A provocation to reclaim our disability lineage in order to profoundly reimagine the possibilities for our relationship to disability, kinship, and carework. Disability is often described as a tragedy, a crisis, or an aberration, though 1 in 5 people worldwide have a disability. Why is this common human experience rendered exceptional? In All Our Families, disability studies scholar Jennifer Natalya Fink argues that this originates in our families. When we cut a disabled member out of the family story, disability remains a trauma as opposed to a shared and ordinary experience. This makes disability and its diagnosis traumatic and exceptional. Weaving together stories of members of her own family with sociohistorical research, Fink illustrates how the eradication of disabled people from family narratives is rooted in racist, misogynistic, and antisemitic sorting systems inherited from Nazis. By examining the rhetoric of genetic testing, she shows that a fear of disability begins before a child is even born and that a fear of disability is, fundamentally, a fear of care. Fink analyzes our racist and sexist care systems, exposing their inequities as a source of stigmatizing ableism. Inspired by queer and critical race theory, Fink calls for a lineage of disability: a reclamation of disability as a history, a culture, and an identity. Such a lineage offers a means of seeing disability in the context of a collective sense of belonging, as cause for celebration, and is a call for a radical reimagining of carework and kinship. All Our Families challenges us to re-lineate disability within the family as a means of repair toward a more inclusive and flexible structure of care and community.

All Our Families: Disability Lineage and the Future of Kinship

Biographies & Memoirs

Fink, Jennifer Natalya

Community & Culture

Beacon Press

A provocation to reclaim our disability lineage in order to profoundly reimagine the possibilities for our relationship to disability, kinship, and carework\nDisability is often described as a tragedy, a crisis, or an aberration, though 1 in 5 people worldwide have a disability. Why is this common human experience rendered exceptional? In All Our Families, disability studies scholar Jennifer Natalya Fink argues that this originates in our families. When we cut a disabled member out of the family story, disability remains a trauma as opposed to a shared and ordinary experience. This makes disability and its diagnosis traumatic and exceptional.\nWeaving together stories of members of her own family with sociohistorical research, Fink illustrates how the eradication of disabled people from family narratives is rooted in racist, misogynistic, and antisemitic sorting systems inherited from Nazis. By examining the rhetoric of genetic testing, she shows that a fear of disability begins before a child is even born and that a fear of disability is, fundamentally, a fear of care. Fink analyzes our racist and sexist care systems, exposing their inequities as a source of stigmatizing ableism.\nInspired by queer and critical race theory, Fink calls for a lineage of disability: a reclamation of disability as a history, a culture, and an identity. Such a lineage offers a means of seeing disability in the context of a collective sense of belonging, as cause for celebration, and is a call for a radical reimagining of carework and kinship. All Our Families challenges us to re-lineate disability within the family as a means of repair toward a more inclusive and flexible structure of care and community.

Fiction. V is based on a story the author's Brazilian-Jewish grandmother tells, a story aimed at explaining why she left Sao Paulo, Brazil, shortly after World War II. Like most family myths, the story changes every time she tells it; however, it always involves a monkey, a gun, a hat, a man, and, implicitly, a girl: the author's grandmother. In the grandmother's rendition, sometimes the monkey shoots the hat off the man; other times, the man shoots the hat off the monkey.

Literature & Fiction

United States

She Devil Press

Tanya Irene Schwartz narrates her hilarious and conflicting desires through the musical and psychological structure of the fugue. Jewish law, world records, 9/11, Barbies, Viagra, sex, and sisters: these are the surprising sites of Tanya's transformation from girl to woman. These short, intertwined stories explore religion, sex, and school, capturing the cadences and rhythms that mark our journey from adolescence to adulthood. Tanya’s vivid, humorous voice grants us a rare but strangely familiar view of what happens when we almost touch the divine.  

Thirteen Fugues

Literary

Dark Coast Press

Winner of FC2's Catherine Doctorow Innovative Fiction Prize An imaginative, erotic rethinking of Bhopal’s disaster—and perhaps our own On the night of December 2, in the midst of the Reaganomic era, an explosion at an American-owned factory in Bhopal, India, released untold amounts of toxic gas on uncounted numbers of people, creating a human and environmental disaster of insurmountable proportions. Known as the Bhopal disaster, it once dominated international headlines, and is now barely remembered. Yet Bhopal remains emblematic of all the many quickly forgotten disasters that followed, and of the permanent state of globalized disaster in which we now dwell. What does it mean when corporations instead of states control not only the means to create environmental disasters, but also the tools to bury them? How does one revolt against these unelected entities? How do our most private desires get shaped by this stateless horror? Jennifer Natalya Fink’s Bhopal Dance is an epic and epochal tale of such a horror and its buried consequences. At the center of the novel is Cordelia, an owlish woman with a ménage of lovers, who leads a revolutionary Canadian political movement catalyzed by the Bhopal disaster, only to end up imprisoned with just a toilet to talk to. Who she hallucinates is her father. Who is her father. Who is the State. Who may be her mother. Or her twin/lover. Cordelia is a remarkable bird in her own right, and ‘owlishness’ is a feathery conceit deployed in both the book’s form and content, a way of exploring queer possibilities for altering the terms of one’s imprisonment. For setting corporatized corporeality alight. Ablaze. Pets and punk rock, dentists and dyslexia, Shakespeare and salsa: they all dance together here.

Bhopal Dance: A Novel

Fiction Collective 2

See the best price to sell, buy, or rent books by Fink, Jennifer Natalya. BookScouter helps to compare book prices from 25+ online bookstores and 30+ buyback vendors with a single search.

Books by Fink, Jennifer Natalya

See the best price to sell, buy, or rent books by Fink, Jennifer Natalya. BookScouter helps to compare book prices from 25+ online bookstores and 30+ buyback vendors with a single search.

All Our Families: Disability Lineage and the Future of Kinship

All Our Families: Disability Lineage and the Future of Kinship

V

Thirteen Fugues

Bhopal Dance: A Novel