text captions about the Great Migration, the mass movement of black Americans from the rural South to the urban North that began in 1915–16. Within months of its making, the Migration Series was divided between The Museum of Modern Art (even-numbered panels) and the Phillips Memorial Gallery (odd-numbered panels). The work has since become a landmark in the history of African American art, a monument in the collections of both institutions and a crucial example of the way in which history painting was radically reimagined in the modern era. In 2015 and 2016, the panels will be reunited in exhibitions at The Museum of Modern Art (One-Way Ticket: Jacob Lawrence's Migration Series and Other Works) and at The Phillips Collection (Jacob Lawrence's Migration Series). This catalogue grounds Lawrence's Migration Series in the cultural and political debates that shaped the young artist's work and highlights its continued resonance for artists and writers today. An essay by Leah Dickerman situates the series within contemporary discussions about black history and an artist's social responsiblities in the late 1930s and early 1940s. Elsa Smithgall traces the acquisition and exhibition history of the Migration Series. Short commentaries on each panel explore Lawrence's career and technique, and the social history of the Migration. The catalogue also debuts ten poems commissioned from acclaimed poets that respond to the Migration Series. Elizabeth Alexander, honored as the poet at President Obama's first inauguration, introduces the section.

Arts & Photography

KOMUNYAKAA, YUSEF

Young, Kevin

Alexander, Elizabeth

Hayes, Terrance

JONES, PATRICIA

DOVE, RITA

Trethewey, Natasha

Jess, Tyehimba

Roberts, Jodi

Van Clief-Stefanon, Lyrae

Williams, Crystal

History & Criticism

The Museum of Modern Art, New York

Powerful collection and celebration of African American tradition and culture thru the use of simple words.

Rice

Sister Vision Pr

The World Is Round

InnerLight Publishing

See the best price to sell, buy, or rent books by Finney, Nikky. BookScouter helps to compare book prices from 25+ online bookstores and 30+ buyback vendors with a single search.

Books by Finney, Nikky